Category: uncategorised
Protected: Atlas of Seyðisfjörður
05.08.2026
Protected: Atlas of Seyðisfjörður 05.08.2026
There is no excerpt because this is a protected post.
Protected: Michael Gold: The Dialogue of Representation
04.08.2026
Protected: Michael Gold: The Dialogue of Representation04.08.2026
– Michael Gold and Dalibor Vesely
There is no excerpt because this is a protected post.
Protected: DMJ – Storytelling by Omission: On Dixon Jones’s ‘Selective Axonometrics’
03.08.2026
Protected: DMJ – Storytelling by Omission: On Dixon Jones’s ‘Selective Axonometrics’03.08.2026
There is no excerpt because this is a protected post.
Protected: A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage
17.07.2026
Protected: A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage17.07.2026
– Koenraad Van Cleempoel and Joshua Kempen
There is no excerpt because this is a protected post.
Protected: The House Without Character
17.07.2026
Protected: The House Without Character17.07.2026
– Christian Schweitzer and Ryul Song
There is no excerpt because this is a protected post.
Protected: Colour in Architectural Drawings
29.06.2026
Protected: Colour in Architectural Drawings29.06.2026
– Editors
There is no excerpt because this is a protected post.
Protected: Up in the Air: The Heygate and Aylesbury Estates
27.05.2026
Protected: Up in the Air: The Heygate and Aylesbury Estates27.05.2026
There is no excerpt because this is a protected post.
Protected: The Drawing as a Site of Absence
26.05.2026
Protected: The Drawing as a Site of Absence26.05.2026
There is no excerpt because this is a protected post.
Protected: Surveying Sierra Nevada
21.05.2026
Protected: Surveying Sierra Nevada21.05.2026
There is no excerpt because this is a protected post.
Protected: Collection Guide: Carlo Marchionni
06.05.2026
Protected: Collection Guide: Carlo Marchionni06.05.2026
There is no excerpt because this is a protected post.
Protected: James Gowan’s Schreiber House
19.03.2026
Protected: James Gowan’s Schreiber House19.03.2026
There is no excerpt because this is a protected post.
Protected: John Pudney writes a prescription for… The Ideal City
24.09.2025
Protected: John Pudney writes a prescription for… The Ideal City24.09.2025
There is no excerpt because this is a protected post.
House Container
12.05.2025
House Container12.05.2025
The House Container was designed and converted by Paul Rawson in 2006. Originally sited at Hadspen House, it was moved to Shatwell Farm and used as short-term accommodation for visitors the archive and site.
Comins × Shatwell Tea House
05.05.2025
Comins × Shatwell Tea House05.05.2025
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins × Shatwell Tea House. The most common question visitors have… Read More
Collection Guide: Aldo Rossi
20.03.2025
Collection Guide: Aldo Rossi20.03.2025
– Rosie Ellison-Balaam and Nicholas Olsberg
Aldo Rossi (1931-1997) was born in Milan. At age ten, he moved away from the city due to worsening wartime conditions; his early education took place at Lake Como, and later in Lecco. Rossi returned to Milan in 1949, where he entered the Politecnico di Milano to study architecture under… Read More
Protected: James Gowan: Living Rooms
11.02.2025
Protected: James Gowan: Living Rooms11.02.2025
There is no excerpt because this is a protected post.
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
The following text is a brief reflection on two lectures delivered at Shatwell Farm in August 2024 as part of the ENAC EPFL Drawing Research Platform. To read the students’ reflections and view their drawings, click here. To read an account of the week, click here. The two lectures at… Read More
Léo Perrin and Polina Holub
19.12.2024
Léo Perrin and Polina Holub19.12.2024
Measuring Shatwell’s tempo Using threads of strings, our own bodies In this repetitive measured dance, profiles arise The more practice, the more accurate the hands get Four of them follow the same choreography Surveying piano piano the sheet Some be good, others not, only the paper knows The harvest of… Read More
Léa Guillotin and Michael Becker
19.12.2024
Léa Guillotin and Michael Becker19.12.2024
At Shatwell Farm, the adventure began with a meticulous task: measuring, surveying, surveying… Under changing skies, with gale-force winds, sudden downpours and the occasional ray of sunshine, we stood outside with my comrade Michael and our sketchbooks, loose leaf and mechanical pencils in hand, ready to capture the site. It… Read More
Christelle Blanco and Kasia Stachnio
19.12.2024
Christelle Blanco and Kasia Stachnio19.12.2024
All of us got to build a 4 meters tall pyramid out of small wooden sticks. We used this structure as a starting point for our drawing. As we visited the site, we were struck by the arch, that was very conveniently right in front of our sculpture. Thus we… Read More
James Haynes and Sophie Sills
19.12.2024
James Haynes and Sophie Sills19.12.2024
Nestled in a terrain more familiar with cows than people sits a farm, an archive, a collection of buildings with ambiguous use. Upon arriving, two capture a fleeting moment of attention, drawing our eyes through their axial alignment. The first, the work of architect Hugh Strange, acts as our ‘entry’,… Read More
Emilie Hamel and Edouard Heinkel
19.12.2024
Emilie Hamel and Edouard Heinkel19.12.2024
Dessiner et mesurer un site, c’est faire des aller-retours entre sa table de dessin improvisé et l’objet qu’on mesure. Le dessin est beaucoup plus immédiat, intuitif et physique qu’un dessin fait à un bureau. On est aussi plus dépendant de ce qui se passe sur le site : s’il pleut,… Read More
Protected: The Temple
29.06.2026
Protected: The Temple29.06.2026
– Clive Aslet
There is no excerpt because this is a protected post.
DMC plan presentation religion section temple