Architect: Walter Pichler
On Drawing
30 November 2023
On Drawing30 November 2023
A drawing for me is a model that oscillates between the idea and the physical, or built, reality of architecture. It is not a step toward this reality but an autonomous act to anticipate the concreteness of the ideal. An architectural drawing can never be rendered but must surrender to… Read More
An Overwhelming Concern with Shelter! (1966)
16 September 2021
An Overwhelming Concern with Shelter! (1966)16 September 2021
The International Dialogue on Experimental Architecture (IDEA) was held at New Metropole Arts Centre in Folkestone, Kent, 10–11 June 1966. The symposium was organised by Archigram and included contributions from Hans Hollein, Joe Weber, Yona Friedman, Cedric Price, Arthur Quarmsby, Anthony G. William and Reyner Banham. The following text is… Read More
Walter Pichler: Mystery and Mysticism
19 February 2021
Walter Pichler: Mystery and Mysticism19 February 2021
Walter Pichler’s sketches for the utopian city projects he developed with Hans Hollein in the early 1960s appear like arrangements of magnetised iron filings, blowing about the page to reveal mysterious momentary structures. Though they would later inform hardened isometric drawings, these forms are full of plasticity and, in this… Read More
Startha Éagsula: Steve Larkin Architects on Walter Pichler
12 November 2020
Startha Éagsula: Steve Larkin Architects on Walter Pichler12 November 2020
This text has been excerpted from Startha Éagsula / Alternative Histories (2020), a companion catalogue to Alternative Histories (2019) and published to accompany the third installation of Alternative Histories at the Irish Architectural Archive. Startha Éagsula / Alternative Histories is now available to purchase from Drawing Matter’s bookshop, here. Friedrich… Read More
Alternative Histories: BeL on Walter Pichler
15 April 2019
Alternative Histories: BeL on Walter Pichler15 April 2019
The selected drawing – a light-hearted but somewhat nervous sketch bearing the title Sketch for Underground City – belongs to an early body of work by Walter Pichler. Working on abstract, hypothetical cities and buildings, Pichler questions the relationship of oppositional systems: positive and negative space, the designed and found object, movement… Read More
Notes on the Sketchbook
19 February 2018
Notes on the Sketchbook19 February 2018
When we talk about the sketchbook what do we mean? Its complexity is reflected in the difficulty we experience – in many examples, at any rate – in straightforwardly attaching a name to it, for there are times it might seem to be equally a notebook, a journal, a diary,… Read More
This Was Tomorrow: Reinventing Architecture 1953–1978
13 March 2016
This Was Tomorrow: Reinventing Architecture 1953–197813 March 2016
– Markus Lähteenmäki, Manuel Montenegro and Nicholas Olsberg
This Was Tomorrow: Reinventing Architecture 1953–1978 is an exhibition about architectural imagination and the power, processes and poetics of creation and invention. It presents a series of twelve episodes – beginning in the 1950s – that look at the ferment of new ideas as architects began to reconceive space in response… Read More
A Brutal Matter (1962)
16 October 2015
A Brutal Matter (1962)16 October 2015
Architecture … is a brutal matter … it crushes those who cannot stand it. – Walter Pichler. Quoted from a manuscript statement, c. 1962.
Walter Pichler: 20 Sketches from the Archives
13 October 2015
Walter Pichler: 20 Sketches from the Archives13 October 2015
‘Architecture,’ said Walter Pichler, ‘is a brutal matter … It crushes those who cannot stand it.’ Between 1961 and 1963 the sculptor and designer, working in collaboration with the architect Hans Hollein and drawing on conversations with Raimund Abraham and Friedrich Achleitner, introduced a radically adventurous new plasticity to architecture,… Read More
Hans Hollein & Spiritual Expression in Architecture
22 September 2023
Hans Hollein & Spiritual Expression in Architecture22 September 2023
– C.M. Howell
The defining characteristics of modern architecture took shape against a host of disorientating shifts in the 19th century. On the theoretical side, the instantiation and development of aesthetics as an autonomous realm strained a sacred harmony between beauty, truth, and goodness. On the practical side, technological, social, and cultural advancements… Read More
theoretical & imaginary religion DMC