– Emerald Liu
The pale white touch
The most exquisite glow
and depth of shadows
An immutable mystery
in the crossbeam of tranquillity
simply vanished when
the sunlight flooded the
atmosphere
Of this small corner
Where we as children would
feel an inexpressible chill
While waiting
so quiet and pliant to the touch
As a petal of a stray flower
overcome by an unexpected silence
When watching our ancestors through
the window
searching for invisible details
Now I only need to pause before it and
I forget the passage of time
This poem was part of the exhibition on Louis Kahn, Inversions: Contemporary Art inspired by the Architecture of Louis Kahn in 2019, curated by Melinda Wang.
– Niall Hobhouse and Nicholas Olsberg
– Brian Carter
commentaries, rants & reflections Drawing Matter archive: research & collecting
c20th c21st
Louis Kahn
drawing
sketch theoretical & imaginary DMC
Louis Kahn: In Praise of shadows
– Emerald Liu
The pale white touch
The most exquisite glow
and depth of shadows
An immutable mystery
in the crossbeam of tranquillity
simply vanished when
the sunlight flooded the
atmosphere
Of this small corner
Where we as children would
feel an inexpressible chill
While waiting
so quiet and pliant to the touch
As a petal of a stray flower
overcome by an unexpected silence
When watching our ancestors through
the window
searching for invisible details
Now I only need to pause before it and
I forget the passage of time
This poem was part of the exhibition on Louis Kahn, Inversions: Contemporary Art inspired by the Architecture of Louis Kahn in 2019, curated by Melinda Wang.
Related...
Simplification
– Niall Hobhouse and Nicholas Olsberg
Louis Kahn: Kansas City Office Building
Louis Kahn: Notes on a Scrap of Paper
– Brian Carter
Category
commentaries, rants & reflections Drawing Matter archive: research & collecting
Period
c20th c21st
Architect
Louis Kahn
Medium
drawing
Tags
sketch theoretical & imaginary DMC