Showing 1009–1020 of 1134 results for High Hit-Rate MB-820 – 100% Free Trustworthy Practice | MB-820 Real Exam 🏧 Search for ⏩ MB-820 ⏪ and obtain a free download on “ www.pdfvce.com ” 🏏Exam MB-820 Guide Materials ordered by newest

Stephen Taylor: Urban Rural

Stephen Taylor: Urban Rural

…after its construction, here. This short text is part of an ongoing series that records the building projects undertaken at Shatwell Farm. For more on the Shatwell Project, click here….

Cedric Price: Westal Market Stall Prototypes

Cedric Price: Westal Market Stall Prototypes

Editors

https://vimeo.com/513916960 The way I remember it, a couple of years after the transfer of the ownership of the major part of the paper archive (over which I had been involved,…

Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith

Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith

Wim Goes Architectuur, Cassius Goldsmith’s elevation of a single-storey lodge in cottage orné style, 2018. Wood, stone, brass, wire, 275 × 275 × 180 mm. Cassius Goldsmith, single storey lodge…

Alternative Histories: Olivier Goethal On Paul Rudolph

Alternative Histories: Olivier Goethal On Paul Rudolph

Olivier Goethals, Paul Rudolph’s perspective of a model home for the Grand Rapids Homestyle Centre Residence, 2018. Wood, glue, spray paint, steel, plastic, plasticine, 600 × 770 × 300 mm….

Alternative Histories: Bardakhanova Champkins on Virgilio Marchi

Alternative Histories: Bardakhanova Champkins on Virgilio Marchi

Bardakhanova Champkins, Viriglio Marchi’s sketches for the Cinema Odeon, 2018. 300gsm cherry pink räpina card, 240 × 170 × 110 mm. Virgilio Marchi (1895–1960), Cinema Odeon, Livorno, 1940. Ballpoint pen…

Alternative Histories: Bernd Schmutz on Jules Hardouin-Mansart

Alternative Histories: Bernd Schmutz on Jules Hardouin-Mansart

Bernd Schmutz Architekten, Jules Hardouin-Mansart’s cross-section of a barn or granary, 2018. Card, watercolour, glue, 462 × 282 × 145 mm. Jules Hardouin-Mansart (1646–1708), design for a barn or granary,…

Alternative Histories: ECTV on Tony Fretton

Alternative Histories: ECTV on Tony Fretton

ECTV, Tony Fretton’s study of the facade between the Lisson Gallery and neighbouring building, 2018. Plaster, PVC, 200 × 250 × 85 mm. Tony Fretton (1945), study of the facade…

Alternative Histories: Raamwerk on Tony Fretton

Alternative Histories: Raamwerk on Tony Fretton

…Lisson Gallery, 2018. Medium-density fibreboard, 160 × 160 × 50 mm. Tony Fretton (1945), facade studies, Lisson Gallery, London, 1990. 500 × 355 mm. DMC 2897.5.39. Back to all models…

Sans Humour?

Sans Humour?

Niall Hobhouse

…Petitot (1727–1801), Mascarade a la Grecque, 1771. Etching, 415 × 290 mm. DMC 2127. Giuseppe Roberto Martinenghi (1894–1970), Aedificare, Magister Caementariorum G. Botta, c.1930. Print, 248 × 170 mm. DMC…

Empathy

Empathy

Andrew Clancy

Being that can be understood is language. – Hans-Georg Gadamer Álvaro Siza (1933), page from the Royal Academy Columns sketchbook, 2013. Pen and ink on paper, 295 × 210 mm….

The Edge of Architecture: Cornices in the Drawing Matter collection

The Edge of Architecture: Cornices in the Drawing Matter collection

Editors

…(1845–1926), elevation, c. 1900. Pencil, pen and ink on paper, 686 × 510 mm. DMC 2675. Charles-Dominique-Joseph Eisen (1720–1778), Frontispiece, Marc-Antoine Laugier’s Essai sur l’architecture, c.1754. Pen and ink and

Alexander Brodsky: The Shed

Alexander Brodsky: The Shed

…Hobhouse. DMC 2997.1. Alexander Brodsky (1955), Design for The Shed, 15 Biennale Di Venezia, 2016. Fibre tipped pen, ink and crayon on wove paper, 210 × 297 mm. DMC 2997….