By James Gowan
To some extent this is the battle-ground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is yet to appear, one which allows the spectator to move close-to and savour the content. This suggests that, as in painting, the elementary aesthetics are inherently intractable and, without substantial adjustment, are likely to have an isolated rather than a general significance.