Period: c18th
Piranesi Unbound (2020): Review
19 August 2021
Piranesi Unbound (2020): Review19 August 2021
There is much to admire in this sequel to Heather Hyde Minor’s Piranesi’s Lost Words (Penn State, 2015), which sets out to ‘explore new territory by reimagining his artistic production in terms of his books’. Whereas Lost Words drew attention to Piranesi as an author who combined texts and images… Read More
On Pristine Boxes and Primeval Huts
13 July 2021
On Pristine Boxes and Primeval Huts13 July 2021
Along with his Do Hit Chair (2000), a pristine stainless steel box measuring 1000 x 700 x 750 mm, Dutch-born designer Marijn van der Poll supplies a sledgehammer. In an act of brute physical force he requires the user to expressively sculpt his own seating morphology, not only allowing but… Read More
Superstudio & Piranesi: Zeno is Immortal
24 May 2021
Superstudio & Piranesi: Zeno is Immortal24 May 2021
It’s 1777 in the Italian region of Salerno, a man is resting on a massive Doric column, watching his two cows from the ruin of a temple where the weeds grow. This building was, a long time ago, considered as the house of Juno, goddess of fertility and the vital… Read More
Evocation of Solemnity: Temple of Minerva
19 May 2021
Evocation of Solemnity: Temple of Minerva19 May 2021
For the curious visitor that approaches the historic remains of the Temple of Minerva Medica in Rome, it will take a lot of effort to contextualize the building as it could have once been. That which before had allowed for a gentle processional approach to the ruin has now been… Read More
The Beaux-Arts Tradition
29 April 2021
The Beaux-Arts Tradition29 April 2021
– Basile Baudez and Maureen Cassidy-Geiger
The following text has been excerpted from Living with Architecture as Art, the recently published catalogue of Peter May’s collection of drawings, models and architectural artefacts. The catalogue is edited by Maureen Cassidy-Geiger and published in two generously illustrated volumes. The first volume includes essays by Maureen Cassidy-Geiger, Basile Baudez,… Read More
The Perpetual Race of Piranesi and the Tortoise
1 March 2021
The Perpetual Race of Piranesi and the Tortoise1 March 2021
Melting reality, ancient history and fantasy into one, the etchings of Giovanni Battista Piranesi hold an unparalleled allure that continues to entrance and captivate. They offer an escape into imagined and unknown worlds; each drawing an organism of its own, containing an immense depth of spatial layering and an extraordinary… Read More
Re-presenting the Rococo
24 February 2021
Re-presenting the Rococo24 February 2021
In October 2017, I travelled to the outskirts of Munich to spend three days in the company of Johann Michael Fischer’s church of St Michael at Berg am Laim with the purpose of presenting it in drawings and photographs. The trip was sponsored by the Drawing Matter Trust and was intended to act as… Read More
Thomas Chippendale and Ornament
13 January 2021
Thomas Chippendale and Ornament13 January 2021
‘[Ornament] omitted at pleasure,’ wrote Thomas Chippendale in a guide to his revolutionary The Gentleman and Cabinet Maker’s Director, the first furniture pattern book of its kind. Although initially considered an advertising tool, it quickly became an invaluable manual for craftsmen, with its clear dimensions and rigorously proportioned pieces open… Read More
Soane’s Temple Stye
16 December 2020
Soane’s Temple Stye16 December 2020
A temple for pigs? for swine? for hogs? Not a temple to worship them in, nor a temple for them to be sacrificed in. A temple for them to live in. These are not the pigs which invented their own form of latin, or those powerful Orwellian pigs, but normal… Read More
Vitruvius: Follow the Footprints
7 December 2020
Vitruvius: Follow the Footprints7 December 2020
An intriguing Italian Renaissance drawing from the mid-sixteenth century has recently received critical attention through Drawing Matter. [1] Both the recto and the verso of the paper sheet have an ancient temple plan in perspective in a landscape setting, drawn in brown ink and attributed to the Sangallo circle as… Read More
Writing Prize 2020: Domestic Space, Registered
5 December 2020
Writing Prize 2020: Domestic Space, Registered5 December 2020
– Laura Bonell and Daniel López-Dòriga
Around 200 AD, a map of the city of Rome was carved on marble at a scale of approximately 1:240. It measured 18 meters wide by 13 meters high and comprised 150 marble slabs hung on an interior wall of the Templum Pacis. The Forma Urbis Romae or Severan Marble Plan, as… Read More
The Order of Terror
28 September 2021
The Order of Terror28 September 2021
– Deanna Petherbridge
This text is the fourth in a series by artist Deanna Petherbridge in which she comments on a number of her recent pen and ink drawings. The drawings use imagined architectural imagery as a metaphorical means to deal with complex subject matter about social and political issues. Read the introduction to the series, here.… Read More
art practice drawing as metaphor (series)