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In Defence of Metaphor

In Defence of Metaphor

Deanna Petherbridge

…Conceive of Works Based on Nothing,’ Gwarlingo (2012). https://gwarlingo.com/2012/artist-doris-salcedo-i-began-to-conceive-of-works-based-on-nothing/. [Accessed 22 November 2021]. Doris Salcedo interviewed by Susan Sollins, ‘Variations on Brutality’, Art21 (April 2013). https://art21.org/read/doris-salcedo-variations-on-brutality/. [Accessed 23 November 2021]….

Begin again. Fail Better: Pichler and Hollein

Begin again. Fail Better: Pichler and Hollein

Matt Page

…E-Flux Journal, 66 (2015), <https://www.e-flux.com/journal/66/60777/in-conversation-with-hans-hollein/> [accessed 3 May 2024]. SCI-Arc Media Archive, Raimund Abraham (November 3, 1982), online video recording, YouTube, 24 September 2017, <https://www.youtube.com/watch?v=vH5QlfMJN30> [accessed 3 May 2024], 21:56–28:17….

The Fun Palace: Light Adaptation

The Fun Palace: Light Adaptation

Chase Galis

…developed according to the physics of light and our perception of its effects. From the origins of two-dimensional representation – often mythologized in the act of tracing a projected silhouette on a flat surface – to practices of…

fala: comprehensive

fala: comprehensive

fala

…through a series of plans, sections, elevations, and some axonometric drawings, perhaps – every aspect of it explained and documented. We imagined a drawing that would say it all at once….

Hans Poelzig: Decorating the Empty Centre

Hans Poelzig: Decorating the Empty Centre

Hana Nihill

…2190.2. Hans Poelzig (1869–1936), two studies of the facade, Grosses Schauspielhaus, Theater der Massen, Berlin, Germany, 1919. Black pencil on paper, 190 × 270 mm. DMC 2190.3. Hans Poelzig (1869–1936),…

Drawing Exercises: Creativity

Drawing Exercises: Creativity

Matt Page and Fernando Poeiras

…C Synthesis: re-combine the elements into a new solution. Try to combine them according to different principles: (i) modular; (ii) organic; (iii) addition; (iv) assemblage…   Translate Circle of the Sangallo…

Hans Hollein at Drawing Matter

Hans Hollein at Drawing Matter

Editors and Nicholas Olsberg

…collaborative exhibition with Walter Pichler. Hans Hollein (1934–2014), view of Second Mesa, Arizona, 1960. Black ink on wove paper, 329 × 418 mm. DMC 2490.15. Hans Hollein (1934–2014), City, Communication…

Visualizing the Renaissance Worksite and the problems of graphic translation  

Visualizing the Renaissance Worksite and the problems of graphic translation  

Jarne Geenens and Elizabeth Merrill

…London, The British Museum, ms. 197.b.21, fol. 6v. Cosimo di Piero, Building of a Place, in The Ringling Collection <https://emuseum.ringling.org/objects/26814/building-of-a-palace>[accessed 16 January 2024] Elizabeth Merrill is Associate Professor in the…

Material Reform, Building for a Post-Carbon Future (2023) – Review

Material Reform, Building for a Post-Carbon Future (2023) – Review

Elke Krasny

…resources, soil, clay, extraction, supply chains, value, maintenance, demolition, timber, technification, quantification, oil vernacular, stone, carbon, factories, agriculture, land use, and straw. Newly commissioned photographs by Jess Cough help raise…

Henri Guerbois: Department Store in King Street, 1921

Henri Guerbois: Department Store in King Street, 1921

Philippa Lewis

Henri Guerbois (1885–unknown), elevation of corner-site, Barker’s department store, 1921. Pen, ink and watercolour, 675 × 975 mm. DMC 2715. Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa…

The Religious Architecture of Alvar, Aino and Elissa Aalto (2023) — Review

The Religious Architecture of Alvar, Aino and Elissa Aalto (2023) — Review

C.M. Howell

…69. Ibid., 156. Ibid., 182. Ibid., 16; 34-43;130-8. Ibid., 54-60; 80-9. Ibid., 59-60; 190-9. Ibid., 61-9; 182-90. Ibid.,18;189; 97; 203. Ibid., 27; 75;125-9. Ibid., 89;162. Ibid., 109-18; 59-60. Ibid., 144-56….

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

The Office Copier and Baptism by Colour: Working for Rossi in the 1990s

Maurizio Diton

…aged design. Aldo Rossi (with Marc Kocher) (1931–1997), Montage, Il Museo Bonnefanten, 1990. Colour photocopy, montage on 3 sheets, 543 × 735 mm. DMC 3022. © Eredi Aldo Rossi. The…