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Between the Layers: Transparent Paper as a Modernist Architectural Design Environment
6 January 2022
Between the Layers: Transparent Paper as a Modernist Architectural Design Environment6 January 2022
β Fabio Colonnese
…: Margaret Heilbrun (Columbia University Press: New York, 2000), pp. 7–79. Patrick Schumacher, The Autopoiesis of Architecture: a New Framework for Architecture, 2 vols. (Wiley: London, 2011). Wanda Lau, ‘Architects’…
PRINT READY DRAWINGS: COMPOSITE, LAYERS, AND PASTE-UPS, 1950-1989
7 February 2024
PRINT READY DRAWINGS: COMPOSITE, LAYERS, AND PASTE-UPS, 1950-19897 February 2024
…× 1007 mm. DMC 2921.2. PRINT READY DRAWINGS: Composite, Layers, and Paste-ups, 1950-1989. Photograph by Joshua Schaedel. Courtesy of the MAK Center for Art and Architecture. Roger Katan (1931), Archive…
Caruso St John Collected Works: Volume 1, 1990 β 2005 β Review
21 February 2023
Caruso St John Collected Works: Volume 1, 1990 β 2005 β Review21 February 2023
β Sofie De Caigny
…St John, Studio House, Swan Yard, London, 1993–1994. Photo by Hélène Binet. Caruso St John, Studio House, Swan Yard, London, 1993–1994. Photo by Hélène Binet. Instead of using the perspective…
Alberto Ponis: Casa Scalesciani
9 August 2023
Alberto Ponis: Casa Scalesciani9 August 2023
…on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. https://vimeo.com/820581337 Alberto Ponis (1933–), elevation, Casa Scalesciani, Sardinia, 1977. Pencil…
Notes on Twelve drawings for the Governorβs Palace at Chandigarh
15 June 2021
Notes on Twelve drawings for the Governorβs Palace at Chandigarh15 June 2021
β JosΓ© Oubrerie
…late 1950s, 330 × 203 mm. DMC 1424.1–12. 20 July 2020 I downloaded the 12 drawings, I could read the letters, etc., using my computer features about exposure, temperature, etc., to make the things more precise, bigger,…
DMJ 1 β the Geological Imagination
7 September 2021
DMJ 1 β the Geological Imagination7 September 2021
…Ibid., 22–23. Helen Dorey, ‘Crude Hints: an introduction’, in ibid., 1–16 (2, note 2). Soane, op.cit., 23. Ibid., 26. Ibid., 30. Ibid. See John Elsner, ‘The collector’s model of desire: the house…
Simon Fraser University
1 February 2024
Simon Fraser University1 February 2024
β Arthur Erickson
…University Archives, Item no. F-262-1-0-0-0-2. These protests occurred in 1966. See Hugh Johnston, Radical Campus: Making Simon Fraser University (Toronto: Douglas and McIntyre, 2005), 257–65. Erickson appears to refer to…
The Wessex Project: Thomas Hardy, Architect: Part I
12 December 2022
The Wessex Project: Thomas Hardy, Architect: Part I12 December 2022
…Architect, p.31. Ibid., pp.25-26. Max Gate John Piper (1945) National Trust, accessed 4 October 2017. Michael Millgate, Thomas Hardy: A Biography (Oxford: Oxford University Press, 1982; 1985), p.263. Ibid., p.260….
Nancy Goldring: Drawings and Foto-Projections
17 March 2023
Nancy Goldring: Drawings and Foto-Projections17 March 2023
β Leann Davis Alspaugh and Nancy Goldring
…Amnesia: Chalk Sidewalk Balls, 2008 – 2009. Cibachrome foto-projection, 457 × 610 mm. Courtesy of the artist and ORO Editions. Nancy Goldring, Urban Amnesia: Black Scaffold, 2008 – 2009. Cibachrome…
Drawing as Preservation
14 June 2023
Drawing as Preservation14 June 2023
β Lisa Huang
…(2008): 160-76, http://www.jstor.org/stable/24048050. ‘Yuan Jiang’, The Palace Museum, accessed May 21, 2021, https://www.dpm.org.cn/lemmas/243283.html. Sanft, ‘The Construction and Destruction.’ Ibid. Liu, Shilong, ‘The Imaginary Garden of Liu Shilong,’ trans. Stanislaus Fung,…
Cassius Goldsmith’s Grey Weather Gate House
25 July 2021
Cassius Goldsmith’s Grey Weather Gate House25 July 2021
…door. The Yaz, an endonym for the Berber people, is centred on their flag. He represents the motto ‘Free Man, Free Woman, Free People’. The Tifinagh character (β΅£) is the…
The Decline of Architectural Drawing (1859)
11 May 2020
The Decline of Architectural Drawing (1859)11 May 2020
β C. H. Smith
Henry Roberts (1803–1876), Fishmongers’ Hall, 1838. Pen, ink, watercolour and bodycolour on thick wove paper, 505 × 747 mm. DMC 2161. The Royal Academy’s 1859 summer exhibition, combined with a…
presentation civic & municipal DMC