Architect: Mario Sironi

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

Editors

Click on drawings to move and enlarge. Premiered at this year’s La Biennale di Venezia, was Andres Veiel’s documentary on Leni Riefenstahl, the German film director known for Olympia (1936) and Triumph des Willens (1935). Framed through archival material Veil’s Riefenstahl (2024) demonstrates how her work was inextricably linked to… Read More

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.

Alternative Histories: Rloaluarnad on Mario Sironi

Alternative Histories: Rloaluarnad on Mario Sironi

The model is a theatre within a city block.  A small volkshuis, a fun palace – a public interior with the shed as its inspirator. Meeting wall to wall with its neighbours, the theatre is a black box within the city block; to the rear is a light, interchangeable structure, clad… Read More

Sans Humour?

Sans Humour?

Niall Hobhouse

It seems that architects are too self-conscious – or perhaps in need of being seen as permanently on duty – to portray themselves or what they do with much humour, let alone self-critical caricature. Edwin Lutyens is an honourable exception, even if his self-mockery ultimately becomes a public performance – a… Read More

Mario Sironi

Mario Sironi

David Vanderburgh

Politics as a Pretext for Making Mario Sironi compromised and traumatised in equal parts by his association with Italian Fascism, was known primarily as a painter and propagandist. He worked with and can be compared to Giuseppe Terragni, Mussolini’s most faithful architect, in his devotion to art as an ideological… Read More