Architect: Karl Friedrich Schinkel
The Edge of Architecture: Cornices in the Drawing Matter collection
21 February 2022
The Edge of Architecture: Cornices in the Drawing Matter collection21 February 2022
By Editors
The following group of drawings are presented here as additional illustrations to Maarten Delbeke’s essay The Cornice: The Edge of Architecture.
On Cornices, Part I
17 June 2019
On Cornices, Part I17 June 2019
In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More
Schinkel
8 February 2019
Schinkel8 February 2019
By Kurt Forster
Schinkel’s architecture is of a piece with his life, yet in various ways, by picturing and publishing the work, he took himself out of it. He wanted to make sure that his architecture could stand on its own, however deeply it had been a part of him. He was, in… Read More
Schinkel: ‘Precisely Loose’
19 June 2018
Schinkel: ‘Precisely Loose’19 June 2018
By Lok-Kan Chau
What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More
Karl Friedrich Schinkel
7 June 2017
Karl Friedrich Schinkel7 June 2017
In his designs for the Tilebein House, Schinkel makes considerable use of different colours corresponding to the nature of the materials depicted. To indicate iron he uses a darkish blue, for wood mostly yellow and, of course, when he wants to show cut masonry (he is building in brick), he… Read More
Architecture and Geology
7 February 2017
Architecture and Geology7 February 2017
By William Mann
What is the relation between the forces that shape buildings and those that shape the earth’s surface? How are the imaginative powers of architects heightened by their knowledge of geological processes? How is their handling of all the cultural, economic and material constraints on their practice enriched by exposure to… Read More
Displaced persons
3 October 2012
Displaced persons3 October 2012
By Niall Hobhouse and Nicholas Olsberg
Architects are extraordinarily reluctant to incorporate into their visual descriptions of buildings any evidence that the real subject their structures serve, and around whose activities they are so carefully formulated, is people. Here’s a look at a few of the moments when this unspoken rule has been broken. Distances: Using… Read More
Shaping Landscape: Schinkel and Erratics
12 April 2021
Shaping Landscape: Schinkel and Erratics12 April 2021
By Tom Cookson
It is the unique trait of the section drawing to fragment the singularity of built form, to allow the reading of a building as a series of individual pieces, and thereby delay our innate predilection – at least momentarily – for gestalt. Much like an erratic (in geology, an erratic is a material… Read More
section drawing matter writing prize 2020 nature