Period: c21st
The Right to Imagine: Michael Sorkin’s Visual Argument
08.06.2026
The Right to Imagine: Michael Sorkin’s Visual Argument08.06.2026
On the wall of the third-floor mezzanine of the Spitzer School of Architecture of The City College of New York (CCNY) hangs a wood model titled Urbanagram. It was the product of a collaboration of students of the Master’s in Urban Design Program, directed for almost two decades by Michael Sorkin… Read More
Concept of Proof
05.06.2026
Concept of Proof05.06.2026
We talk of the invisible drawings that birth a project, but words persistently catalyse and crystallise thought, providing spur or anchor for the meandering of mind and hand in the extrication of architectures. Publication, specification, contract, critique—words. Our history and very conceptual frameworks rely on the productive and ‘dangerous inversions… Read More
Protected: OPEN-GROUND
28.05.2026
Protected: OPEN-GROUND 28.05.2026
– Daniel Jacobs and Brittany Utting
There is no excerpt because this is a protected post.
Protected: Up in the Air: The Heygate and Aylesbury Estates
27.05.2026
Protected: Up in the Air: The Heygate and Aylesbury Estates27.05.2026
There is no excerpt because this is a protected post.
Carlos Bedoya, PRODUCTORA: Thinking through Drawing
25.05.2026
Carlos Bedoya, PRODUCTORA: Thinking through Drawing25.05.2026
The first thing to be said about the drawings of Carlos Bedoya is that this is not an exercise in nostalgia, or a case for the lost art of drawing by hand. The architects of PRODUCTORA work in the present, with all the tools and techniques available to them. The… Read More
Protected: Surveying Sierra Nevada
21.05.2026
Protected: Surveying Sierra Nevada21.05.2026
There is no excerpt because this is a protected post.
Printed Matters
21.05.2026
Printed Matters 21.05.2026
Few objects stage anticipation as effectively as a box, especially one whose contents are revealed slowly, piece by piece. The sense of something concealed within prepares the viewer for an experience at once intimate and tactile, one that is focused by the box itself, but that—in the act of unpacking—becomes… Read More
Siza on Paper (Exhibition + Talk)
18.05.2026
Siza on Paper (Exhibition + Talk)18.05.2026
– Editors
On Saturday 28 and Sunday 29 March, Drawing Matter presented an exhibition of drawings by the Portuguese architect Álvaro Siza. The exhibition focused on Siza as a designer of public housing after the Carnation Revolution (1974) and his approaches to drawing. At the centre of the exhibition were three housing… Read More
Drawing Superpositions
15.05.2026
Drawing Superpositions15.05.2026
When drawing plans for a project that does not primarily form architectural space through solid mass, the question of what a line signifies becomes especially critical. This drawing faced the challenge of representing an object that produces light and sound, situated in the public space of Vårby Gård, a suburb… Read More
Protected: Three Drawings
14.05.2026
Protected: Three Drawings14.05.2026
There is no excerpt because this is a protected post.
Protected: An Attardé Draftsman: Giacomo Beverati
11.05.2026
Protected: An Attardé Draftsman: Giacomo Beverati11.05.2026
There is no excerpt because this is a protected post.
Philip Christou: 34 Drawings
11.05.2026
Philip Christou: 34 Drawings11.05.2026
…a rigid adherence to a mathematical or logical system when forming a plan tends to make the design detached, mechanical and unresponsive to its site and surroundings—its situation—and make the building overly self-referential. However, when the regular system has cadence, is dynamic and can be disrupted or contaminated by the… Read More
Scaletales: Dr Franz Gibarian’s Lecture
08.05.2026
Scaletales: Dr Franz Gibarian’s Lecture08.05.2026
The following fictional text was extracted from William Firebrace’s Scaletales (Cologne: Verlag der Buchhandlung Walther und Franz König, Köln, 2026). The book investigates the various meanings of the word scale through a story about two elderly women on a journey from Finland through central Europe to the Black Sea. They… Read More
The Incessant Power of Drawings
05.05.2026
The Incessant Power of Drawings05.05.2026
We have come to doubt the real necessity of being exposed to original artefacts, as we find ourselves drowned in a deluge of endless reproductions. Why bother visiting galleries and museums when one can check stuff on the web? A picture of teenagers scrolling their cellphones in front of a… Read More
Protected: Mapping Water
29.04.2026
Protected: Mapping Water29.04.2026
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Protected: Drawing Motion as Thought
15.04.2026
Protected: Drawing Motion as Thought15.04.2026
– MRND
There is no excerpt because this is a protected post.
Rewriting Eisenman
06.04.2026
Rewriting Eisenman06.04.2026
In his new book Rewriting Alberti, Peter Eisenman applies the ‘most important lesson in architecture’ that he ever received to a study of the origin of the discipline in the Western tradition.[1] Standing at the fount of that tradition is the fifteenth-century Florentine scholar and architect Leon Battista Alberti.[2] From… Read More
Tracing Air with Light
03.04.2026
Tracing Air with Light03.04.2026
When architects design buildings, they simultaneously construct environments for human habitation and activity. Whether through the warmth emanating from a hearth or the breeze generated by an air-conditioning unit, architecture is always implicated in the modulation of environmental conditions. However, environmental control—along with the elements that it seeks to temper—remains… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
Protected: Time Theft
17.03.2026
Protected: Time Theft17.03.2026
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Baroqsysms
16.03.2026
Baroqsysms16.03.2026
Are architects wired to interpret reality flattened into two dimensions, with the third hovering somewhere nearby like an amputated ghost limb? Can short-form video animations, generated by Artificial Intelligence, scratch that phantom itch between two and three dimensions that we, survivors of this mental re-ordering, suffer from? I started thinking about… Read More
And in the shadows, the section fades
13.03.2026
And in the shadows, the section fades13.03.2026
On the black cartridge, a veil of pigments builds up, articulates an edge and fades into the depth. And yet it is the edge that meets me first, together with all the other edges that are layered upon each other. Cascading contrasts of white and black. Or: of brightness and darkness. Now… Read More
Sam Jacob: On Collage (Talk, Workshop + Exhibition)
12.03.2026
Sam Jacob: On Collage (Talk, Workshop + Exhibition)12.03.2026
– Editors
In early February, Drawing Matter organised a series of public events with the architect Sam Jacob exploring the uses of collage in architectural representations. On the Friday (6 February), Sam gave a talk on his personal interests in collage, weaving a narrative from Richard Hamilton’s Just what is it that… Read More
Protected: Figuring Out
19.05.2026
Protected: Figuring Out19.05.2026
– Issi Nanabeyin
There is no excerpt because this is a protected post.
Open Call: Visibility, and the Unseen sketch theoretical & imaginary