Tag: memorial & monument

Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

Helen Thomas

Inhabiting and transforming the lozenge-like space of a long room in the heart of the Central Pavilion’s labyrinth, an installation by Petra Gipp creates a series of veiled rooms, corners and framed views, making spaces both ordered and complex. Everything is luminous. Light drops drops down from the skylights opened… Read More

Michael Gold: Crossed Swords

Michael Gold: Crossed Swords

Aldo Rossi

Aldo Rossi

Jesse Reiser

In the spring of 1979 John Hejduk invited Aldo Rossi to teach at Cooper Union. I’m not certain when he met Rossi, but Rossi was crucial, I would say, to John’s last major shift in his work. He saw something in Rossi’s analogical project that would allow him to transition… Read More

A souvenir and survey

A souvenir and survey

Basile Baudez

While working on the the Paris basilica of Sainte Genevieve, Jacques-Germain Soufflot sent his nephew – also trained as an architect – to Italy, in order to compile some research on domes. Soufflot was struggling at this time with the design of Sainte Genevieve’s main dome, inspired partly by St… Read More

Pier Leone Ghezzi

Pier Leone Ghezzi

Rachel Hapoienu

This drawing by the Roman artist Ghezzi depicts an unusual funerary monument, commissioned by the Sacchetti family for their beloved donkey called ‘Grillo’ (Cricket). According to the extensive inscription, this clever and loyal animal regularly carried baskets all alone from central Rome to the Sacchetti’s Villa Pigneto, ten kilometres away.… Read More

Richard J. Neutra: Visitor Center at Gettysburg National Park

Richard J. Neutra: Visitor Center at Gettysburg National Park

Nicholas Olsberg

In 1941, the US National Park Service acquired one of numerous versions of a 360-degree cyclorama, an in-the-round painting of the turning point in the great rebellion against the American union at Gettysburg in July 1863. First painted 20 years after the battle, the panels filled a drum 80 feet… Read More

Ducros: Arch of Titus

Ducros: Arch of Titus

This drawing by the Swiss artist Abraham-Louis-Alphonse Ducros — a preliminary sketch with a deep perspectival view of the Arch of Titus in Rome, and inspired by Panini’s Arch of Titus, 1745 — is the basis for one of his standard images, a definitive view of Rome sold to eighteenth-century… Read More

Five Obelisks

Five Obelisks

Aldo Rossi: Architecture and the City (1982)

Aldo Rossi: Architecture and the City (1982)

Peter Eisenman

The architectural drawing, formerly thought of exclusively as a form of representation, now becomes the locus of another reality. It is not only the site of illusion, as it has been traditionally, but also a real place of the suspended time of both life and death. Its reality is neither… Read More

Henri Labrouste

Henri Labrouste

Barry Bergdoll

The following has been excerpted from Labrouste (1801-1875), Architecte : La structure mise en lumière, 2012. In 1840 Labrouste plays an essential role in a political spectacle in which the stakes are high for the faltering regime of Louis Philippe: the return of Napoleon’s ashes that will be buried in the… Read More

History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

Wagnerschule

Wagnerschule

The drawings of Emil Hoppe (1876 – 1957) and Otto Schönthal (1878–1961) attracted particular interest in the Land Marks exhibition, and people were eager for us to share them more widely. They are presented here with little comment and a few additions for context. These drawings by Emil Hoppe, Otto Schönthal and… Read More