Simon Fraser University

Careful Crudeness

Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre

The Religious Architecture of Alvar, Aino and Elissa Aalto (2023) — Review

Josep Maria Jujol: Ribbons with streamers everywhere

DMJ – Pencils, Computers, Cameras

DMJInstruments

Visualizing the Renaissance Worksite and the problems of graphic translation  

Connor Street: Made by Many Hands

SeriesMade by many hands
3

Return to the Archive

Aqueduct of Malagueira—Complexity or Contradiction

Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’

Alberto Ponis, The London Years

DMJ – Canaletto’s Venetian Sketches and the Camera Obscura

DMJInstruments

The Polyhedrists (2022) – Review

DMJ – The Stereoautograph

DMJInstruments

Connor Street: Made by Many Hands

SeriesMade by Many Hands
2

On Drawing

Guy Debord—An Art of War

Baron Ferdinand de Rothschild at Waddesdon

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

SeriesSt Mary's Grove
5

Heinz Isler: Natural Hills on Different Edge Lines

The Renewal of Dwelling (2023) – Review

The Manufacture of architecture: Joseph Paxton and the development of the Great Stove