Title |
Author |
Date |
Protected: E. W. Godwin and the Mild Mild West |
Matt Page |
Nov 29th 2024 |
Protected: The Cypress and the Arch |
Bohdan Kryzhanovsky |
Nov 28th 2024 |
Swimming in pixel fuzz |
Will Fu |
Nov 28th 2024 |
Protected: Site Drawing: GPS on Architecture |
Anton Ripon |
Nov 26th 2024 |
Protected: Drawing as Signature: Paul Rudolph and the Perspective Section |
Timothy M. Rohan |
Nov 26th 2024 |
Protected: Montano – Don’t speak about me |
Cammy Brothers |
Nov 25th 2024 |
Sol LeWitt: Non-visual Structures |
Lucy Lippard |
Nov 25th 2024 |
JOSÉ OUBRERIE, IN MEMORIAM |
Luis Burriel Bielza |
Nov 21st 2024 |
Cedric Price: Parc de la Villette |
Ana Bonet Miró |
Nov 18th 2024 |
On origins and originality |
Niall Hobhouse |
Nov 15th 2024 |
DMJ – Five Episodes from the History of Drawing Instruments |
Neil Bingham |
Nov 14th 2024 |
Protected: Per Line’s Basement: An Archive between Sky and Sea |
Isabella Cederstrøm Palliotto |
Nov 13th 2024 |
Protected: The Grandest Form: Architects on Instruction-Based Art |
Philip Schmerbeck |
Nov 13th 2024 |
Fuglsang Kunstmuseum: Facts and interpretation in staging a museum |
Tony Fretton |
Nov 11th 2024 |
PostDigital Collage: Naivety as an ideo-aesthetic technique |
Alejandro Carrasco Hidalgo |
Nov 7th 2024 |
In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini |
Editors |
Nov 4th 2024 |
OMA: Rem Koolhaas—Initiative |
Richard Hall |
Oct 31st 2024 |
L’architecture des réalités mises en scene: (re)construire Disney |
Fabrizio Gallanti |
Oct 28th 2024 |
DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing |
Sayan Skandarajah |
Oct 24th 2024 |
Protected: Reading Between the Lines: The Language of Structural Engineers |
Gina Morrow |
Oct 23rd 2024 |
Drawing Without Erasing |
Ricardo Flores |
Oct 21st 2024 |
Luigi Moretti and Spazio: Structures and Sequences of Spaces |
Marco Vanucci |
Oct 17th 2024 |
Goldfinger—Planning Your Neighbourhood |
Erin McKellar |
Oct 14th 2024 |
Photo City: How Images Shape the Urban World |
Fabrizio Gallanti |
Oct 11th 2024 |
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3 |
Nicholas Olsberg |
Oct 10th 2024 |
Protected: Carcassonne and Viollet-le-Duc |
Henry James |
Oct 8th 2024 |
Streetscapes: Bath |
Ptolemy Dean |
Oct 7th 2024 |
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2 |
Nicholas Olsberg |
Oct 3rd 2024 |
OMA: Collaborators—Allies |
Richard Hall |
Sep 30th 2024 |
2024 Architecture Summer School: Translations between drawings and models |
Jesper Authen and Matt Page |
Sep 27th 2024 |
Luigi Moretti and Spazio: Abstract Forms of Baroque Sculpture |
Marco Vanucci |
Sep 26th 2024 |
Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1 |
Nicholas Olsberg |
Sep 23rd 2024 |
Protected: Ian Hamilton Finlay at Drawing Matter |
Matt Page |
Sep 20th 2024 |
Notes on Nabokov |
Michael Becker |
Sep 19th 2024 |
A Poetic Peak: Architecture and planning at the AA in the 1930s |
Editors and John Summerson |
Sep 16th 2024 |
Claude Parent at Drawing Matter |
Editors and Chloé Parent |
Sep 12th 2024 |
DMJ – Sir John Soane’s Office |
Helen Dorey |
Sep 9th 2024 |
Notes on the 2024 Architecture Summer School |
Editors |
Sep 6th 2024 |
Suddenly This View |
Drawing Architecture Studio |
Sep 5th 2024 |
Wolkenbügel: El Lissitzky as Architect |
Richard Anderson and Markus Lähteenmäki |
Sep 2nd 2024 |
OMA: Big Competitions—Reorienting the Modern Project |
Richard Hall |
Aug 29th 2024 |
Fabric Object: Diana Agrest and Mario Gandelsonas |
Erin Besler, Marshall Brown, Sylvia Lavin and Michael Meredith |
Aug 26th 2024 |
A Missing Drawing |
John Evelyn |
Aug 22nd 2024 |
Seeing Fire | Seeing Meadows |
Holger Kleine and Anna Kostreva |
Aug 19th 2024 |
Seven Facets of Architectural Disegno |
Cara Rachele |
Aug 16th 2024 |
Drawings as Cosmovisions |
Fernanda Canales |
Aug 12th 2024 |
The Future of the Past: The ‘Round Church’, Cambridge |
Nikolaus Pevsner |
Aug 9th 2024 |
Resistance and the ‘Architecture of Pessimism’: John Hejduk’s House for the Inhabitant who Refused to Participate |
Anna Kostreva |
Aug 5th 2024 |
DMJ – Brunel’s camera lucida |
Philip Steadman |
Aug 1st 2024 |
Luigi Moretti and Spazio: Eclecticism and Unity of Language |
Marco Vanucci |
Jul 31st 2024 |
Adolfo Natalini with Superstudio at Drawing Matter |
James Dunbar and Editors |
Jul 29th 2024 |
In the Archive: New and Found 4 |
Editors |
Jul 26th 2024 |
Fabric Object: Diana Agrest and Mario Gandelsonas |
Darell Wayne Fields, Anda French, Tessa Kelly, Paul Lewis and Michael Meredith |
Jul 25th 2024 |
Peter Wilson and Mark Dorrian in conversation – Part 2 |
Mark Dorrian and Peter Wilson |
Jul 22nd 2024 |
Object of Desire — Haff Cross-Hatch Machine |
Jeremy Peacock |
Jul 18th 2024 |
Watchful Solitude: John Hejduk and Venice |
Marina Correia |
Jul 15th 2024 |
Relics of Electronic Hallucinations |
Uri Wegman |
Jul 11th 2024 |
Manufacturers Trust Bank |
Janet Parks |
Jul 9th 2024 |
Gavin Stamp: Interwar, British Architecture 1919-1939 |
Otto Saumarez Smith |
Jul 8th 2024 |
Sydney’s Infill Facades |
Ellie Skinner |
Jul 5th 2024 |
Shatwell Farm: Covering over, bagging up, tying down |
Emily Priest |
Jul 1st 2024 |
OMA: Rotterdam—Child’s Crusade |
Richard Hall |
Jun 28th 2024 |
Fabric Object: Diana Agrest and Mario Gandelsonas |
Stan Allen, Beatriz Colomina, Michael Meredith, Jesse Reiser and Mark Wigley |
Jun 27th 2024 |
Frank Lloyd Wright at Drawing Matter |
Editors and Nicholas Olsberg |
Jun 25th 2024 |
Peter Wilson and Mark Dorrian in conversation – Part 1 |
Mark Dorrian and Peter Wilson |
Jun 20th 2024 |
Protected: A Will to the City |
Lars Lerup |
Jun 19th 2024 |
The Poetry of Concrete |
Lina Bo Bardi |
Jun 17th 2024 |
On the Street |
Edwin Heathcote |
Jun 14th 2024 |
Lapo Binazzi: Casa a Diacceto |
Beatrice Lampariello |
Jun 10th 2024 |
DMJ – Burning Drawing |
Paddi Alice Benson |
Jun 6th 2024 |
The GSD Sketching Group and the Call for Sketchbooks Exhibition |
Juan Fernández González |
Jun 3rd 2024 |
OMA: Elia Zenghelis—Watersheds |
Richard Hall |
May 31st 2024 |
Begin again. Fail Better: Pichler and Hollein |
Matt Page |
May 29th 2024 |
Louis-Hippolyte Lebas at Drawing Matter |
Editors and Nicholas Olsberg |
May 27th 2024 |
Notes from Rome |
Anna Kostreva and Diane Lewis |
May 23rd 2024 |
Peter Wilson in the Empire of Signs |
Mark Dorrian |
May 22nd 2024 |
Architectural models and the oriental ideal of the Alhambra |
Asun González Pérez |
May 20th 2024 |
O.M. Ungers: Drawing a metaphor |
Diogo Lopes and Fanny Noël |
May 17th 2024 |
John Hejduk’s Farm Library |
Mehrshad Atashi and Lida Badafareh |
May 15th 2024 |
Banham in Buffalo |
Brian Carter |
May 13th 2024 |
Hermann Czech: Approximate Line of Action |
Mikael Bergquist |
May 9th 2024 |
DMJ – Instruments of Uncertain Occupation |
Nat Chard |
May 8th 2024 |
Giuseppe Terragni’s Primordial Architecture |
Valerio Paolo Mosco |
May 6th 2024 |
In the Archive: New and Found 3 |
Editors |
May 3rd 2024 |
The Well-Constructed Joke: Comic Architecture |
Holger Kleine |
May 1st 2024 |
Sugimoto and Architecture |
Hiroshi Sugimoto |
Apr 29th 2024 |
Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff |
David Chipperfield and Ralph Rugoff |
Apr 29th 2024 |
James Stirling, and the Industrialization of Architecture? |
Lok-Kan Chau |
Apr 26th 2024 |
A Bath for Immortality |
Clara Maria Puglisi |
Apr 24th 2024 |
Hans Hollein at Drawing Matter |
Editors and Nicholas Olsberg |
Apr 23rd 2024 |
Constant’s Ladders as Mythic Entity |
Alison Bartlett |
Apr 22nd 2024 |
OMA: London—Foreplay |
Richard Hall |
Apr 19th 2024 |
Mies van der Rohe: Clarity as the Aim |
Carlos Martí Arís |
Apr 17th 2024 |
Design Drawings Damage Atlas (2023) |
Neil Bingham |
Apr 15th 2024 |
Helsinki City Theatre: Timo Penttilä on the real purpose of drawings |
Gareth Griffiths |
Apr 12th 2024 |
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata |
Rosie Ellison-Balaam |
Apr 10th 2024 |
Shatwell Farm: Appendages |
Emily Priest |
Apr 8th 2024 |
C.S. Peach and the Cruciform Design of the Cathedral |
C.M. Howell |
Apr 5th 2024 |
Trevor Dannatt: St Mary’s Grove — Through the Door |
Adrian Dannatt |
Apr 3rd 2024 |
Erik Gunnar Asplund at Drawing Matter |
Editors and Nicholas Olsberg |
Apr 2nd 2024 |
The Captive Globe |
Reinier de Graaf |
Mar 28th 2024 |
Masterplanning the University of London |
Bill Sherman |
Mar 27th 2024 |
Branzi, Observed: Autocatalytic, Earnestly Jaded |
Julian Escudero Geltman |
Mar 25th 2024 |
Helmut Jacoby: The Amon Carter Museum |
Malcolm Reading |
Mar 22nd 2024 |
DMJ – The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish |
Francisco Javier Girón Sierra |
Mar 20th 2024 |
Connor Street: Made by Many Hands |
Kieran Hawkins |
Mar 18th 2024 |
The Animated Wall: A Fragile Vigour |
Saar Meganck |
Mar 14th 2024 |
DMJ – Template and Talisman |
Laura Harty |
Mar 13th 2024 |
Shatwell Farm: Sheds and Silos |
Emily Priest |
Mar 11th 2024 |
Geoffrey Bawa: Drawing from the Archives (2023) — Review |
Kathleen James-Chakraborty |
Mar 8th 2024 |
Artful Trades: Into a Market of Consumables |
Sarah Hearne |
Mar 6th 2024 |
Nobuo Sekine: The Weight of Things |
Nanase Shirokawa |
Mar 4th 2024 |
Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987. |
Felicia Liang and William Wikström |
Feb 29th 2024 |
Where to Find a Drawing of a Swiss Gold Vault |
Ludo Groen |
Feb 28th 2024 |
Tim Robinson: Deep Mapping |
Tom Cookson |
Feb 26th 2024 |
Reality Modeled After Images: Architecture and Aesthetics after the Digital Image (2022) — Review |
Liam Ross |
Feb 24th 2024 |
Houses for Printing: A Microcosm of the World |
Sarah Hearne |
Feb 21st 2024 |
Shatwell Farm: Cars |
Emily Priest |
Feb 19th 2024 |
Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens |
Tim Richardson |
Feb 15th 2024 |
DMJ – Grids and Squared Paper in Renaissance Architecture |
Fabio Colonnese |
Feb 14th 2024 |
Connor Street: Made by Many Hands |
Kieran Hawkins |
Feb 12th 2024 |
Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review |
Stan Allen |
Feb 8th 2024 |
Architectural Covers: A Site of Design |
Sarah Hearne |
Feb 7th 2024 |
In the Archive: Alejandro Carrasco Hidalgo |
Alejandro Carrasco Hidalgo |
Feb 5th 2024 |
Charles Holden: A new campus for Bloomsbury |
Bill Sherman and Richard Temple |
Feb 2nd 2024 |
Simon Fraser University |
Arthur Erickson |
Feb 1st 2024 |
Careful Crudeness |
Karen Olesen |
Jan 31st 2024 |
Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre |
Peter Wilson |
Jan 29th 2024 |
The Religious Architecture of Alvar, Aino and Elissa Aalto (2023) — Review |
C.M. Howell |
Jan 26th 2024 |
Josep Maria Jujol: Ribbons with streamers everywhere |
Juan Mercadé Brulles, Jesús Esquinas-Dessy and Isabel Zaragoza |
Jan 25th 2024 |
DMJ – Pencils, Computers, Cameras |
Ahmed Belkhodja |
Jan 19th 2024 |
Visualizing the Renaissance Worksite and the problems of graphic translation |
Jarne Geenens and Elizabeth Merrill |
Jan 17th 2024 |
Connor Street: Made by Many Hands |
Kieran Hawkins |
Jan 15th 2024 |
Return to the Archive |
Hans-Dieter Nägelke |
Jan 12th 2024 |
Aqueduct of Malagueira—Complexity or Contradiction |
Rodrigo Lino Gaspar |
Jan 10th 2024 |
Glarner Wirtschaftsarchiv |
Helen Thomas |
Jan 8th 2024 |
Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’ |
Anja Segmüller |
Dec 15th 2023 |
Alberto Ponis, The London Years |
Gillian Darley |
Dec 14th 2023 |
DMJ – Canaletto’s Venetian Sketches and the Camera Obscura |
Philip Steadman |
Dec 13th 2023 |
The Polyhedrists (2022) – Review |
Rosie Ellison-Balaam |
Dec 8th 2023 |
DMJ – The Stereoautograph |
Pablo Garcia |
Dec 6th 2023 |
Connor Street: Made by Many Hands |
Kieran Hawkins |
Dec 4th 2023 |
On Drawing |
Raimund Abraham |
Nov 30th 2023 |
Mapping Cities: Barcelona and Paris |
Dibujantes CNT and Grand Marnier |
Nov 29th 2023 |
Guy Debord—An Art of War |
Laurence Le Bras and Emmanuel Guy |
Nov 29th 2023 |
Baron Ferdinand de Rothschild at Waddesdon |
Baron Ferdinand de Rothschild |
Nov 24th 2023 |
The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial |
Colum O'Riordan |
Nov 20th 2023 |
Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass! |
Adrian Dannatt |
Nov 16th 2023 |
Heinz Isler: Natural Hills on Different Edge Lines |
John Chilton |
Nov 14th 2023 |
The Renewal of Dwelling (2023) – Review |
Rodrigo Lino Gaspar |
Nov 13th 2023 |
Protected: Emerging Ecologies: O.M. Ungers |
|
Nov 9th 2023 |
The Manufacture of architecture: Joseph Paxton and the development of the Great Stove |
Hugh Strange |
Nov 9th 2023 |
Fragments of a Polychrome Mosaic of a Roman Bath Building |
Konogan Beaufay |
Nov 8th 2023 |
Quantum Collecting: A Few Principles and Mechanisms for the Acquisition of Architectural Drawings |
Niall Hobhouse and Matt Page |
Nov 6th 2023 |
Connor Street: Made by Many Hands |
Kieran Hawkins |
Nov 3rd 2023 |
Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop |
Alberto Johnsson, Arthur Masure, Daniel Nitsche, Toby Pullen and Alexander Turner |
Nov 1st 2023 |
Raffaello. Nato architetto (2023) – Review |
Dario Donetti |
Oct 30th 2023 |
Keep digging and you will find what you are looking for: Alvar Aalto in Germany |
Sofia Singler |
Oct 27th 2023 |
DMJ – Drawing Instruments from Sir John Soane’s Office |
Sue Palmer |
Oct 25th 2023 |
Repton does a Bernini – A crescent for The Ham |
Timothy Mowl |
Oct 24th 2023 |
Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once |
Stephen Bates |
Oct 20th 2023 |
Remembering Architecture |
Fraser Stables |
Oct 18th 2023 |
Owen Jones and the V&A (2023) and Style and Solitude (2023) – Review |
Adrian Forty |
Oct 17th 2023 |
Fragmentary Notes on Unclaiming the Life of a Drawing |
Bahar Avanoğlu |
Oct 13th 2023 |
Judit Reigl: Invisible Cities |
Janos Gat |
Oct 10th 2023 |
Gothic Put to Use: The Viollet-le-Duc Album |
Martin Bressani |
Oct 6th 2023 |
François Cointeraux: the Architect of the ‘Agricultural Proletariat’ |
Anja Segmüller |
Oct 5th 2023 |
DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective |
Ross Anderson |
Oct 2nd 2023 |
Portals: The Visionary Architecture of Paul Goesch (2023) – Review |
Stan Allen |
Sep 29th 2023 |
Gathered Moments: Asplund’s Villa Snellman |
Andrew Carr |
Sep 28th 2023 |
Hans Hollein & Spiritual Expression in Architecture |
C.M. Howell |
Sep 22nd 2023 |
Work with your hands: AUB Summer School 2023 |
Timothy Christian Murphy |
Sep 21st 2023 |
Trevor Dannatt: St Mary’s Grove — Garage door trio |
Adrian Dannatt |
Sep 18th 2023 |
Elbe and Marte |
Karen Lohrmann and Stefano de Martino |
Sep 13th 2023 |
Architecture and Real Abstraction: Adler & Sullivan |
Francesco Marullo |
Sep 12th 2023 |
Jérôme-Charles Bellicard: Metamorphoses |
Janine Barrier |
Sep 8th 2023 |
Fraser Stables: Remembering Architecture |
Matt Page |
Sep 6th 2023 |
Designs on Democracy (2022) – Review |
Ellis Woodman |
Sep 5th 2023 |
Denise Scott Brown ‘From Soane to the Strip’ |
Denise Scott Brown |
Sep 1st 2023 |
Alberto Ponis: Drawing Landscape |
Team SHICHAI拾柴 |
Aug 30th 2023 |
Trevor Dannatt: St Mary’s Grove — Hook & Extension |
Adrian Dannatt |
Aug 28th 2023 |
Comins x Shatwell Tea House |
Various |
Aug 25th 2023 |
Capilla Pajaritos |
Alberto Cruz |
Aug 24th 2023 |
Diplomatics and Instrumentality of the Drawing / William Butterfield |
Nicholas Olsberg |
Aug 21st 2023 |
DMJ – The Art of Measuring Images: Albrecht Meydenbauer and the Invention of the Photographic Survey |
Emma Letizia Jones |
Aug 18th 2023 |
Thinking Through Twentieth-Century Architecture (2023) – Review |
André Patrão |
Aug 17th 2023 |
Chloethiel Woodard Smith |
Kathleen James-Chakraborty |
Aug 16th 2023 |
I AND WE |
Richard Hall |
Aug 16th 2023 |
Poetry and Architecture (2023) — Review |
Peter Carl |
Aug 11th 2023 |
Quinta da Malagueira |
Pier Vittorio Aureli |
Aug 11th 2023 |
Alberto Ponis: Casa Scalesciani |
Team SHICHAI拾柴 |
Aug 9th 2023 |
Patrick Gwynne: Colour by Numbers |
Neil Bingham |
Aug 7th 2023 |
A Gentler Giant |
Leif Findlay |
Aug 2nd 2023 |
Frank Lloyd Wright: Memorial to the Soil |
David G. De Long |
Jul 31st 2023 |
Trevor Dannatt: St Mary’s Grove — Stone Head & Slab |
Adrian Dannatt |
Jul 26th 2023 |
Denise Scott Brown. In Other Eyes: Portraits of an Architect (2022) – Review |
Mark Pimlott |
Jul 24th 2023 |
Sant’Elia and Global Futurist Architecture |
Filippo Tommaso Marinetti |
Jul 21st 2023 |
What does a drawing sound like? |
Brian Carter |
Jul 20th 2023 |
Protected: Frank Lloyd Wright in London |
|
Jul 19th 2023 |
The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso |
Alberto Cruz |
Jul 17th 2023 |
Drawing Exercises: Design Process |
Matt Page and Fernando Poeiras |
Jul 14th 2023 |
Drawing Exercises: Creativity |
Matt Page and Fernando Poeiras |
Jul 12th 2023 |
Alberto Ponis: Pathways |
Team SHICHAI拾柴 |
Jul 12th 2023 |
Learning From Machine Learning, on designer trees and architectural historiographies of the digital |
Sylvia Lavin |
Jul 11th 2023 |
William Butterfield: Forms and Transformations |
Nicholas Olsberg |
Jul 10th 2023 |
Building as Drawing: the Cowshed (2021) at Shatwell Farm |
Helen Thomas |
Jul 7th 2023 |
A Christmas Card from Ralph Erskine |
Nicholas Ray |
Jul 6th 2023 |
Instagram, Indifference, and Postcritique in US Architectural Discourse |
Joseph Bedford |
Jul 5th 2023 |
Trevor Dannatt: St Mary’s Grove — House Number & Gate |
Adrian Dannatt |
Jul 4th 2023 |
John Hejduk’s Bye House: An Object in the Landscape |
Stan Allen and Marina Correia |
Jun 29th 2023 |
Alberto Ponis: Studio di Yasmin |
Team SHICHAI拾柴 |
Jun 23rd 2023 |
Material Reform, Building for a Post-Carbon Future (2023) – Review |
Elke Krasny |
Jun 23rd 2023 |
Álvaro Siza: A Vertical Dream |
António Choupina and Álvaro Siza |
Jun 21st 2023 |
Casa Ugalde Sketch |
Laura Bonell and Daniel Lopez-Doriga |
Jun 19th 2023 |
Modelling the Metropolis: The Architectural Model in Victorian London (2023) – Review |
Andrew Saint |
Jun 15th 2023 |
Drawing as Preservation |
Lisa Huang |
Jun 14th 2023 |
Trevor Dannatt: St Mary’s Grove — Gap and Sign |
Adrian Dannatt |
Jun 13th 2023 |
Hardman & Co. |
Sarah James |
Jun 9th 2023 |
Through a Glass Darkly |
Niall Hobhouse |
Jun 6th 2023 |
Leonora Oppenheim: Shatwell Edition Print |
|
Jun 5th 2023 |
The First Exercise, One Door and One Window |
Tania Garduño Israde |
Jun 1st 2023 |
‘A free composition of bodies’: the Härlanda Church |
Peter Celsing |
May 30th 2023 |
Nuno Melo Sousa: weight |
Nuno Melo Sousa |
May 26th 2023 |
Nuno Melo Sousa: on big papers |
Nuno Melo Sousa |
May 26th 2023 |
Nuno Melo Sousa: on small papers |
Nuno Melo Sousa |
May 26th 2023 |
Nuno Melo Sousa: on walls |
Nuno Melo Sousa |
May 26th 2023 |
Nuno Melo Sousa: authority |
Nuno Melo Sousa |
May 26th 2023 |
On Authority |
Nuno Melo Sousa |
May 26th 2023 |
Architectural manuals and Pacific speculations |
Sarah Treadwell |
May 23rd 2023 |
Sverre Fehn and the Territorial Eye |
Erika Brandl |
May 18th 2023 |
Architects at Play (2023) – Review |
Mathilde de Laage |
May 15th 2023 |
Bruno Taut’s ‘Alpine Architektur’ |
Iain Boyd Whyte |
May 12th 2023 |
DMJ – From Hearths to Volcanoes: the Armenian glkhatun |
Guillaume Othenin-Girard |
May 9th 2023 |
Futures of the Architectural Exhibition (2023) – Review |
Paul Mosley |
May 5th 2023 |
Drawing Programme: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
May 2nd 2023 |
DMJ 1 – The Geological Imagination |
Mark Dorrian and Kurt Forster |
Apr 28th 2023 |
Accademia Bridge Proposals: Venice Biennale 1985 |
Editors |
Apr 28th 2023 |
Peter Wilson: Ponte dell’Accademia |
Adrian Hawker |
Apr 26th 2023 |
Nuno Melo Sousa: in cahiers |
Nuno Melo Sousa |
Apr 25th 2023 |
T.O.P. Office and the Accademia Bridge |
Luc Deleu |
Apr 24th 2023 |
Archive Politics |
Pedro Baía and Carlos Machado e Moura |
Apr 21st 2023 |
Materia 5: Timber |
Gordon Shrigley |
Apr 18th 2023 |
Drawing Architecture: Conversations on Contemporary Practice (2022) – Review |
Emilie Appercé |
Apr 14th 2023 |
Avant-Garde as Method, Vkhutemas and the Pedagogy of Space, 1920 – 1930 (2020) – Review |
Peter Carl |
Apr 12th 2023 |
The City in Dispute (2023) – Review |
Aureli Mora |
Apr 10th 2023 |
Abelardo Morell |
Rebecca Connor Reading |
Apr 6th 2023 |
Aldo Rossi: ‘Shards’ and Smooth Surfaces for an Architecture of Longue Durée |
Beatrice Lampariello |
Apr 3rd 2023 |
MJ Long’s Doll House |
Elena Palacios Carral |
Mar 31st 2023 |
Drawing Construction: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
Mar 29th 2023 |
Álvaro Siza — An ‘Amoral’ Architect |
Eduardo Souto de Moura |
Mar 27th 2023 |
Richard Neutra’s Corona Avenue School |
Nicholas Olsberg |
Mar 22nd 2023 |
Vitruvius Without Text (2022) – Review |
Helen Thomas |
Mar 20th 2023 |
Nancy Goldring: Drawings and Foto-Projections |
Leann Davis Alspaugh and Nancy Goldring |
Mar 17th 2023 |
Protected: Collection News: Binazzi and UFO, Burton, Gounod, Siza, Visconti and more |
Editors |
Mar 13th 2023 |
Construct |
Richard Hall |
Mar 13th 2023 |
Ghost Parking Lot |
James Wines |
Mar 10th 2023 |
Drawing Sites: A Drawing Matter Workshop |
Niall Hobhouse, Manuel Montenegro and Amy Teh |
Mar 8th 2023 |
Homegrown: Building a Post-Carbon Future (2023) – review |
Rosie Ellison-Balaam |
Mar 6th 2023 |
DMJ – Asphalt Tales and the Ends of History |
Nicholas Boyarsky |
Mar 3rd 2023 |
DMJ – Shallow Cuts: the geological sectioning of Newcastle, NSW |
Michael Chapman |
Mar 3rd 2023 |
Geography of Hope: Hans Hollein and John Hejduk |
Nicholas Olsberg |
Mar 1st 2023 |
Ila Bêka & Louise Lemoine on the Moriyama House |
What is a House For and Bêka & Lemoine |
Feb 28th 2023 |
Alison and Peter Smithson’s Collages as Reinventing Established Reality |
Marianna Charitonidou |
Feb 24th 2023 |
Caruso St John Collected Works: Volume 1, 1990 – 2005 – Review |
Sofie De Caigny |
Feb 21st 2023 |
About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01 |
Rodrigo Lino Gaspar |
Feb 20th 2023 |
Geography of Hope: Bruce Goff |
Nicholas Olsberg |
Feb 17th 2023 |
In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis |
Sarah Hearne |
Feb 15th 2023 |
Porto: Paving Work on Rua de António Sardinha |
Ivo Martins |
Feb 14th 2023 |
Aldo Rossi: Transforming Artefacts into Objects of Affection |
Marianna Charitonidou |
Feb 13th 2023 |
Architecture in Archives: The Collection of the Akademie der Künste (2016) – Review |
Irina Davidovici |
Feb 10th 2023 |
Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972) |
Editors |
Feb 9th 2023 |
Pier Vittorio Aureli: Ambiguous Drawings |
Paco Alfaro Anguita |
Feb 7th 2023 |
Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images |
Ecem Arslanay and Mina Gürsel Tabanlıoğlu |
Feb 6th 2023 |
W. R. Lethaby: Philip Webb and His Work |
Hugh Strange |
Feb 3rd 2023 |
Le Corbusier: The ‘Open hand’ as an expression of freedom? |
Marianna Charitonidou |
Feb 2nd 2023 |
Geography of Hope: John Lautner |
Nicholas Olsberg |
Jan 31st 2023 |
Forecast and Fantasy: Architecture without Borders 1960s to 1980s – Review |
Markus Lähteenmäki |
Jan 30th 2023 |
Shed for Carolyn |
George Gibbs |
Jan 26th 2023 |
Neighbours in Space and Time: Grafton Architects at the Soane Museum – Review |
Simon Henley |
Jan 25th 2023 |
Historic England Image Archive |
Arthur Prior-Palmer |
Jan 23rd 2023 |
Grotto-Heavens: Rockeries, Dreamscapes and the Chinese Garden |
Ethan Loo |
Jan 20th 2023 |
DMJ – Dialogues between Architecture And Granite in Punta Sardegna |
Alberto Ponis |
Jan 20th 2023 |
Geography of Hope: Adolfo Natalini and Superstudio |
Nicholas Olsberg |
Jan 18th 2023 |
Robert Bray: Design for a Playboy Duplex Penthouse, 1970 |
Philippa Lewis |
Jan 17th 2023 |
The Sasada Lab |
Felix Wilson |
Jan 16th 2023 |
W. R. Lethaby: Apprenticeship and Education |
Hugh Strange |
Jan 13th 2023 |
The ESB’s New Clothes |
Colum O'Riordan |
Jan 12th 2023 |
Materia 4: Brick |
Gordon Shrigley |
Jan 10th 2023 |
The City of Design |
Emilio Ambasz |
Jan 9th 2023 |
The Wessex Project: Thomas Hardy, Architect: Part III |
Kester Rattenbury |
Jan 6th 2023 |
The Work of Ernest and Esther Born: World’s Fair |
Nicholas Olsberg |
Jan 5th 2023 |
Owen Luder: Practice at Work |
Kate Wharton |
Jan 3rd 2023 |
The Wessex Project: Thomas Hardy, Architect: Part II |
Kester Rattenbury |
Dec 21st 2022 |
Drawing for James Stirling |
Walter Nageli |
Dec 20th 2022 |
fala: butterflies |
fala |
Dec 19th 2022 |
The Garden Transcripts |
Eleanor Evason |
Dec 16th 2022 |
Beverly Buchanan: here I am; I’m still here |
Clara Maria Blasius |
Dec 15th 2022 |
fala: photography |
fala |
Dec 13th 2022 |
The Wessex Project: Thomas Hardy, Architect: Part I |
Kester Rattenbury |
Dec 12th 2022 |
DMJ – The Sound of Magma: Geographies of Infrasound, Vibrating Bodies, and Representing the Earth |
Adam Bobbette |
Dec 9th 2022 |
DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope |
Yue Zhuang |
Dec 9th 2022 |
Useless Terrain: The Ballynagrenia and Ballinderry Bog |
Joseph Heffernan |
Dec 7th 2022 |
Johan Celsing Buildings Texts (2021) – Review |
Nina Lundvall |
Dec 6th 2022 |
Alberto Cruz: Observation, Act, Form – Review |
Matt Page |
Dec 2nd 2022 |
Open Letters: Harvard GSD |
Paul Mosley |
Dec 2nd 2022 |
Gothic Sublime |
Sonny Evans |
Dec 1st 2022 |
Oscar Niemeyer’s Cathedral in Brasília |
Ciro Miguel |
Nov 30th 2022 |
W. R. Lethaby: The Church of Sancta Sophia, Constantinople |
Hugh Strange |
Nov 28th 2022 |
fala: collages |
fala |
Nov 25th 2022 |
The Routledge Companion to Architectural Drawings and Models (2021) – Review |
Desley Luscombe |
Nov 24th 2022 |
The Usonia Plot at Pleasantville |
Editors |
Nov 23rd 2022 |
Joan Littlewood’s Memos to Cedric Price |
Ana Bonet Miró |
Nov 21st 2022 |
The Work of Ernest and Esther Born: Models for the City House |
Nicholas Olsberg |
Nov 18th 2022 |
From Afar |
Ajna Babahmetovic |
Nov 17th 2022 |
DMJ – Borromini’s Smudge |
Jonathan Foote |
Nov 15th 2022 |
DMJ – From Landscape to Mapscape: Robert Smithson’s Maps |
Bernhard Siegert |
Nov 15th 2022 |
The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review |
Esra Akcan |
Nov 10th 2022 |
fala: execution drawings |
fala |
Nov 7th 2022 |
Queensway, Hong Kong |
Sony Devabhaktuni |
Nov 4th 2022 |
Heinz Isler Model |
John Chilton and Paul Shepherd |
Nov 2nd 2022 |
Sweet Disorder and the Carefully Careless: Ideas, Faces and Places (2022) – review |
Eric Parry and Robin Webster |
Oct 31st 2022 |
fala: renders |
fala |
Oct 28th 2022 |
Drawing Conversations: Letters to Clients |
Paul Clarke |
Oct 26th 2022 |
W. R. Lethaby: The Builder’s Art and the Craftsman |
Hugh Strange |
Oct 24th 2022 |
How Big is Big – Does Scale Matter? A Reflection on Scale in Architecture and Drawing |
Federica Goffi and Devon Moar |
Oct 21st 2022 |
Vilanova Artigas: Drawing Models – Review |
Laura Evans |
Oct 20th 2022 |
‘Then There Was War’: John Hejduk’s Silent Witnesses as Nuclear Criticism |
Mark Dorrian |
Oct 19th 2022 |
fala: wireframes |
fala |
Oct 17th 2022 |
Stendhal’s Autobiography: La Vie de Henri Brulard |
Christopher Woodward |
Oct 14th 2022 |
Two Way Traffic: Japanese Woodblock Prints |
Alex Faulkner |
Oct 12th 2022 |
Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review |
Erik Wegerhoff |
Oct 10th 2022 |
Fronts and Faces |
Lera Samovich |
Oct 7th 2022 |
Roger Katan and Forum |
Sarah Handelman |
Oct 5th 2022 |
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář |
Raphael Haque |
Oct 4th 2022 |
fala: comprehensive |
fala |
Oct 3rd 2022 |
Materia 3: Red Oxide |
Gordon Shrigley |
Sep 30th 2022 |
Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review |
Mark Pimlott |
Sep 29th 2022 |
Superstudio’s Collage Chest: A Chance Machine |
Jonah Ginsburg |
Sep 26th 2022 |
Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture |
Editors |
Sep 23rd 2022 |
Where in the World are We? Melbourne Venice Studios 2022 |
Peter Wilson |
Sep 22nd 2022 |
fala: the single line |
fala |
Sep 19th 2022 |
After the Revolution: Dugourc in Spain |
Iris Moon |
Sep 16th 2022 |
Dugourc’s Playing Cards |
Iris Moon |
Sep 14th 2022 |
Ulmer House Extension Proposal: Baumschlager & Eberle |
Francesco Paini |
Sep 12th 2022 |
Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto |
Jaime Tillería Durango |
Sep 9th 2022 |
Krier/Culot: Architecture, language and process (1977) |
Robert Maxwell |
Sep 7th 2022 |
Lenin’s Tomb, the Second Version |
Niall Hobhouse and Markus Lähteenmäki |
Sep 5th 2022 |
Gurdwara |
Ekam Singh |
Sep 1st 2022 |
Mies van der Rohe and the Universal Space Project |
Landry Smith |
Aug 30th 2022 |
William Burges: Architectural drawing |
Editors |
Aug 25th 2022 |
On Bramante (2022) – Review |
Oliver Lütjens and Thomas Padmanabhan |
Aug 22nd 2022 |
Edifice |
Philippa Lewis |
Aug 19th 2022 |
Turning Point: The US Embassy in Dublin |
Cormac Murray |
Aug 17th 2022 |
Objects That Meet |
Lars Lerup |
Aug 15th 2022 |
W. R. Lethaby: Architecture, Mysticism and Myth |
Hugh Strange |
Aug 10th 2022 |
Dalibor Vesely: Shared Horizons |
Biba Dow |
Aug 8th 2022 |
Power & Public Space 10: Dank Lloyd Wright – Meme Space |
Matthew Blunderfield and Dank Lloyd Wright |
Aug 5th 2022 |
Power & Public Space 9: Ana Bonet Miró – Fun Palace |
Matthew Blunderfield and Ana Bonet Miró |
Aug 3rd 2022 |
The Cod of São Victor |
Pedro Bandeira |
Aug 1st 2022 |
Power & Public Space 8: Markus LäHteenmäki – Lev Rudnev’s Monument to the Victims of the Revolution |
Matthew Blunderfield and Markus Lähteenmäki |
Jul 29th 2022 |
Alberto Pérez-Gómez: Architecture as Drawing |
Mark Dorrian and Alberto Pérez-Gómez |
Jul 28th 2022 |
Power & Public Space 7: Mabel O. Wilson – Memorial to Enslaved Labourers, University of Virginia |
Matthew Blunderfield and Mabel O. Wilson |
Jul 27th 2022 |
Time’s Witness. History in the Age of Romanticism (2021) – Review |
Martin Bressani |
Jul 25th 2022 |
Power & Public Space 6: André Patrão – Eisenman, Derrida, and Chora L Works (Parc de la Villette) |
Matthew Blunderfield and André Patrão |
Jul 22nd 2022 |
Power & Public Space 5: Mark Wallinger – State Britain |
Matthew Blunderfield and Mark Wallinger |
Jul 20th 2022 |
Freddie Phillipson ‘The Ulysses Project’ – Review |
Peter Carl |
Jul 18th 2022 |
Power & Public Space 4: Jonas Žukauskas – Forest Parts |
Matthew Blunderfield and Jonas Žukauskas |
Jul 15th 2022 |
Materia 2: Corrugated Iron |
Gordon Shrigley |
Jul 14th 2022 |
Power & Public Space 3: Manuel Herz – Babyn Yar Synagogue |
Matthew Blunderfield and Manuel Herz |
Jul 13th 2022 |
Elia Zenghelis: The Image as Emblem and Storyteller |
Richard Hall |
Jul 11th 2022 |
Power & Public Space 2: Lauren Bon – Bending the River Back to the City |
Matthew Blunderfield and Lauren Bon |
Jul 8th 2022 |
Power & Public Space 1: Liza Fior – The Dalston Eastern Curve Garden |
Matthew Blunderfield and Liza Fior |
Jul 6th 2022 |
Sir Edwin Lutyens, by his Son |
Robert Lutyens |
Jul 4th 2022 |
Jan Tschichold and El Lissitzky: Foto-Auge (Photo-eye) |
Paul Stirton |
Jun 29th 2022 |
Hexenhaus (2021) – Review |
Paul Clarke |
Jun 27th 2022 |
Roland Simounet: De La Verité en Architecture |
Pierre Riboulet |
Jun 24th 2022 |
Workshop: On Siza’s March ’77 Sketchbook |
Manuel Montenegro |
Jun 22nd 2022 |
Interview with Space Magazine |
Matt Page and Semi Park |
Jun 20th 2022 |
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II |
Freddie Phillipson |
Jun 17th 2022 |
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part I |
Freddie Phillipson |
Jun 16th 2022 |
Growing up Modern: Childhoods in Iconic Homes (2021) – Review |
Gillian Darley |
Jun 13th 2022 |
Benjamin Wistar Morris and a new Metropolitan Opera House |
Janet Parks |
Jun 10th 2022 |
The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Introduction |
Freddie Phillipson |
Jun 8th 2022 |
The Anatomy of the Architectural Book: Magical Moves |
André Tavares |
Jun 6th 2022 |
Opportunism |
Richard Hall and Emma Rutherford |
Jun 2nd 2022 |
Les Fêtes de Nuit (1937) |
Robert Chenevier |
May 30th 2022 |
Walter Segal, Self-Built Architect (2021) – Review |
Jane Hall |
May 26th 2022 |
Clancy Moore: Less is more |
Chris Foges |
May 24th 2022 |
Hélène Binet: The Outsider |
Hélène Binet |
May 19th 2022 |
William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England |
Elizabeth Deans |
May 18th 2022 |
Robert Adam: The Long Gallery at Syon |
Stephen Astley, Adriano Aymonino, Markus Lähteenmäki and Frances Sands |
May 13th 2022 |
Shatwell farm open day – 18 June 2022 |
|
May 11th 2022 |
Fernando Higueras: The Volcano, The Flower, and The Dromedary |
Guillermo S. Arsuaga |
May 9th 2022 |
CP138 Gordon Matta-Clark: Readings of the Archive (2020) – Review |
Penelope Curtis |
May 7th 2022 |
Reflections on The Drawing Matter Archive |
Roz Barr, Jonah Ginsburg, Benjamin Machin and Sandra Porter |
May 3rd 2022 |
Design Starts: Loughborough School of Architecture at Shatwell Farm |
Benjamin Machin |
May 3rd 2022 |
An Artist Browsing the Collection |
Sandra Porter |
May 3rd 2022 |
The Evolving Role of Drawing |
Nicholas Olsberg |
Apr 29th 2022 |
Reflections on my Internship |
Jonah Ginsburg |
Apr 27th 2022 |
Do You Remember How Perfect Everything Was? The Work of Zoe Zenghelis (2021) – Review |
Richard Hall |
Apr 26th 2022 |
Syon House and the Afterlife of Architectural Drawing |
Freddie Phillipson |
Apr 22nd 2022 |
‘For the curiosity of the article’: Excerpts from Architectural Drawing (1870) |
William Burges |
Apr 19th 2022 |
Adaptations: A Teaching Studio at Cornell |
Roz Barr |
Apr 19th 2022 |
The Ruined Temple and Oberrealta Chapel |
Zachary Torres |
Apr 14th 2022 |
Materia: Render |
Gordon Shrigley |
Apr 12th 2022 |
The Iterative Power of Architecture’s Absence |
Peter Sealy |
Apr 7th 2022 |
The Being of Drawing (2021) – Review |
Matt Page |
Apr 4th 2022 |
Drawing as Advocacy |
Stephanie Davidson and Mary Vaccaro |
Mar 28th 2022 |
Drawing Out, Drawing In: Cartographies for ‘Out of the Sea’ |
Beth George |
Mar 24th 2022 |
In the Archive: Laugier, Eisen, Boulogne, Petitot, Percier, Dumont and Hadid |
Christiane Matt |
Mar 22nd 2022 |
Wood & Harrison: A Film About a City |
Paul Harrison and John Wood |
Mar 21st 2022 |
Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review |
Anthony Vidler |
Mar 17th 2022 |
Entering the Imperial Palace |
Will Jennings |
Mar 16th 2022 |
Exhibition Design: Charging the Void |
Claire Oster |
Mar 9th 2022 |
Room at the Top?: Kate Macintosh, Denise Scott Brown and the kingmaker-critic |
Emily Dan |
Mar 7th 2022 |
Tom de Paor: ‘i see Earth’, Building and Ground 1991–2021 – Review |
Andrew Clancy |
Mar 4th 2022 |
Painting in Stone (2020) – Review |
Jonathan Foote |
Mar 1st 2022 |
The Extended Portal: Atcost |
Andrew Clancy |
Feb 28th 2022 |
What’s a Bludder Sketch? |
Declan Quirke |
Feb 28th 2022 |
Pan Scroll Zoom 20: 10PM in Inner Mongolia |
Mark Dorrian |
Feb 23rd 2022 |
The Edge of Architecture: Cornices in the Drawing Matter collection |
Editors |
Feb 21st 2022 |
The Cornice: The Edge of Architecture |
Maarten Delbeke |
Feb 21st 2022 |
Sigurd Lewerentz: Punctum. seeing the detail |
Mikael Bergquist |
Feb 14th 2022 |
Growth or Composition? Colin Rowe to Louis Kahn |
Michael Merrill |
Feb 10th 2022 |
Louis Kahn: The Importance of a Drawing (2021) – Review |
Stan Allen |
Feb 10th 2022 |
Charles Stanley Peach: Pioneer in Power |
Andrew Jones |
Feb 8th 2022 |
The Urban Fact: Aldo Rossi, Student Housing, Chieti |
Kersten Geers, Stefano Graziani and Jelena Pancevac |
Feb 7th 2022 |
Postmodern Australia: Robert Pearce’s Drawings for Edmond and Corrigan |
Yvette Putra |
Feb 1st 2022 |
The Measure of It: An Essay on Measured Drawings |
George Saumarez Smith |
Jan 31st 2022 |
Charles Jencks: Architect in the Jumping Universe |
Lily Jencks |
Jan 25th 2022 |
The Architectural Models of Theodore Conrad: The ‘miniature boom’ of mid-century modernism (2021) – Review |
Emma Letizia Jones |
Jan 25th 2022 |
Montage-Entourage; Or The Politics Of The Seam |
Michael Young |
Jan 24th 2022 |
Álvaro Siza: The Adoration of the magi |
António Choupina |
Jan 19th 2022 |
Pan Scoll Zoom 19: Pier Vittorio Aureli and Maria S. Giudici |
Pier Vittorio Aureli, Fabrizio Gallanti and Maria S. Giudici |
Jan 19th 2022 |
Decoding Wittgenstein’s Stonborough Villa |
Akira Koyama |
Jan 18th 2022 |
In the Archive: New and Found 2 |
Editors |
Jan 12th 2022 |
Infinite Patterns in I. M. Pei’s Furniture Diagrams |
Daniel Luis Martinez |
Jan 12th 2022 |
Essex Coastal Cornice: Ex-Mould |
Charles Holland |
Jan 11th 2022 |
David K. Ross: Archetypes (2021) – Review and Excerpt |
Helen Thomas |
Jan 11th 2022 |
Sir John Soane’s Involvement in House Flipping |
Frances Sands |
Jan 10th 2022 |
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment |
Fabio Colonnese |
Jan 6th 2022 |
Working with Tony Fretton |
Jonathan Sergison |
Jan 4th 2022 |
The Rural Homes of Marcelo Ferraz and Francisco Fanucci |
Abilio Guerra |
Dec 13th 2021 |
Stories from Architecture: Behind the Lines at Drawing Matter |
Adrian Forty, Niall Hobhouse and Philippa Lewis |
Dec 13th 2021 |
The Temple of Flora, Stourhead: a paradise revisited |
Dudley Dodd |
Dec 9th 2021 |
In Defence of Metaphor |
Deanna Petherbridge |
Dec 9th 2021 |
Movements of the Drawing Hand |
Paul Clarke |
Dec 8th 2021 |
Analoge Architektur: Fire Station Project |
Daniel Studer |
Dec 8th 2021 |
Drawing Parallels: John Hejduk’s Wall House 1 |
Ray Lucas |
Dec 6th 2021 |
In the Archive: New and Found |
Editors |
Dec 1st 2021 |
The I’Ansons: A Dynasty of London Architects & Surveyors |
Peter Jefferson Smith |
Nov 30th 2021 |
El Croquis 208: DOGMA familiar/unfamiliar 2002–2021 (2021): Review |
Leonard Ma |
Nov 29th 2021 |
The Philips Pavilion: Models as Structural Expression |
Matthew Mindrup |
Nov 23rd 2021 |
Álvaro Siza: Seven Early Sketchbooks |
Niall Hobhouse, Manuel Montenegro and Álvaro Siza |
Nov 22nd 2021 |
Pan Scroll Zoom 18: Wolff Architects |
Fabrizio Gallanti, Ilze Wolff and Heinrich Wolff |
Nov 17th 2021 |
The Urban Fact: Aldo Rossi, The School, Fagnano Olona |
Kersten Geers, Stefano Graziani and Jelena Pancevac |
Nov 16th 2021 |
A Short History of Alberto Ponis on the Sardinian Coast |
Sebastiano Brandolini |
Nov 15th 2021 |
Sigurd Lewerentz: Architect of Death and Life (2021): Review and Excerpts |
Caroline Voet |
Nov 15th 2021 |
The Pursuit of Gothic |
Rosemary Hill |
Nov 10th 2021 |
Architectonic Landscapes |
Deanna Petherbridge |
Nov 9th 2021 |
Frank Lloyd Wright, House for Edith Carlson, 1939, Part II |
Philippa Lewis |
Nov 7th 2021 |
Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance |
Ahmed Belkhodja |
Nov 4th 2021 |
Drawing Powers: Introduction |
Fernando Poeiras |
Nov 2nd 2021 |
Drawing Powers 2: the object in the drawing |
Fernando Poeiras |
Nov 2nd 2021 |
Drawing Powers 3: the drawing in the object |
Fernando Poeiras |
Nov 2nd 2021 |
Drawing Powers 4: the drawing-object |
Fernando Poeiras |
Nov 2nd 2021 |
Drawing Powers: conclusions |
Fernando Poeiras |
Nov 2nd 2021 |
The Italian Job: Anthony Salvin, Sir John Benson and the Royal Cork Yacht Club, Cóbh |
Tom Spalding |
Oct 27th 2021 |
Alberto Ponis on Casa Scalesciani |
Alberto Ponis |
Oct 27th 2021 |
Hélène Binet: The Intimacy of Making, Three Historical Sites in Korea (2021): Review |
Helen Thomas |
Oct 25th 2021 |
Frank Lloyd Wright, House for Edith Carlson, 1939, Part I |
Philippa Lewis |
Oct 21st 2021 |
Álvaro Siza: Fast and Slow Lines |
Lok-Kan Chau |
Oct 20th 2021 |
Writing Prize 2021: Savinien Petit’s Chapelle a deux salles avec luminaire |
Raphael Haque |
Oct 18th 2021 |
The Hidden Horizontal. Cornices in Art and Architecture: Exhibition Review |
Cammy Brothers |
Oct 18th 2021 |
The Metropolitan Opera House, NYC: Invisible guests |
Kyna Leski |
Oct 15th 2021 |
Lines, Drawings, the Human Condition |
Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo |
Oct 13th 2021 |
Doodles: Stirling Wilford and Associates, 1984–2000 |
Marco Iuliano |
Oct 12th 2021 |
Henri Guerbois: Department Store in King Street, 1921 |
Philippa Lewis |
Oct 5th 2021 |
Twelve Thousand Seven Hundred Forty-Two KM of Continuum |
Farnoosh Farmer |
Oct 4th 2021 |
Porto School, B Side: Insurrectional Organization of Space |
Pedro Bandeira |
Sep 29th 2021 |
The Order of Terror |
Deanna Petherbridge |
Sep 28th 2021 |
Christoph Schlingensiefs Operndorf Afrika (2020): Review |
Erandi de Silva |
Sep 27th 2021 |
R for Representation |
Ralf Liptau |
Sep 27th 2021 |
Writing Prize 2021: Reading Material |
Rebecca Disney |
Sep 23rd 2021 |
Writing Prize 2021: Live My Drawings |
Ying Xuan Chian |
Sep 23rd 2021 |
Survey: Le Corbusier, Roland Garros stadium |
Matthew Wells |
Sep 21st 2021 |
Clancy Moore Architects: Atcost |
Andrew Clancy and Colm Moore |
Sep 20th 2021 |
PC Harry Woodley: Plans of No 131 Cornwall Street, 1902 |
Philippa Lewis |
Sep 17th 2021 |
An Overwhelming Concern with Shelter! (1966) |
Gustav Metzger |
Sep 16th 2021 |
Disney: The Architecture of Staged Realities |
Saskia van Stein |
Sep 10th 2021 |
John Nash: Designs for Langham House, ca. 1812–1816 |
Philippa Lewis |
Sep 6th 2021 |
Capitol or Capital? |
Martin Pawley |
Sep 2nd 2021 |
Notations (2016): Review & Excerpt |
Richard Hall |
Sep 2nd 2021 |
Pan Scroll Zoom 17: Monadnock |
Job Floris and Fabrizio Gallanti |
Sep 1st 2021 |
Cosmos Street Revisited |
Peter Wilson |
Aug 31st 2021 |
The Silo at 40Hz |
Joe Banks and Jonah Ginsburg |
Aug 27th 2021 |
Survey: John Goldicutt, Temple of Vespasian |
Matthew Wells |
Aug 25th 2021 |
Unpeopled Places |
Deanna Petherbridge |
Aug 23rd 2021 |
Piranesi Unbound (2020): Review |
Nicholas Savage |
Aug 19th 2021 |
Survey: Piazza Grande, Gubbio, Perugia |
Biba Dow |
Aug 18th 2021 |
Craving Primal Architecture |
Rory Chisholm |
Aug 17th 2021 |
Superstudio: Finding the Horizon |
Gian Piero Frassinelli |
Aug 12th 2021 |
Where to Begin? – Juhani Pallasmaa |
Juhani Pallasmaa |
Aug 12th 2021 |
Besides, History (2018): Book Review |
Stan Allen |
Aug 9th 2021 |
The H-plan: Breuer, Stirling, Gowan |
Anthony Vidler |
Aug 5th 2021 |
Galleries in the Valley |
Abigail Calva, Basil Harb, Erin Huang, Claire Oster and Sarah Tien |
Aug 4th 2021 |
Sketches from Algiers |
Adam Voelcker |
Aug 2nd 2021 |
Building the Gowan Shed |
Jonah Ginsburg |
Jul 30th 2021 |
Steeling Stirling & Gowan’s Isle of Wight House |
Neil Jackson |
Jul 28th 2021 |
Pan Scroll Zoom 16: Luis Callejas |
Luis Callejas |
Jul 28th 2021 |
Insignificance 4: Self-reflexive |
Gordon Shrigley |
Jul 26th 2021 |
Cassius Goldsmith’s Grey Weather Gate House |
Marie-Henriette Desmoures |
Jul 25th 2021 |
Stirling & Gowan: The Isle of Wight House |
James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman |
Jul 21st 2021 |
Postcards: The Nature of images |
Luca Galofaro |
Jul 21st 2021 |
The James Clarke Remake |
Oscar Binder and Nikolaus Podlaha |
Jul 20th 2021 |
Drawing the Brunswick Centre |
Birkin Haward |
Jul 19th 2021 |
Leicester Engineering Building: Completed! |
James Gowan |
Jul 14th 2021 |
Forced Migrations, Barriers and Vanishing Asylums |
Deanna Petherbridge |
Jul 13th 2021 |
On Pristine Boxes and Primeval Huts |
Frank Bauer |
Jul 13th 2021 |
36 Elevations |
Calum Storrie |
Jul 12th 2021 |
Leicester Engineering Building: Under Construction |
James Gowan |
Jul 8th 2021 |
Pan Scroll Zoom 15: Other Architects |
Fabrizio Gallanti, Grace Mortlock and David Neustein |
Jul 7th 2021 |
Luc Deleu & T.O.P. OFFICE: Future Plans, 1970–2020 (2021) – Review |
Victoria Easton |
Jul 7th 2021 |
Shatwell Farm: A Step Up |
John Glew |
Jul 6th 2021 |
Letter to the Editors: What I see in drawings today… |
Andrea Leonardi |
Jul 5th 2021 |
Disinformation: Closed Circuit |
Joe Banks |
Jun 30th 2021 |
The Cottage at Bromley |
Tim Anstey and Mari Lending |
Jun 28th 2021 |
Florian Beigel & Aru’s Pojagi House: Searching for the Essential |
Louis Mayes |
Jun 28th 2021 |
Keeping a Notebook |
Simon Unwin |
Jun 24th 2021 |
From Diderot to Tokyo: Mechanical, Subjective and Digital Time |
Peter Wilson |
Jun 23rd 2021 |
Folding Landscapes: The Maps of Tim Robinson |
Declan Quirke |
Jun 23rd 2021 |
Architectural Drawing (1983) |
George Collins |
Jun 22nd 2021 |
26 Kingly Street Co-Op |
Editors |
Jun 21st 2021 |
Pan Scroll Zoom 14: Alfredo Thiermann |
Alfredo Thiermann |
Jun 16th 2021 |
The Language of Architecture: Peter Märkli’s system of proportion |
Stacey Lewis |
Jun 15th 2021 |
Notes on Twelve drawings for the Governor’s Palace at Chandigarh |
José Oubrerie |
Jun 15th 2021 |
Jesús Vassallo’s Epics in the Everyday (2019): Review & Excerpt |
Helen Thomas |
Jun 14th 2021 |
Stephen Taylor: Haybarn |
Brendan Woods |
Jun 14th 2021 |
Drawing on History: Mirages, Interventions and Contestations |
Deanna Petherbridge |
Jun 10th 2021 |
The Over Under: Drawing as process |
Peter William Rae |
Jun 10th 2021 |
Insignificance 3: Mourning Work |
Gordon Shrigley |
Jun 9th 2021 |
The Future City |
Paul Maher |
Jun 9th 2021 |
Notes on The Palace of the Assembly and Museum at Chandigarh |
José Oubrerie |
Jun 7th 2021 |
Cartographies of the Imagination |
Kirsty Badenoch and Sayan Skandarajah |
Jun 4th 2021 |
This Blue Love: Aldo Rossi in Samos in late Summer 1989 |
Vincenzo Moschetti |
Jun 2nd 2021 |
An Everyday Detail |
Priit Jürimäe |
Jun 2nd 2021 |
Peekaboo! Stanford White and the Mystery Lantern for Madison Square Presbyterian Church |
H. Horatio Joyce |
Jun 1st 2021 |
Pan Scroll Zoom 13: Tatiana Bilbao |
Tatiana Bilbao and Fabrizio Gallanti |
Jun 1st 2021 |
Hans Poelzig: Decorating the Empty Centre |
Hana Nihill |
Jun 1st 2021 |
I Cut Mount Fuji Every Day |
Marie-Henriette Desmoures |
May 31st 2021 |
BOLLES+WILSON: Sketching-Over Albania |
Peter Wilson |
May 27th 2021 |
Le Palais de Darius a Persepolis |
Charlotte Hart |
May 27th 2021 |
68½ degrees, Sverre Fehn and the Nordic Pavilion: Review & Excerpt |
Niall Hobhouse |
May 26th 2021 |
biq: Revealing Construction |
Neil Middleton |
May 26th 2021 |
Superstudio & Piranesi: Zeno is Immortal |
Olivier Bellflamme |
May 24th 2021 |
Insignificance 2: Distinction – Polysemy |
Gordon Shrigley |
May 19th 2021 |
Evocation of Solemnity: Temple of Minerva |
Rodrigo Dominguez |
May 19th 2021 |
Notes on the 2020 Summer School: Encounters in landscape |
Marwa El Mubark |
May 18th 2021 |
Pan Scroll Zoom 12: Elizabeth Hatz |
Elizabeth Hatz |
May 18th 2021 |
To assist |
Ruben Casqero |
May 18th 2021 |
Fernand Pouillon’s Survey of the Abbey of Le Thoronet |
Oscar Mather |
May 17th 2021 |
Keshi Ghat |
Amrutha Viswanath |
May 13th 2021 |
Hans Hollein’s Immunological City |
Dhruv Mehta |
May 12th 2021 |
Bovenbouw Architectuur: One Paper Model and Three Paper Collages |
Ciaran Scannell |
May 12th 2021 |
Eric Gill On Designing War Graves (1919) |
Eric Gill |
May 11th 2021 |
Medieval Masons and tracing-floors |
Jennifer Smith |
May 10th 2021 |
The Intention of Suspension: Peter Wilson’s Clandeboye Fish |
Gabrielle Eglen |
May 10th 2021 |
fala atelier: Seriously Playful |
Jack Huang |
May 6th 2021 |
Diagrams: Hans van der Heijden in Conversation with Richard Hall |
Richard Hall |
May 5th 2021 |
The Zilsel Thesis: A Review of Strata: William Smith’s Geological Maps (2020): Review |
Stan Allen |
May 4th 2021 |
Insignificance 1: Discipline |
Gordon Shrigley |
May 4th 2021 |
Notes on Architectural Education and Drawing |
Rafael Sousa Santos |
May 3rd 2021 |
Bulgakov’s ‘Golden City’ (1923) |
Cyril Babeev |
May 3rd 2021 |
Crossing the Abyss |
Deanna Petherbridge |
May 1st 2021 |
14 Wine Street, Bristol |
Lee Marable |
Apr 29th 2021 |
The Beaux-Arts Tradition |
Basile Baudez and Maureen Cassidy-Geiger |
Apr 29th 2021 |
Nobuo Sekine: Phase of Nothingness |
Editors |
Apr 27th 2021 |
Order and Uncertainty in Architectural Drawing |
Luke Tipene |
Apr 26th 2021 |
Leicester Engineering building: Two Architects (1964) |
Ellis Woodman |
Apr 26th 2021 |
Open Wide / Wide Open |
Angharad Davies |
Apr 22nd 2021 |
Peter Märkli: My Facade Material |
Editors |
Apr 21st 2021 |
Pan Scroll Zoom 11: Architecten Jan De Vylder Inge Vinck |
Fabrizio Gallanti, Inge Vinck and Jan De Vylder |
Apr 19th 2021 |
Physical & Digital Drawing |
Reuben Roberts |
Apr 19th 2021 |
Sébastien Marot’s Taking The Country’s Side (2019): Review & Excerpt |
Adam Caruso |
Apr 19th 2021 |
The Vitruvian Man: with Fresh Eyes |
Niamh Murphy |
Apr 14th 2021 |
The Architecture of Nothingness: Analysing Frank Lloyd Wright’s Unity Temple |
Frank Lyons |
Apr 12th 2021 |
Shaping Landscape: Schinkel and Erratics |
Tom Cookson |
Apr 12th 2021 |
Place and Displacement: Rubbings from Architecture |
Sam van Strien |
Apr 12th 2021 |
Balzac architecte (1856) |
Leon Gozlan |
Apr 9th 2021 |
Nancy Holt: Sky Mound |
Holt/Smithson Foundation |
Apr 8th 2021 |
Hans Hollein: From a Distance |
Robert Crawford |
Apr 7th 2021 |
Adam Bede’s ‘Discourse on Building’ (1859) |
George Eliot |
Apr 6th 2021 |
Remembering a House in an Indiana Cornfield |
Larry Richards |
Mar 31st 2021 |
Flores & Prats Sala Beckett International Drama Centre (2020): REVIEW & EXCERPTS |
Helen Thomas |
Mar 30th 2021 |
Casino Royale: Stynen’s unrealised sculpture garden |
Emerald Liu |
Mar 30th 2021 |
André Arbus: Details Matter |
Anna Healy |
Mar 29th 2021 |
Ritual and Repitition at San Cataldo Cemetery |
Marwa El Mubark |
Mar 29th 2021 |
Pan Scroll Zoom 10: Studio Othenin-Girard |
Guillaume Othenin-Girard |
Mar 29th 2021 |
Working with Gowan: Housing at East Hanningfield |
Paul Notley |
Mar 26th 2021 |
Studio Mumbai’s Tape Drawing |
Irfan Safdag |
Mar 25th 2021 |
Derrida & Eisenman: Laugh(ing) of(f) the lyre |
André Patrão |
Mar 22nd 2021 |
Marie-José Van Hee: Seeing not Showing |
Tessa Baird |
Mar 22nd 2021 |
Cedric Price: Urban Spaceman |
Ana Bonet Miró |
Mar 22nd 2021 |
Pan Scroll Zoom 9: The Screen ClassRooms |
Anuj Daga |
Mar 19th 2021 |
Haunted: Robert Smithson’s ‘My House is a Decayed House’ |
Suzaan Boettger |
Mar 18th 2021 |
The Floor Plan of a Room |
Thomas Hutton |
Mar 17th 2021 |
Building Desire: On the Barcelona Pavilion (2005) |
George Dodds |
Mar 16th 2021 |
Pan Scroll Zoom 8: Patrick Lynch |
Patrick Lynch |
Mar 16th 2021 |
Excerpt: Shadow Places |
Simon Unwin |
Mar 15th 2021 |
Hans Poelzig: Der Golem |
Robert Wightman |
Mar 11th 2021 |
Lauretta Vinciarelli: Homogeneous and Non-Homogeneous Grids |
Rebecca Siefert |
Mar 11th 2021 |
The MARS Group’s Plan for London, 1933-1944 |
Mirjam Kupferschmid |
Mar 8th 2021 |
Glasgow School of Art: The Measure of Things |
Paul Clarke |
Mar 8th 2021 |
Stanley Peach: Church Plan based on the Figure of Christ |
Mireya Fabregas |
Mar 8th 2021 |
Make me Hyper-Real: image ethics and the architectural visualisation |
Daniel Innes |
Mar 5th 2021 |
Tradition and Modernity, Continuity and Critique |
Rebecca Siefert |
Mar 4th 2021 |
Cedric Price: Westal Market Stall Prototypes |
Editors |
Mar 1st 2021 |
The Perpetual Race of Piranesi and the Tortoise |
Marc McGowan |
Mar 1st 2021 |
Architecture’s Mirror Stage |
Michael Abrahamson |
Feb 26th 2021 |
Pan Scroll Zoom 7: MOS |
Fabrizio Gallanti, Michael Meredith and Hilary Sample |
Feb 25th 2021 |
Stan Allen’s Situated Objects (2020): Review & Excerpt |
Niall Hobhouse |
Feb 24th 2021 |
Re-presenting the Rococo |
David Valinsky |
Feb 24th 2021 |
Take One: Architects on Drawing |
Editors |
Feb 23rd 2021 |
In search of an honest map |
Nicholas Herrmann |
Feb 22nd 2021 |
Walter Pichler: Mystery and Mysticism |
Harvey Herman |
Feb 19th 2021 |
Superstudio: Another Mirror Image |
Ludwig Engel |
Feb 17th 2021 |
Singing Songs of Piccadilly: Review |
Editors |
Feb 16th 2021 |
Signature |
André Patrão |
Feb 15th 2021 |
Mother of all drawings |
Deepiga Kameswaran |
Feb 15th 2021 |
The Problem with Rainbows |
Adolfo Natalini |
Feb 12th 2021 |
Charlotte Skene Catling: The Dairy House |
Françoise Astorg Bollack |
Feb 11th 2021 |
Sir John Soane’s Museum: Bound Legacy |
Alexandra Politis |
Feb 9th 2021 |
The Architect and the Matador |
Thomas Gould |
Feb 8th 2021 |
On Tony Fretton and the Lisson Gallery |
Nicholas Logsdail |
Feb 5th 2021 |
Louis Kahn: In Praise of shadows |
Emerald Liu |
Feb 3rd 2021 |
Drawing the Curtain: Entangling rendering and theatrical space |
Thomas Hutton |
Feb 2nd 2021 |
Carlos Diniz and the World Trade Center |
Sam van Strien |
Feb 1st 2021 |
Drawing Sacred Forests and Courtyards in South Benin |
Quentin Nicolaï |
Jan 29th 2021 |
Hello Iwona |
Hamish Lonergan |
Jan 27th 2021 |
Elliott Glushak vs. The City of New York |
Philippa Lewis |
Jan 27th 2021 |
The House and the Sketch |
Bijan Thornycroft |
Jan 25th 2021 |
Two Early Paintings with OMA |
Zoe Zenghelis |
Jan 25th 2021 |
Viollet-le-Duc: Ruins in Reverse |
Thomas Gould |
Jan 22nd 2021 |
Zahalternative Histories: O’Donnell + Tuomey on Zaha Hadid |
John Tuomey |
Jan 19th 2021 |
Aldo Rossi: Divination of a Drawing |
Chloe Spiby Loh |
Jan 18th 2021 |
Pan Scroll Zoom 6: Emily Wettstein |
Fabrizio Gallanti and Emily Wettstein |
Jan 18th 2021 |
Pier Vittorio Aureli’s Architecture of Abstraction |
Nicholas Andrew Pacula |
Jan 15th 2021 |
Architecture at the Edge |
Craig Moller and Marco Moro |
Jan 13th 2021 |
The Discreet Charm of the Bureaucratic |
Michael Abrahamson |
Jan 13th 2021 |
Thomas Chippendale and Ornament |
Tom Cookson |
Jan 13th 2021 |
The Meaning of Lines |
Laura Bonell and Daniel López-Dòriga |
Jan 11th 2021 |
The Fun Palace: Light Adaptation |
Chase Galis |
Jan 8th 2021 |
The Values of Profiles (1951) |
Luigi Moretti |
Jan 8th 2021 |
Writing Prize 2020: Architectural Apparitions |
Anahat Chandra |
Jan 7th 2021 |
Malagueira: Conflict Resolution (1983) |
Álvaro Siza |
Jan 4th 2021 |
Christmas Reading List 2020 |
Editors |
Dec 22nd 2020 |
Shower at Shatwell Farm |
Adam Blencowe |
Dec 21st 2020 |
Anna Atkins: Laying Out the Blueprints |
Nicholas Herrmann |
Dec 21st 2020 |
Startha Éagsula: GKMP architects on Charles Moore |
GKMP architects |
Dec 17th 2020 |
Writing Prize 2020: Pens down, Braid up |
Cassandra Adjei |
Dec 17th 2020 |
Soane’s Temple Stye |
Rosie Ellison-Balaam |
Dec 16th 2020 |
Pan Scroll Zoom 5: Andrés Jaque |
Fabrizio Gallanti and Andrés Jaque |
Dec 16th 2020 |
Writing Prize 2020: The Anatomy of an Oyster Theatre |
Emilie Banville |
Dec 14th 2020 |
Startha Éagsula: O’Donnell + Tuomey on Zaha Hadid |
Sheila O'Donnell and John Tuomey |
Dec 11th 2020 |
Drawing, Collaging, Rendering |
Cameron Lintott |
Dec 9th 2020 |
Vitruvius: Follow the Footprints |
Paul Emmons |
Dec 7th 2020 |
Writing Prize 2020: Domestic Space, Registered |
Laura Bonell and Daniel López-Dòriga |
Dec 5th 2020 |
Startha Éagsula: t o b Architect on James Gowan |
Thomas O’Brien |
Dec 3rd 2020 |
Collection of Sections |
Allen Keith Yee |
Dec 2nd 2020 |
Writing Prize 2020: Smudgy Logic – A Short Story |
Aris Kafantaris |
Nov 30th 2020 |
On a handrail |
Jon Lopez |
Nov 30th 2020 |
Startha Éagsula: Paul Dillon Architects on Florian Beigel and Philip Christou |
Paul Dillon |
Nov 26th 2020 |
William Heath Robinson ‘Tightening the Green Belt’ |
Laura Freeman |
Nov 26th 2020 |
Aldo Rossi: the First Sketch and the Final Drawing |
Andrea Leonardi |
Nov 25th 2020 |
Drawing is discovery (1953) |
John Berger |
Nov 24th 2020 |
Outside In |
Emily Priest |
Nov 23rd 2020 |
Startha Éagsula: David Leech Architects on Barthélemy Enfantin |
David Leech |
Nov 19th 2020 |
Pan Scroll Zoom 4: Pezo von Ellrichshausen |
Sofia von Ellrichshausen, Fabrizio Gallanti and Mauricio Pezo |
Nov 18th 2020 |
Sigurd Lewerentz: Siting the Axonometric |
Stan Allen |
Nov 17th 2020 |
Bramante: Five Dots |
Guido Beltramini |
Nov 16th 2020 |
Writing Prize 2020: Appropriation and Drawing |
Marko Skoblar |
Nov 13th 2020 |
Startha Éagsula: Steve Larkin Architects on Walter Pichler |
Steve Larkin |
Nov 12th 2020 |
Paolo Portoghesi: the Field Theory |
Marco Vanucci |
Nov 9th 2020 |
All back to front: D’Aviler’s Cours D’Architecture |
Richard Emerson |
Nov 9th 2020 |
Writing Prize 2020: To Measure a Croissant |
Emily Priest |
Nov 9th 2020 |
Tree Speech |
Sylvia Lavin |
Nov 7th 2020 |
Writing Prize 2020: Hugh Casson’s ‘Diary’ |
Laura Freeman |
Nov 6th 2020 |
Startha Éagsula: Níall McLaughlin Architects on Basil Spence |
Níall McLaughlin |
Nov 4th 2020 |
Writing Prize 2020: Held Fast: SITE’s Ghost Parking Lot |
Anna Renken |
Nov 3rd 2020 |
Trees Push Back |
Sylvia Lavin |
Nov 3rd 2020 |
Writing Prize 2020: The Best Future |
Cameron Lintott |
Nov 2nd 2020 |
Startha Éagsula: Elizabeth Hatz on Frank Lloyd Wright |
Elizabeth Hatz |
Oct 29th 2020 |
Echo: SuperStudio & Hans Hollein |
Matt Page |
Oct 28th 2020 |
Tony Fretton: Tolerance |
Richard Hall |
Oct 27th 2020 |
A New Administration Center For Los Angeles (1936) |
William Hamilton |
Oct 27th 2020 |
Trees Move In |
Sylvia Lavin |
Oct 22nd 2020 |
Qamutit Home |
Konstantin Ikonomidis |
Oct 22nd 2020 |
Startha Éagsula: Grafton Architects on Paulo Mendes da Rocha |
Yvonne Farrell and Shelley McNamara |
Oct 20th 2020 |
Palladio’s Lines |
Sezin Sarıca |
Oct 15th 2020 |
Raymond Erith On Soane at Tendring Hall |
Pierre du Prey |
Oct 13th 2020 |
S.A.U.L. 4th Year: De Rerum Natura / In the Manner Of |
Gerard Carty, Elizabeth Hatz and Fionn O'Leary |
Oct 13th 2020 |
The Empire State Building: Elevators (1931) |
Bassett Jones |
Oct 13th 2020 |
Trees Make A Plan |
Sylvia Lavin |
Oct 7th 2020 |
Writing Prize 2020: Figures of War |
Francesco Marullo |
Sep 29th 2020 |
Pan Scroll Zoom 3: Andrew Clancy |
Andrew Clancy |
Sep 28th 2020 |
Writing Prize 2020: Drawing People |
Daniel Innes |
Sep 23rd 2020 |
Pan Scroll Zoom 2: Flores & Prats |
Ricardo Flores, Fabrizio Gallanti and Eva Prats |
Sep 1st 2020 |
Superstudio: Monument Interrupted |
Julian Lewis |
Aug 31st 2020 |
Paul László: Hertz Fallout Shelter |
Christine Bolli |
Aug 31st 2020 |
Soane’s Designs for Combe House, Continued |
Pierre du Prey |
Jul 30th 2020 |
Pan Scroll Zoom 1: Fabrizio Gallanti |
Fabrizio Gallanti |
Jul 30th 2020 |
Just Begin: The Convent Sainte-Marie-de-la-Tourette |
Stan Allen and José Oubrerie |
Jul 28th 2020 |
The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925 |
Jan Rydén |
Jul 27th 2020 |
Dating Siza: The Malagueira ‘Cupula’ |
Manuel Montenegro |
Jul 23rd 2020 |
Hybrid Studio |
Brian Carter |
Jul 23rd 2020 |
OMA in Scheveningen |
Willem Jan Neutelings |
Jul 22nd 2020 |
A Glasgow Effect |
Paul Stallan |
Jul 17th 2020 |
Venice Biennale (1985) |
Dario Passi |
Jul 14th 2020 |
Siza at sixteen |
Manuel Montenegro and Álvaro Siza |
Jul 10th 2020 |
The Birds’ Morning Hymn (1929) |
Robert Lorimer |
Jul 10th 2020 |
Notes on Port Royal, Jamaica |
Paul Cox |
Jul 7th 2020 |
The Conservative (1941) |
Graham Greene |
Jul 6th 2020 |
Fresh and Surprised |
Julian Lewis |
Jul 2nd 2020 |
Library of Babel |
James White |
Jun 29th 2020 |
The Real and Imagined Worlds of Álvaro Siza |
Bruno Silvestre |
Jun 26th 2020 |
Mies: The Berlin Building Expostition (1974) |
Philip Johnson |
Jun 25th 2020 |
Soane: Energy and Frustration |
Ptolemy Dean |
Jun 24th 2020 |
The Story of the Pool (1978) |
Rem Koolhaas |
Jun 19th 2020 |
James Gowan: The Sheet for the Job |
Jantje Engels |
Jun 17th 2020 |
Staging Brancusi |
Sarah Handelman and Asli Çiçek |
Jun 15th 2020 |
Stirling at Stuttgart: Rear View / Up Views |
John Tuomey |
Jun 15th 2020 |
Mies: The Horizon |
Robin Evans |
Jun 14th 2020 |
Thomas Henry Wyatt’s Brook House |
Andrew Jones |
Jun 12th 2020 |
Ove Arup: Engineering the World |
Hugh Pearman |
Jun 12th 2020 |
Álvaro Siza: Drawn Closer |
Álvaro Siza |
Jun 11th 2020 |
SUPA Architects: Naked Plans |
Christian Schweitzer and Ryul Song |
Jun 6th 2020 |
A Smoky Monument / Saunamonumentti |
Tuomas Toivonen |
Jun 5th 2020 |
Welfare Palace Hotel (1978) |
Rem Koolhaas |
Jun 4th 2020 |
Instead of an Article (1958) |
Alvar Aalto |
Jun 3rd 2020 |
W. E. B. Du Bois’ visionary infographics |
Sarah Handelman |
Jun 2nd 2020 |
Michael Graves’ Rooftop Village (1985) |
David L. Gilbert |
Jun 1st 2020 |
Working with Asplund |
Herbert Korn |
May 29th 2020 |
Architectural Typefaces |
Adrien Vasquez |
May 29th 2020 |
Jaume Mayol / TEd’A Arquitectes: Drawn Closer |
Sarah Handelman and Jaume Mayol |
May 28th 2020 |
New Welfare Island (1978) |
Rem Koolhaas |
May 27th 2020 |
Gallaratese & Fagnano Olona (1976) |
Aldo Rossi |
May 26th 2020 |
Eisenman: House VI (1985) |
Kathleen Enz Finken |
May 21st 2020 |
On William Kent (1771) |
Horace Walpole |
May 19th 2020 |
Calculated Aesthetics |
Asli Çiçek |
May 19th 2020 |
Ink on his Hands: Montano’s Visceral Roman Architectures |
Dijana O. Apostolski |
May 18th 2020 |
Hotel Sphinx (1978) |
Rem Koolhaas |
May 18th 2020 |
L’Invasion de la Viande (1980) |
Elie Delamare-Debouteville |
May 14th 2020 |
Paul Robbrecht: Drawn Closer |
Paul Robbrecht |
May 12th 2020 |
Wright & Lautner: The Divorce |
Nicholas Olsberg |
May 12th 2020 |
The Decline of Architectural Drawing (1859) |
C. H. Smith |
May 11th 2020 |
On plans |
John Meunier |
May 10th 2020 |
O’Donnell + Tuomey in Conversation |
Sheila O'Donnell and John Tuomey |
May 8th 2020 |
Animals |
James Gowan and Ellis Woodman |
May 5th 2020 |
The Ultimate Climes of John Lautner (1986) |
Esther McCoy |
May 4th 2020 |
Drawing on the Nolli Plan |
Sheila O'Donnell |
May 1st 2020 |
Louis Kahn: Notes on a Scrap of Paper |
Brian Carter |
Apr 30th 2020 |
Scanning Shatwell |
Lucas Wilson |
Apr 30th 2020 |
Grounded: Plans & Planning |
Richard Hall and Niall Hobhouse |
Apr 29th 2020 |
Plan with the form of a growling dog |
Tony Fretton |
Apr 29th 2020 |
Shape |
Charles Moore |
Apr 28th 2020 |
Cadbury-Brown: Royal College of Art Extension |
Lionel Brett |
Apr 28th 2020 |
Haiku |
John Cage |
Apr 28th 2020 |
Space |
Charles Moore |
Apr 27th 2020 |
BV Doshi: Drawn Closer |
Balkrishna Vithaldas Doshi and Sarah Handelman |
Apr 23rd 2020 |
One Thing Leads to Another |
Richard Hall |
Apr 23rd 2020 |
Daria’s Aria |
Sarah Handelman |
Apr 23rd 2020 |
Ruskin: Fairy Tales |
John Ruskin |
Apr 22nd 2020 |
Allies & Morrison: The Art of Architecture |
Gabor Gallov |
Apr 18th 2020 |
Charles Barry: Good and Bad Manners in Architecture |
David Blissett |
Apr 17th 2020 |
The San Cataldo Ossuary in the Age of Hyper-Objects |
Stefano Corbo |
Apr 16th 2020 |
Language & the Doorn Manifesto |
Peter Smithson |
Apr 14th 2020 |
The Garden of Earthly Delights |
Hamed Khosravi |
Apr 9th 2020 |
Postcard from Nowhere (Counterswimming) |
Teresa Stoppani |
Apr 8th 2020 |
Yasmeen Lari: Drawn Closer |
Helen Thomas |
Apr 7th 2020 |
Where Words Fail |
Cyril Babeev and Matt Page |
Apr 6th 2020 |
Drawing Culture at SOM New York |
Tom Killian |
Apr 3rd 2020 |
Web of Intrigue |
Michael Webb |
Apr 3rd 2020 |
Gowan on the English House |
James Gowan |
Apr 1st 2020 |
Houses of Work and Play |
Patrick Lynch |
Mar 30th 2020 |
Retail Therapy |
A. Trystan Edwards |
Mar 30th 2020 |
Take One: Henry ‘Jim’ Cadbury-Brown and Richard Wentworth on the Royal College of Art |
|
Mar 27th 2020 |
Peter Blake & Adolfo Natalini: From Mies to Mickey Mouse |
Peter Blake |
Mar 25th 2020 |
Behind the Walls |
Matt Page |
Mar 23rd 2020 |
‘I chose a distant meadow’: The House that Neutra Built |
Stephen Bayley |
Mar 20th 2020 |
Aalto on Asplund: Stockholm Exhibition (1930) |
Alvar Aalto |
Mar 9th 2020 |
Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building |
|
Mar 6th 2020 |
Colin Rowe: Piazza Augusto Imperatore (1995) |
Colin Rowe |
Mar 5th 2020 |
Summerson: The Little House |
John Summerson |
Mar 4th 2020 |
Biba Dow on Giorgio Morandi: Group and Threshold |
Biba Dow |
Mar 3rd 2020 |
Seeing, and Disbelieving |
Niall Hobhouse |
Mar 2nd 2020 |
In the Archive: OMA, Neutelings, Hejduk, Gowan |
Richard Hall and Emma Rutherford |
Mar 1st 2020 |
Ronchamp: ‘Rough to the Touch’ |
Robin Evans |
Feb 28th 2020 |
Leto Litho Leningrad |
William Firebrace |
Feb 20th 2020 |
Buckminster Fuller: Geodesic Chandelier |
|
Feb 19th 2020 |
The Iconography of Desolation |
Robert Smithson |
Feb 17th 2020 |
In the Archive: Edouard Cabay |
Edouard Cabay |
Feb 16th 2020 |
Next Year in Yemen |
Thomas Padmanabhan |
Feb 9th 2020 |
Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library |
Editors |
Feb 7th 2020 |
Tony Fretton: Drawn Closer |
Tony Fretton and Sarah Handelman |
Feb 6th 2020 |
La Casa Della Falsita |
Peter Wilson |
Feb 5th 2020 |
Behind the Lines 14 |
Philippa Lewis |
Feb 3rd 2020 |
Basil Spence: Houses of Parliament |
|
Jan 29th 2020 |
Battersea Redevelopment |
|
Jan 22nd 2020 |
A Chevrolet Truck |
Stephen Bayley |
Jan 20th 2020 |
Spaghetti with Meatballs |
Andreas von Foerster |
Jan 20th 2020 |
Origins in Translation |
Mari Lending |
Jan 20th 2020 |
Watkin on Milizia: Frontispiece to The Lives of the Celebrated Architects, Ancient and Modern |
David Watkin |
Jan 17th 2020 |
Espelho Álvaro |
Mário Botta |
Jan 15th 2020 |
One Small Sketch for Mankind |
Stephen Bayley |
Jan 13th 2020 |
ETH Zurich: Casting the Cornice in Ticino |
Emma Letizia Jones and Erik Wegerhoff |
Jan 8th 2020 |
Marie-José Van Hee: Drawn Closer |
Marie-José Van Hee |
Jan 2nd 2020 |
Imaginal Cloud Spaces |
Sayan Skandarajah |
Dec 31st 2019 |
Other Lives: Charles Eisen and Laugier’s Essai sur l’Architecture |
Rebecca Williamson |
Dec 26th 2019 |
A Dose of Dosio |
Laura Harty |
Dec 24th 2019 |
Surface-oriented |
Rosa Nussbaum |
Dec 18th 2019 |
From a little below and to the right |
Niall Hobhouse |
Dec 17th 2019 |
Six Architects on their Dream Desks |
Roz Barr, Biba Dow, Elizabeth Hatz, Emma Letizia Jones, Stephanie Macdonald and Helen Thomas |
Dec 17th 2019 |
Aldo & Adolf |
Aldo Rossi |
Dec 13th 2019 |
Leonhard Lapin: Objects on the Beach |
Andres Kurg |
Dec 13th 2019 |
James Gowan Millbank: Sketches and Comments |
Matt Page |
Dec 9th 2019 |
Adolphe Appia: ‘Luminous – Very Luminous’ |
Ross Anderson |
Nov 27th 2019 |
Liquid Paper |
Mark Dorrian |
Nov 15th 2019 |
Henry van de Velde and a monument to Nietzsche |
Richard Hollis |
Nov 13th 2019 |
Ernest Gimson: Against Hotch-Potch |
Annette Carruthers, Mary Greensted and Barley Roscoe |
Nov 11th 2019 |
The Difficulty of Designing Furniture |
Álvaro Siza |
Nov 7th 2019 |
Giò Ponti: Plan chest designs, c.1955 |
|
Nov 7th 2019 |
Francesco Milizia on Maderno, Posi and Jonson |
Francesco Milizia |
Nov 7th 2019 |
Fontaine: Hide-and-Seek |
Iris Moon |
Nov 1st 2019 |
What Lies Beneath |
Sarah Handelman |
Oct 31st 2019 |
The Office Copier and Baptism by Colour: Working for Rossi in the 1990s |
Maurizio Diton |
Oct 25th 2019 |
Tales from the crypt |
Stephen Bayley |
Oct 18th 2019 |
Behind the Lines 13 |
Philippa Lewis |
Oct 10th 2019 |
Geoffrey Goes to Basildon |
Gillian Darley |
Oct 10th 2019 |
Gio Ponti: un disegno è un idea |
Niall Hobhouse |
Oct 7th 2019 |
Cedric Price: The Evolving Image |
|
Oct 3rd 2019 |
Behind the Lines 12 |
Philippa Lewis |
Sep 23rd 2019 |
John Hejduk’s Axonometric Degree Zero |
Stan Allen |
Sep 23rd 2019 |
Josef Frank: Happy Accidentism |
Mikael Bergquist |
Sep 21st 2019 |
Harvey Wiley Corbett on Architectural Models of Cardboard |
|
Sep 19th 2019 |
Living in Colour |
Alberto Ponis |
Sep 17th 2019 |
Gio Ponti: ‘Come for Porchetta’ |
Niall Hobhouse |
Aug 23rd 2019 |
Le Corbusier and the Poetry of Objects |
Danièle Pauly |
Aug 22nd 2019 |
Dom Hans van der Laan: Drawing the Scottish Tartan |
Caroline Voet |
Aug 19th 2019 |
Behind the Lines 11 |
Philippa Lewis |
Aug 12th 2019 |
Alternative Histories: Hild und K Architekten on James Gowan |
|
Aug 10th 2019 |
Learning from the tortoise |
William Firebrace |
Aug 9th 2019 |
The Matter of Drawing |
Freddie Phillipson |
Aug 3rd 2019 |
Alternative Histories: Knapkiewicz & Fickert on Charles Barry |
Axel Fickert and Kaschka Knapkiewicz |
Jul 31st 2019 |
Alternative Histories: Professur Lehnerer ETH & Klara Bindl On SUperstudio |
|
Jul 31st 2019 |
Alternative Histories: Raamwerk on Tony Fretton |
|
Jul 31st 2019 |
Alternative Histories: Sam Jacob Studio on Archizoom |
|
Jul 31st 2019 |
Alternative Histories: Veldwerk Architecten on Gabriel Pierre Martin Dumont |
|
Jul 31st 2019 |
Alternative Histories: Nikolaus Bienefeld on James Gowan |
|
Jul 30th 2019 |
Alternative Histories: NoAarchitecten on Álvaro Siza |
|
Jul 30th 2019 |
Alternative Histories: Noreile Breen on Louis Kahn |
|
Jul 30th 2019 |
Alternative Histories: Oda Pälmke Architektin on Archizoom |
|
Jul 30th 2019 |
Alternative Histories: muf architecture/art on John Hejduk |
|
Jul 29th 2019 |
Alternative Histories: Monadnock on James Stirling |
|
Jul 29th 2019 |
Alternative Histories: Edelaar Mosayebi Inderbitzin Architekten on Alvar Aalto |
|
Jul 29th 2019 |
Alternative Histories: Dierendonckblancke Architecten on Jean and HENRI Prouvé |
|
Jul 29th 2019 |
Alternative Histories: AMUNT on Adolf Loos |
|
Jul 29th 2019 |
Alternative Histories: Loeliger Strub Architektur on Emil Hoppe |
|
Jul 29th 2019 |
Alternative Histories: Lilith Ronner van Hooijdonk on Edward Blore |
|
Jul 29th 2019 |
Alternative Histories: ECTV on Tony Fretton |
|
Jul 29th 2019 |
Alternative Histories: Johansen Skovsted Arkitekter on Peter Märkli |
|
Jul 29th 2019 |
Alternative Histories: David Kohn Architects on John Hejduk |
|
Jul 29th 2019 |
Alternative Histories: Eagles of Architecture on Adolfo Natalini |
|
Jul 29th 2019 |
Alternative Histories: Dyvik Kahlen Architects on Tony Fretton |
|
Jul 29th 2019 |
Alternative Histories: OMMX on Adolfo Natalini |
|
Jul 27th 2019 |
Grandorge’s Pavilion |
David Grandorge |
Jul 21st 2019 |
Alternative Histories: Happel Cornelisse Verhoeven Architecten on Ernest Born |
|
Jul 15th 2019 |
Alternative Histories: ONO Architectuur on James Gowan |
|
Jul 15th 2019 |
Alternative Histories: Murmuur Architecten on Álvaro Siza |
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Jul 8th 2019 |
Alternative Histories: EM2N on Alexander Brodsky |
|
Jul 8th 2019 |
Alternative Histories: 2A+P/A on Aldo Rossi |
|
Jul 8th 2019 |
Alternative Histories: Charles Holland Architects on John Lautner |
|
Jul 8th 2019 |
Domestication and the Permutation of Interruption |
Dara Birnbaum |
Jul 2nd 2019 |
Alternative Histories: Stephen Taylor Architects on Robbrecht and Daem |
|
Jul 1st 2019 |
Lauretta Vinciarelli’s West Texas Types |
Caitlin Murray |
Jun 26th 2019 |
Alternative Histories: Rural Urban Framework on Joseph Scholz |
|
Jun 24th 2019 |
Halsey Ricardo |
Nicholas Olsberg |
Jun 22nd 2019 |
Behind the Lines 10 |
Philippa Lewis |
Jun 19th 2019 |
On Cornices, Part I |
Emma Letizia Jones |
Jun 17th 2019 |
Alternative Histories: Multerer Architekten on Louis Kahn |
|
Jun 14th 2019 |
Alternative Histories: fala atelier on Louis Kahn |
|
Jun 14th 2019 |
Ugliness and Judgment |
Timothy Hyde |
Apr 19th 2019 |
Alternative Histories: Havana architectuur on Michael Webb |
|
Apr 18th 2019 |
Alternative Histories: BeL on Walter Pichler |
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Apr 15th 2019 |
Alternative Histories: Smith and Taylor Architects on Erik Gunnar Asplund |
|
Apr 10th 2019 |
Informal Housing in Fars (Iran) and Kuwait, 1974 |
Eric Parry |
Apr 5th 2019 |
Zaha and Aldo Self reflections |
|
Mar 23rd 2019 |
Alternative Histories: Point Supreme Architects on Adolfo Natalini |
|
Mar 21st 2019 |
Mystery as Ground |
Andrew Clancy |
Mar 21st 2019 |
Alternative Histories: General Architecture on Emil Hoppe |
|
Mar 21st 2019 |
Alternative Histories: Traumnovelle on Michael Gold |
|
Mar 21st 2019 |
Alternative Histories: Philip Christou on Le Corbusier |
|
Mar 21st 2019 |
Alternative Histories: Flores i Prats Architects on Alberto Ponis |
|
Mar 20th 2019 |
Alternative Histories: Dow Jones Architects on Robbrecht en Daem |
|
Mar 15th 2019 |
Alternative Histories: Bernd Schmutz on Jules Hardouin-Mansart |
|
Mar 14th 2019 |
Drawing with Rafael Moneo, Madrid 1984 |
Stan Allen |
Mar 14th 2019 |
Alternative Histories: Doorzon Interieurarchitecten on Stefano de Martino |
Stefanie Everaert and Caroline Lateur |
Mar 13th 2019 |
Alternative Histories: NP2F Architectes on Mario Sironi |
|
Mar 13th 2019 |
Alternative Histories: Lütjens Padmanabhan On Michael Graves |
|
Mar 9th 2019 |
Alternative Histories: Johan Celsing Arkitektkontor on Erik Gunnar Asplund |
|
Mar 9th 2019 |
Alternative Histories: Office Winhov on Burnham & Co. |
|
Mar 9th 2019 |
Alternative Histories: Studio Thys Vermeulen on Sergison Bates |
|
Mar 9th 2019 |
Zaha Hadid: Kurfürstendamm |
Michael Wolfson |
Mar 8th 2019 |
Alternative Histories: Rloaluarnad on Mario Sironi |
|
Mar 7th 2019 |
Gowan and Stirling |
Fred Scott |
Mar 1st 2019 |
Alternative Histories: Descloux Engelschall on Louis-François Trouard |
|
Feb 28th 2019 |
Alternative Histories: Roz Barr Architects on John Freeman |
|
Feb 28th 2019 |
Alternative Histories: Schneider Türtscher on Álvaro Siza |
|
Feb 28th 2019 |
Alternative Histories: East Architecture on Otto Wagner |
|
Feb 28th 2019 |
Alternative Histories: Taka Architects on Peter Märkli |
|
Feb 28th 2019 |
Boompjes II |
Stefano de Martino |
Feb 28th 2019 |
Alternative Histories: Ryan W Kennihan Architects on John Nash |
|
Feb 24th 2019 |
Alternative Histories: Stephen Bates on Henry Thomas Cadbury-Brown |
|
Feb 22nd 2019 |
Alternative Histories: 31/44 Architects on William Butterfield |
|
Feb 22nd 2019 |
Alternative Histories: Carmody Groarke on Haus-Rücker-Co |
|
Feb 22nd 2019 |
Boompjes I |
Stefano de Martino |
Feb 22nd 2019 |
Roosevelt Island |
Zoe Zenghelis |
Feb 17th 2019 |
Alternative Histories: Conen Sigl Architekten on Giuseppe Chiantarelli |
|
Feb 16th 2019 |
Alternative Histories: Christ & Gantenbein on Louis Kahn |
|
Feb 16th 2019 |
Zaha Hadid: Azabu-Juban |
Michael Wolfson |
Feb 16th 2019 |
Alternative Histories: Mikael Bergquist on Peter Märkli |
|
Feb 14th 2019 |
Alternative Histories: De Smet Vermeulen architecten on Bruce Goff |
|
Feb 14th 2019 |
Alternative Histories: Marie-José Van Hee on Hans Hollein |
|
Feb 14th 2019 |
Alternative Histories: Hans van der Heijden on Josef Hoffmann |
|
Feb 14th 2019 |
Alternative Histories: Clancy Moore Architects on Joseph Paxton |
|
Feb 14th 2019 |
Alternative Histories: Caruso St John & Siw Thomas on Hans Poelzig |
|
Feb 13th 2019 |
Eric Parry: Iran, 1974 |
Eric Parry |
Feb 10th 2019 |
Alternative Histories: dePaor on Hans Poelzig |
|
Feb 9th 2019 |
Schinkel |
Kurt Forster |
Feb 8th 2019 |
Eric Parry: India, 1975 |
Eric Parry |
Feb 7th 2019 |
Alternative Histories: Hayatsu Architects on Charles-Dominique-Joseph Eisen |
|
Feb 6th 2019 |
Alternative Histories: Gustav Appell Arkitektkontor on Erik Gunnar Asplund |
|
Feb 6th 2019 |
Alternative Histories: Witherford Watson Mann on Cedric Price |
|
Feb 4th 2019 |
Alternative Histories: baukuh on John Hejduk |
|
Feb 4th 2019 |
Alternative Histories: Bosshard, Tavor, van der Ploeg and Vihervaara on Bohdan Lachert |
|
Feb 3rd 2019 |
Behind the Lines 9 |
Philippa Lewis |
Feb 2nd 2019 |
Alternative Histories: Bovenbouw Architectuur on James Gowan |
|
Feb 1st 2019 |
Alternative Histories: De Vylder Vinck Taillieu on Michael Graves |
|
Jan 31st 2019 |
Alternative Histories: Hugh Strange Architects on Carlo Scarpa |
|
Jan 31st 2019 |
Alternative Histories: Bardakhanova Champkins on Virgilio Marchi |
|
Jan 25th 2019 |
Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3 |
Mark Dorrian and Michael Webb |
Jan 21st 2019 |
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2 |
Mark Dorrian and Michael Webb |
Jan 21st 2019 |
Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 1 |
Mark Dorrian and Michael Webb |
Jan 19th 2019 |
Alternative Histories: Max Otto Zitzelsberger on Louis Tullius Joachim Visconti |
|
Jan 17th 2019 |
Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier |
|
Jan 12th 2019 |
Alternative Histories: Jonathan Sergison on Carlos Diniz |
|
Jan 12th 2019 |
Alternative Histories: GAFPA on Superstudio |
|
Jan 12th 2019 |
Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith |
|
Jan 12th 2019 |
Alternative Histories: Olivier Goethal On Paul Rudolph |
|
Jan 6th 2019 |
Dance Dance Revolution |
Iris Moon |
Dec 30th 2018 |
Superstudio: In Yesterday’s Tomorrow |
Eszter Steierhoffer |
Dec 23rd 2018 |
Alternative Histories: Tony Fretton Architects on Erik Gunnar Asplund |
|
Dec 19th 2018 |
OMA’S NEDERLANDS DANS THEATER |
Stefano de Martino |
Dec 15th 2018 |
Behind the Lines 8 |
Philippa Lewis |
Dec 4th 2018 |
Zaha Hadid |
Desley Luscombe |
Nov 27th 2018 |
Lina Bo Bardi: Public Plaza and Museum of Art São Paolo |
Helen Thomas |
Nov 26th 2018 |
Mussolini and the Tomb of Augustus in the Spring of 1935 |
John David Rhodes |
Nov 20th 2018 |
TEd’A Arquitectes |
Jaume Mayol and Irene Pérez |
Nov 15th 2018 |
Commonplace |
Nicholas Olsberg |
Nov 12th 2018 |
Theodore Conrad and Harvey Wiley Corbett |
Jennifer Gray and Irene Sunwoo |
Nov 11th 2018 |
Madelon Vriesendorp |
Niall Hobhouse and Madelon Vriesdendorp |
Nov 4th 2018 |
Behind the Lines 7 |
Philippa Lewis |
Oct 31st 2018 |
V&A Dundee by Model |
|
Oct 27th 2018 |
Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980 |
Editors |
Oct 23rd 2018 |
Marco Frascari |
Federica Goffi |
Oct 20th 2018 |
Bruce Goff |
Nicholas Olsberg |
Oct 20th 2018 |
Michael Graves: Fargo-Moorehead Cultural Bridge |
Jordan Kauffman |
Oct 15th 2018 |
The Continuous Monument, Shatwell |
|
Oct 9th 2018 |
Buckminster Fuller’s Geodesic Sphere |
Helen Thomas |
Oct 9th 2018 |
Hugh Ferriss |
Helen Thomas |
Oct 4th 2018 |
Hugh Strange Architects: Drawing Matter Archive |
|
Oct 2nd 2018 |
Ephraim Joris |
Ephraim Joris |
Sep 28th 2018 |
Siza and the limits of representation |
Niall Hobhouse |
Sep 25th 2018 |
Sans Humour? |
Niall Hobhouse |
Sep 14th 2018 |
Artists at Work |
Deanna Petherbridge |
Sep 14th 2018 |
Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India |
Niall Hobhouse |
Sep 7th 2018 |
Aux Citoyens Membres de La Commune attachés à la commissions des services publics |
Matt Page |
Sep 7th 2018 |
Conjunction and Incongruity |
Polly Gould |
Sep 1st 2018 |
Grunt Group: Unrolling the Netherfield Scroll |
|
Aug 28th 2018 |
Netherfield Scroll Two |
Michael Gold |
Aug 28th 2018 |
Netherfield Scroll One |
Chris Cross, Jeremy Dixon and Edward Jones |
Aug 28th 2018 |
Drawing Out Gehry |
Riet Eeckhout |
Aug 20th 2018 |
Behind the Lines 6 |
Philippa Lewis |
Aug 13th 2018 |
Richard J. Neutra |
Nicholas Olsberg |
Aug 10th 2018 |
Yacht Club Path |
Alberto Ponis |
Aug 2nd 2018 |
The facade is the window to the soul of architecture: Venice Architecture Biennale, 2018 |
Adam Caruso and Helen Thomas |
Aug 1st 2018 |
Onto an Epicycle of Cones |
Mark Ericson |
Jul 30th 2018 |
Foster + Partners: CLEVELAND CLINIC HEALTH EDUCATION CAMPUS |
Norman Foster |
Jul 26th 2018 |
arq : plan, Stan Allen, Helen Mallinson, Niall Hobhouse |
|
Jul 20th 2018 |
A Fragment of Wright’s Great City |
Nicholas Olsberg |
Jul 16th 2018 |
Architectural Research Quarterly: Plan |
|
Jul 13th 2018 |
Aldo Rossi Cabina Construction |
Tom Graham |
Jul 10th 2018 |
Three Timber Constructions |
David Grandorge |
Jul 10th 2018 |
Toyo Ito & Associates, Architects |
Toyo Ito |
Jul 6th 2018 |
Freestanding: Sigurd Lewerentz |
Helen Thomas |
Jun 20th 2018 |
Schinkel: ‘Precisely Loose’ |
Lok-Kan Chau |
Jun 19th 2018 |
Architectural Ethnography: Japan Pavilion |
Helen Thomas |
Jun 12th 2018 |
Talking to Drawings |
Sam Jacob |
Jun 8th 2018 |
without irony 1 |
Niall Hobhouse |
May 28th 2018 |
without irony 3 |
Niall Hobhouse |
May 24th 2018 |
without irony 2 |
Niall Hobhouse |
May 23rd 2018 |
Elizabeth Hatz: Line, Light, Locus |
Elizabeth Hatz |
May 23rd 2018 |
Alexander Brodsky: The Shed |
|
May 18th 2018 |
Alberto Campo Baeza: Sketchbook No. 37 |
Neil Bingham |
May 12th 2018 |
Behind the Lines 5 |
Philippa Lewis |
May 10th 2018 |
Empathy |
Andrew Clancy |
May 8th 2018 |
letters from nicholas hawksmoor and standford white |
|
Apr 30th 2018 |
Frank Lloyd Wright, Taliesin and Fallingwater |
Adam Sutherland |
Apr 29th 2018 |
Jørn Utzon’s Sydney Opera House |
Mogens Prip-Buus |
Apr 26th 2018 |
Remembered Space |
Deanna Petherbridge |
Apr 22nd 2018 |
Elena Manferdini |
Elena Manferdini |
Apr 17th 2018 |
David Kohn Architects |
David Kohn |
Apr 14th 2018 |
Adolfo Natalini: The last supper |
|
Apr 5th 2018 |
Nicholas Grimshaw |
Nicholas Grimshaw |
Apr 5th 2018 |
Dominique Perrault Architecte |
Dominique Perrault |
Apr 5th 2018 |
Clancy Moore Architects: Conversation Pieces |
Colm Moore |
Apr 1st 2018 |
Eurolandschaft Dérive |
Peter Wilson |
Apr 1st 2018 |
Behind the Lines 4 |
Philippa Lewis |
Mar 28th 2018 |
WilkinsonEyre |
Chris Wilkinson |
Mar 28th 2018 |
Niall McLaughlin |
Níall McLaughlin |
Mar 17th 2018 |
A. W. N. Pugin |
Peter Howell |
Mar 13th 2018 |
R. Norman Shaw |
Andrew Saint |
Mar 11th 2018 |
G. E. Street: Drawing on Moulding |
|
Mar 8th 2018 |
Take Courage |
Freddie Phillipson |
Mar 8th 2018 |
AL_A: V&A Exhibition Road Quarter |
Amanda Levete |
Mar 5th 2018 |
Louis Le Vau: Château de Meudon |
Basile Baudez, Alexandre Cojannot and Alexandre Gady |
Mar 1st 2018 |
Tony Fretton: Lisson Gallery 1 |
Tony Fretton |
Feb 27th 2018 |
Herzog & de Meuron |
Herzog & de Meuron |
Feb 23rd 2018 |
Notes on the Sketchbook |
Mark Dorrian |
Feb 19th 2018 |
Lütjens Padmanabhan Architekten: Swiss Ambassador’s Residence |
Oliver Lütjens and Thomas Padmanabhan |
Feb 14th 2018 |
Carlos Diniz: United States Embassy, Moscow |
|
Feb 14th 2018 |
Drawings’ Conclusions |
Stan Allen |
Feb 8th 2018 |
Behind the Lines 3 |
Philippa Lewis |
Feb 7th 2018 |
Better with Sun from West: US Embassy Moscow, The Commons |
Tim Abrahams |
Feb 5th 2018 |
Shatwell DrawingScape |
Ana Araujo |
Jan 29th 2018 |
Dom Hans Van Der Laan Saint Benedictusberg Abbey at Vaals |
|
Jan 25th 2018 |
A Blueprint is… Blue |
Neil Bingham |
Jan 24th 2018 |
Florian Beigel & Kisa Kawakami |
Florian Beigel and Philip Christou |
Jan 19th 2018 |
Studio Mumbai: Saatrasta-Mahindra Tape Drawing |
Studio Mumbai Bijoy Jain |
Jan 14th 2018 |
Yona Friedman: Space-chain Structures |
Manuel Orazi |
Jan 11th 2018 |
Gabriel Pierre Martin Dumont |
Editors |
Jan 7th 2018 |
The Politics of the Image |
Maria S. Giudici, Joseph Mercer, Florian Scheucher, Keranie Theodosiou, Livia Wang, Sophie Williams and Feifei Zhou |
Jan 5th 2018 |
Alternative Histories: Atelier Tomas Dirrix & Boris de Beijer on Otto Schönthal |
|
Jan 1st 2018 |
Parataxis |
Matthew Wells |
Dec 28th 2017 |
Sir William Chambers: Somerset House |
|
Dec 23rd 2017 |
Behind the Lines 2 |
Philippa Lewis |
Dec 19th 2017 |
Anthony Salvin |
Matthew Wells |
Dec 18th 2017 |
Gilles-Marie Oppenord |
David Pullins |
Dec 15th 2017 |
William Butterfield |
Nicholas Olsberg |
Dec 6th 2017 |
The Sacred Games of Art |
Patrick Lynch |
Dec 1st 2017 |
Herbert Matter |
Nicholas Olsberg |
Nov 27th 2017 |
Assemble: Collective Authorship |
Giles Smith and Adam Willis |
Nov 18th 2017 |
Dogma: The Room of One’s Own |
Pier Vittorio Aureli and Martino Tattara |
Nov 13th 2017 |
Michael Gold: Crossed Swords |
|
Nov 10th 2017 |
Alvar Aalto’s city |
Markus Lähteenmäki |
Nov 1st 2017 |
The Clandeboye Drawings |
Peter Wilson |
Oct 27th 2017 |
Archives, or Ardor |
Iris Moon |
Oct 26th 2017 |
Blind Spots |
Sam Jacob |
Oct 20th 2017 |
Lantau Commune |
Lok-Kan Chau |
Oct 19th 2017 |
Florian Beigel Architects: Stage House |
Florian Beigel and Philip Christou |
Oct 12th 2017 |
Peter Smithson: Obelisk |
|
Oct 12th 2017 |
Cedric Price: FIR Project |
|
Oct 12th 2017 |
Stephen Taylor: Urban Rural |
|
Oct 12th 2017 |
James Wines: Ghost Parking Lot |
Christina Gray |
Oct 5th 2017 |
All Change on Change Alley |
Celina Fox |
Oct 5th 2017 |
Aldo Rossi |
Jesse Reiser |
Sep 30th 2017 |
Hugh Strange: the Archive |
|
Sep 22nd 2017 |
Álvaro Siza: Sense Making |
|
Sep 22nd 2017 |
Behind the Lines 1 |
Philippa Lewis |
Sep 22nd 2017 |
Drawing from a Deep Well |
Patrick Lynch |
Sep 22nd 2017 |
Jesse Reiser & Nanako Umemoto (RUR) |
Jesse Reiser |
Sep 13th 2017 |
Architecten De Vylder Vinck Taillieu |
Jan De Vylder |
Sep 7th 2017 |
The Drawing as Actor |
|
Sep 5th 2017 |
USSR in Construction No. 9 1931 |
Marie Collier |
Sep 1st 2017 |
Drawings in Conversation |
Matthew Wells |
Sep 1st 2017 |
Child’s Play: Adolfo Natalini’s ‘Disegni Per Bambini’ |
Sophia Banou |
Aug 31st 2017 |
Notes on the 2017 Summer School |
Nana Biamah-Ofosu and Bushra Mohamed |
Aug 19th 2017 |
Concrete Beach |
Stephanie Macdonald |
Aug 13th 2017 |
E. S. Prior’s Architectural Modelling |
David Valinsky |
Aug 2nd 2017 |
Salvador Dalí |
|
Jul 28th 2017 |
Design Earth |
Rania Ghosn and El Hadi Jazairy |
Jul 27th 2017 |
Dissecting |
Andrew Clancy |
Jul 25th 2017 |
Enric Miralles: La Gran Casa |
Javier Contreras |
Jul 22nd 2017 |
Charles Percier |
Iris Moon |
Jul 17th 2017 |
A souvenir and survey |
Basile Baudez |
Jun 22nd 2017 |
San Rocco |
Helen Thomas |
Jun 20th 2017 |
Guy Debord |
Anthony Vidler |
Jun 7th 2017 |
Karl Friedrich Schinkel |
Basile Baudez |
Jun 7th 2017 |
Celia Scott: L’Attente |
Katharine Eustace |
May 31st 2017 |
A Space / Two Spaces |
Anthony Vidler |
May 30th 2017 |
Zünd-Up: Erotische Architektur |
Erik Wegerhoff |
May 27th 2017 |
Ferdinando Galli Bibiena |
John Cooper |
May 19th 2017 |
Two ideas of the House |
Fred Scott |
May 9th 2017 |
A.L.T. Vaudoyer |
Basile Baudez |
May 4th 2017 |
Permanence |
Elizabeth Hatz |
Apr 18th 2017 |
Conen Sigl Architekten: Drawing in retrospect |
Maria Conen |
Apr 9th 2017 |
Roz Barr Architects: The Maquette |
Roz Barr |
Apr 7th 2017 |
Mario Sironi |
David Vanderburgh |
Mar 27th 2017 |
The Town: The Dream of Unity in the 1960s |
Jean-Paul Jungmann |
Mar 21st 2017 |
A House for A Sculptor / A House for my Mother |
Celia Scott |
Mar 17th 2017 |
Eisenman: House II |
Stefano Corbo |
Mar 17th 2017 |
Galli da Bibiena |
Fabrizio Ballabio |
Mar 10th 2017 |
Narrative Architecture |
Nigel Coates |
Mar 10th 2017 |
Relational Design |
Siv Helene Stangeland |
Mar 10th 2017 |
On Architectural Drawing: Lina Bo Bardi and Beyond |
Marcelo Ferraz |
Mar 9th 2017 |
Jørn Utzon |
Mogens Prip-Buus |
Mar 3rd 2017 |
James Gowan: Inside the sketchbook |
Ellis Woodman |
Mar 2nd 2017 |
Carlos Diniz: Weyerhaeuser Project |
Tim Abrahams |
Mar 1st 2017 |
Loggia Mercato Nuovo, Florence |
Lauren Jacobi |
Feb 27th 2017 |
George Wilkinson: Building On The Stones Of Ireland |
William Taylor |
Feb 23rd 2017 |
Ange-Jacques Gabriel |
Niall Hobhouse |
Feb 22nd 2017 |
Paolo Soleri |
Tim Abrahams |
Feb 22nd 2017 |
Viollet-le-Duc: Mont Blanc |
Martin Bressani |
Feb 17th 2017 |
Perry Kulper |
Sophia Banou |
Feb 14th 2017 |
Lütjens Padmanabhan Architekten: Sketch modelling |
Oliver Lütjens and Thomas Padmanabhan |
Feb 9th 2017 |
Architecture and Geology |
William Mann |
Feb 7th 2017 |
Michael Webb |
Mark Dorrian |
Feb 1st 2017 |
Witherford Watson Mann: Waiting Women |
William Mann |
Jan 31st 2017 |
James Malton |
John Macarthur |
Jan 30th 2017 |
Superstudio: Cinematography |
Markus Lähteenmäki |
Jan 30th 2017 |
Heathrow Airport Project |
Catrina Beevor |
Jan 25th 2017 |
Pier Leone Ghezzi |
Rachel Hapoienu |
Jan 20th 2017 |
L’art tue |
Jean-Paul Jungmann |
Jan 19th 2017 |
Gordon Matta-Clark |
Nicholas Olsberg |
Jan 19th 2017 |
Caruso St John Architects: Cultural and Tourist Centre |
Adam Caruso |
Jan 18th 2017 |
Projected Sections |
Laurent Stalder |
Jan 15th 2017 |
Jessie Brennan |
Olivia Horsfall Turner |
Jan 4th 2017 |
Aitchison / Prendergast |
Helen Thomas |
Dec 30th 2016 |
Black Airground |
Jeffrey Shaw |
Dec 23rd 2016 |
Philip Webb |
Adrian Forty |
Dec 23rd 2016 |
Gowan: A rather beautiful coherence |
Charles Rice |
Dec 12th 2016 |
Brunswick Centre |
Peter Myers |
Dec 5th 2016 |
The Destruction of the City of Homs |
Deanna Petherbridge |
Nov 28th 2016 |
Marie–José Van Hee: Black Drawings |
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Nov 23rd 2016 |
A Public Convenience |
Peter Wilson |
Nov 18th 2016 |
Charles Percier |
Niall Hobhouse |
Nov 18th 2016 |
Charles Barry: Travel Sketching |
Rachel Blissett |
Nov 11th 2016 |
The Black Drawings of Marie-José Van Hee |
Helen Thomas |
Nov 9th 2016 |
Louis Bricard |
Nicholas Olsberg |
Nov 8th 2016 |
On Collecting |
Niall Hobhouse |
Nov 3rd 2016 |
Paul Robbrecht |
Rosemary Willink |
Nov 2nd 2016 |
Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds |
Anthony Auerbach |
Oct 24th 2016 |
Mies: The Double or Panoramic Structure of the Perspective |
Desley Luscombe |
Oct 24th 2016 |
Alexander Brodsky |
Marie Coulon |
Oct 15th 2016 |
Beevor Mull Architects: Pikpa Refugee Camp |
Robert Mull |
Oct 13th 2016 |
A Civic Utopia Exhibition |
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Oct 8th 2016 |
Some Thoughts on Sheds |
Nicholas Olsberg |
Oct 7th 2016 |
Fontaine: Model for a Music Room |
Ana Araujo |
Oct 4th 2016 |
Drawing Walmer Yard |
Peter Salter |
Oct 4th 2016 |
Malagueira and Évora, Portugal |
Cathy Hawley and Hugh Strange |
Sep 19th 2016 |
High Ground |
Colette Sheddick and Pierre d'Avoine |
Sep 19th 2016 |
Beyond Object-ness, a Good House |
Florian Beigel and Philip Christou |
Sep 19th 2016 |
Casswell Bank Architects: The Shed Project |
Alex Bank and Sam Casswell |
Sep 18th 2016 |
Barthélemy Enfantin |
Helen Thomas |
Sep 12th 2016 |
Richard J. Neutra: Visitor Center at Gettysburg National Park |
Nicholas Olsberg |
Aug 22nd 2016 |
Notes on the 2016 Summer School |
Helen Mallinson |
Aug 21st 2016 |
Cedric Price: Bathat |
Helen Mallinson |
Aug 8th 2016 |
Michael Graves |
Helen Thomas |
Aug 7th 2016 |
The Stones of John Ruskin |
Karen Eve Johnson, Nicholas Olsberg and John Ruskin |
Aug 1st 2016 |
Alexander Pope: ‘et sibi’ |
Niall Hobhouse |
Aug 1st 2016 |
Le Corbusier: Unité d’habitation |
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Aug 1st 2016 |
From the Desk of John Summerson |
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Aug 1st 2016 |
Ray Bradbury: Letterhead |
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Aug 1st 2016 |
Fontaine: Market Stalls |
Basile Baudez |
Aug 1st 2016 |
Jean-Baptiste Lassus |
Martin Bressani |
Aug 1st 2016 |
The Marriage of Reason and Squalor |
Pier Vittorio Aureli |
Aug 1st 2016 |
Mies van der Rohe: Neue Stadt |
Markus Lähteenmäki |
Jul 22nd 2016 |
Friedensreich Hundertwasser |
Helen Thomas |
Jul 15th 2016 |
Charles de Wailly |
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Jun 10th 2016 |
François-Joseph Bélanger |
Olivia Edmondson |
Jun 4th 2016 |
Future Scenarios, Part II |
Niall Hobhouse and Nicholas Olsberg |
May 31st 2016 |
Robert Bray: Six Designs for a Playboy Penthouse Pad |
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May 12th 2016 |
The Imperial Palace of God |
George Elliot |
May 9th 2016 |
Ducros: Arch of Titus |
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May 1st 2016 |
Seven Farmyards |
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Apr 22nd 2016 |
Five Obelisks |
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Apr 16th 2016 |
The Birth of the Column |
Álvaro Siza |
Apr 7th 2016 |
Views of A Civic Utopia |
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Apr 6th 2016 |
Robert Mylne |
Robert Adam |
Apr 1st 2016 |
Louis Kahn: Kansas City Office Building |
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Mar 18th 2016 |
This Was Tomorrow: Reinventing Architecture 1953–1978 |
Markus Lähteenmäki, Manuel Montenegro and Nicholas Olsberg |
Mar 13th 2016 |
Aldo Rossi: Architecture and the City (1982) |
Peter Eisenman |
Mar 11th 2016 |
Etudes des fragments d’architecture |
Jean-Augustin Renard |
Mar 6th 2016 |
Hans Hollein: Infinite Space |
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Mar 4th 2016 |
Hans Hollein: Everything is Architecture |
Hans Hollein |
Mar 4th 2016 |
To Read A Drawing (1983) |
Peter Eisenman |
Feb 12th 2016 |
The Continuous Monument |
Adolfo Natalini |
Feb 5th 2016 |
On Drawing |
Adolfo Natalini |
Feb 4th 2016 |
Rem Koolhaas: EuroDisney |
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Jan 29th 2016 |
Robert Venturi: The difficult whole |
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Jan 22nd 2016 |
Becoming One with the Landscape (1969) |
Carlos Diniz |
Jan 15th 2016 |
Henri Labrouste |
Barry Bergdoll |
Dec 15th 2015 |
Michael Webb: Sin Centre |
Michael Webb |
Dec 5th 2015 |
View the action, neck or talk (1965) |
Michael Webb |
Dec 4th 2015 |
A Lung for the City (1984) |
Cedric Price |
Nov 27th 2015 |
Ville Spatiale |
Yona Friedman |
Nov 20th 2015 |
Peter Märkli: Thinking Drawings |
Florian Beigel and Philip Christou |
Nov 15th 2015 |
Believe in books (1998) |
John Hejduk |
Nov 13th 2015 |
Three Projects (1969) |
John Hejduk |
Nov 12th 2015 |
Archizoom, Andrea Branzi and the No-Stop City |
Andrea Branzi |
Nov 6th 2015 |
The Lost Art of Drawing |
Michael Graves |
Nov 4th 2015 |
Dismantled Sketchbook |
James Gowan |
Nov 2nd 2015 |
James Gowan: The Expandable House |
Markus Lähteenmäki |
Nov 1st 2015 |
The Open Hand (1954) |
Le Corbusier |
Nov 1st 2015 |
Zünd-Up: ‘psycho-dynamic’ street and park system |
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Oct 23rd 2015 |
A Brutal Matter (1962) |
Walter Pichler |
Oct 16th 2015 |
Walter Pichler: 20 Sketches from the Archives |
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Oct 13th 2015 |
Haus-Rücker-Co. |
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Oct 9th 2015 |
Buckminster Fuller: Six Patents |
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Oct 2nd 2015 |
Jean-Baptiste Lassus’s Sainte-Chapelle |
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Oct 1st 2015 |
Buckminster Fuller |
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Oct 1st 2015 |
Isolation or participation? |
Ugo La Pietra |
Sep 11th 2015 |
Preamble to a New World (1963) |
Constant |
Sep 4th 2015 |
New Babylon (1963) |
Constant |
Sep 3rd 2015 |
John Lautner: house and studio for Edgar Ewing |
Nicholas Olsberg |
Aug 28th 2015 |
A life of their own (1985) |
Paul Rudolph |
Aug 28th 2015 |
History & Origins |
Aldo Rossi |
Aug 21st 2015 |
Erik Gunnar Asplund: the father |
Nicholas Olsberg |
Aug 14th 2015 |
The hatred of rendering (1930) |
Le Corbusier |
Aug 1st 2015 |
Sketch from Vézelay from letter to Mérimée (1843) |
Eugène Viollet-le-Duc |
Jul 31st 2015 |
Five Boxes |
Michael Craig-Martin |
Jun 10th 2015 |
Wagnerschule |
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Jun 1st 2015 |
François Soufflot le Romain: Ruins |
Editors |
Feb 9th 2015 |
Potomania (1982) |
Jacques Couëlle |
Jan 8th 2015 |
The changing metropolis 1940s–1980s |
Niall Hobhouse and Nicholas Olsberg |
Nov 29th 2013 |
The changing metropolis 1815–1900 |
Niall Hobhouse and Nicholas Olsberg |
Nov 27th 2013 |
The changing metropolis 1900–1930s |
Niall Hobhouse and Nicholas Olsberg |
Nov 26th 2013 |
Future Scenarios, Part III |
Niall Hobhouse and Nicholas Olsberg |
Jun 3rd 2013 |
Future Scenarios, Part I |
Niall Hobhouse and Nicholas Olsberg |
May 30th 2013 |
Displaced persons |
Niall Hobhouse and Nicholas Olsberg |
Oct 3rd 2012 |
Architectural anxiety |
Niall Hobhouse and Nicholas Olsberg |
Sep 28th 2011 |
Simplification |
Niall Hobhouse and Nicholas Olsberg |
May 6th 2011 |
Landscape situations |
Niall Hobhouse and Nicholas Olsberg |
Jan 21st 2011 |