The Continuous Monument
5 February 2016
The Continuous Monument5 February 2016
Adolfo Natalini (1941–2020), The Continuous Monument, New York, Sketchbook 12, page 74, 1969. Ink and pencil on paper, from a spiral-bound Canson sketchbook, 340 × 275 mm. DMC 2141.74. My…
To Read A Drawing (1983)
12 February 2016
To Read A Drawing (1983)12 February 2016
Peter Eisenman (1932), House II, 1968. Ink on paper, 290 × 102 mm. DMC 1802r. What is it to read a drawing? Traditionally, we read writing and see drawing. But…
Hans Hollein: Infinite Space
4 March 2016
Hans Hollein: Infinite Space4 March 2016
Hans Hollein (1934–2014), Semi-subterranean Building, 1964. Pen and ink on trace, 300 × 500 mm. DMC 2490.13. Between 1959 and 1964, the sculptor and designer Walter Pichler (1936–2012) and the…
Hans Hollein: Everything is Architecture
4 March 2016
Hans Hollein: Everything is Architecture4 March 2016
Hans Hollein (1934–2014), City, Communication Interchange, 1962. Pencil, pen and black ink on wove paper, 329 × 418 mm. DMC 2490.18. The following has been excerpted from ‘Everything is Architecture’,…
Etudes des fragments d’architecture
6 March 2016
Etudes des fragments d’architecture6 March 2016
Jean-Augustin Renard (1744–1807), Feuilles de premier rang d’un chapiteau Corinthien de marbre blanc, 1777. Charcoal on paper, 312 × 455 mm. DMC 2480. Signed and dated ‘à Rome 1777’, this…
This Was Tomorrow: Reinventing Architecture 1953–1978
13 March 2016
This Was Tomorrow: Reinventing Architecture 1953–197813 March 2016
– Markus Lähteenmäki, Manuel Montenegro and Nicholas Olsberg
Exhibition poster, This Was Tomorrow: Reinventing Architecture 1953–1978, 13 March – 8 May 2016, Swiss Architecture Museum, Basel. Designed by Ray O’Meara. This Was Tomorrow: Reinventing Architecture 1953–1978 is an exhibition…
Louis Kahn: Kansas City Office Building
18 March 2016
Louis Kahn: Kansas City Office Building18 March 2016
Louis Kahn (1901–1974), elevation, final scheme of the Kansas City Office Building, 1972. Pencil and pastel on paper,, 915 × 610 mm. © Estate of the architect. DMC 2311. The…
Frank Lloyd Wright, Taliesin and Fallingwater
29 April 2018
Frank Lloyd Wright, Taliesin and Fallingwater29 April 2018
Frank Lloyd Wright (June 8, 1867–April 9, 1959), Site Plan, Fallingwater, Bear Run, Pennsylvania, 1936–1939. Pencil on tracing paper, 380 × 550 mm. DMC 1852.2. The formative history of Frank…
Robert Mylne
1 April 2016
Robert Mylne1 April 2016
Robert Mylne (1733–1811), alternative design for the East Façade of Durham Park, 1780. Pen, ink and wash on paper, 430 × 325 mm. DMC 2597.1. There are two sons of…
Alternative Histories: Atelier Tomas Dirrix & Boris de Beijer on Otto Schönthal
1 January 2018
Alternative Histories: Atelier Tomas Dirrix & Boris de Beijer on Otto Schönthal1 January 2018
Atelier Tomas Dirrix, Otto Scönthal’s sketch for a cemetery church, 2018. Epoxy, pigments, oils, 120 × 120 × 160 mm. Otto Schönthal (1878–1961), design for a cemetery church, 1901. Pencil,…
letters from nicholas hawksmoor and standford white
30 April 2018
letters from nicholas hawksmoor and standford white30 April 2018
Nicholas Hawksmoor (c.1661–25 March 1736), Autograph Letter to Mr William Townesend, Blenheim Palace, Blenheim, 1722. Pen and ink on watermarked laid paper, folded, 313 × 395 mm. DMC 2962r. Stanford…
Views of A Civic Utopia
6 April 2016
Views of A Civic Utopia6 April 2016
Pierre-François-Léonard Fontaine (1762–1853), Proposed development for Place de la Concorde, Paris, 1811. Pen and black ink with grey wash and watercolour over pencil on paper, 277 × 248 mm. DMC…
a civic utopia (exhibition) DMC