Looking up toward a glass ceiling, the drawing shows the atrium of this luxury hotel – a ‘bridge’, which was to connect an island to a park creating a sequence of flowing, layered landscapes both inside and outside. Using sinuous forms, rising to a view of the sky, Koolhaas turns an atrium in a flat, former urban wasteland into a self-contained and playful mountain topography of its own.
Rem Koolhaas: EuroDisney
Looking up toward a glass ceiling, the drawing shows the atrium of this luxury hotel – a ‘bridge’, which was to connect an island to a park creating a sequence of flowing, layered landscapes both inside and outside. Using sinuous forms, rising to a view of the sky, Koolhaas turns an atrium in a flat, former urban wasteland into a self-contained and playful mountain topography of its own.
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Boompjes I
– Stefano de Martino
OMA in Scheveningen
– Willem Jan Neutelings
Category
drawing histories commentaries, rants & reflections Drawing Matter archive: research & collecting
Period
c20th
Architect
Rem Koolhaas OMA
Medium
print
Tags
plan section presentation culture interior DMC