Category: design methodologies
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards
01.12.2025
The Ingredients of the Pudding: Alison and Peter Smithson’s Christmas Cards01.12.2025
Drawing Matter is pleased to publish the following text to mark the opening of ‘Come Deck the Halls!’, an exhibition celebrating the work of Alison and Peter Smithson at Roca London Gallery (5 December 2025 – 31 January 2026). The exhibition provides an insight into their architectural thinking through the… Read More
Drawing as Method and Process
28.11.2025
Drawing as Method and Process28.11.2025
Modus is a preparatory school for studies in architecture, art, and design, as well as a sustained investigation into the potentialities of drawing. Here, drawing is used to pose questions, uncover spatial and formal possibilities, and articulate new architectural statements. The school is founded on the belief that while architecture… Read More
Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)
24.11.2025
Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)24.11.2025
– Editors
On Friday 7 November, Drawing Matter welcomed architects Tony Fretton and Benjamin Machin to the archive for a conversation to open the exhibition ‘Tony Fretton: Everything I Saw Became Important’. Anchored by seven ‘artefacts’ now in the Drawing Matter Collection, the conversation explores the roles of drawings, photography, and sketchbooks… Read More
The Architect of Impossible Physics
06.11.2025
The Architect of Impossible Physics06.11.2025
More than once, when describing the processes involved in creating these drawings, my listener has responded with two words in particular: loading and channelling. I thought I would and should elaborate. The initial first gestures, lines, squiggles, scratches, smudges and randomisations of the mark making inform the start to the work in these… Read More
Neglected Dimensions: Rough Sketches for Public Space
11.09.2025
Neglected Dimensions: Rough Sketches for Public Space 11.09.2025
Neglected Dimensions: Rough Sketches for Public Space by Paul Carter mediates between graphic form and text, movement-tracking, and place-making to delineate the interstices of public space: what escapes its formal description and what falls outside official design. The book responds to pertinent concerns about the interface between the designers of public… Read More
Protected: Teatro del Mondo
09.09.2025
Protected: Teatro del Mondo09.09.2025
There is no excerpt because this is a protected post.
DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge
18.08.2025
DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge18.08.2025
As work on site at the Orphanage (1956-1960) neared completion, Aldo van Eyck was busy exploring and expanding the reach of his ideas through a number of interlaced and mutually generative projects, editorial of Forum magazine (1959-63), contributions to the reorganisation and ultimate dissolution of CIAM (1954-1960) and the design of a… Read More
Typology: A conversation
13.08.2025
Typology: A conversation13.08.2025
– Richard Hall, Hans van der Heijden and Andreas Lechner
In Spring 2025, Hans van der Heijden and Andreas Lechner corresponded about books which each had recently published that deal with the issue of ‘type’ and the role of drawing in typological work.[1] Hans invited Richard Hall to join the conversation, widening the discussion to three generations working in three… Read More
Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência
03.07.2025
Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência03.07.2025
The book Architecture as Poetics of Knowledge is essential reading for anyone interested in Paulo Providência’s renovation of the parish church of São Salvador, Figueredo, 1992-2002, as well as for understanding his singular architectural poetics. A beautifully published suite of drawings (29 pages, including 4 foldouts) and photographs (34 pages) is supported… Read More
House in Maia
29.05.2025
House in Maia29.05.2025
The transformation of a single-family house built on a plot in the centre of the city of Maia was carried out with consideration to its previous condition as a conceptual motif: an ordinary house, with no qualities of note, detached from the city, spatially uninteresting or even, one might say,… Read More
Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)
16.05.2025
Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)16.05.2025
Introduction A steady trickle of works on Dom Hans Van der Laan has appeared in the years since his passing in 1991. Most important among these, Richard Padovan has presented a compelling argument for the significance of Van der Laan’s theory of proportion through a series of texts, including Dom… Read More
Processing Process
25.04.2025
Processing Process25.04.2025
It is not Walter Gropius’ fault that his drawing for a single-family row house is strikingly dull. Even the towering figures of architecture, those revered creators of space and form, must, at times, strip their visions down to something much simpler. Clear, unadorned, almost utilitarian sketches become the necessary language… Read More
Wang Shu: Drawing Uncommon Grounds
24.04.2025
Wang Shu: Drawing Uncommon Grounds24.04.2025
– Xin Jin
Despite the extensive literature on Chinese experimental architecture that emerged in the mid-1990s after the Cultural Revolution, architects’ reflections on and practices of representation remain under explored. Wang Shu (王澍), recipient of the 2012 Pritzker Prize, is a prominent figure in Chinese experimental architecture. Though widely acclaimed in the West… Read More
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
Pembroke’s Archives
03.04.2025
Pembroke’s Archives03.04.2025
Alison Turnbull was appointed lead artist for the Mill Lane development at Pembroke College, University of Cambridge in 2020. Drawing on objects from the College Archive and working in close collaboration with architects Haworth Tompkins and landscape architects Tom Stuart-Smith Studio, she has created permanent works for the new interior… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
Leicester Engineering Building: Un-detailing
21.03.2025
Leicester Engineering Building: Un-detailing21.03.2025
The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More
Collection Guide: Aldo Rossi
20.03.2025
Collection Guide: Aldo Rossi20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students
10.03.2025
Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students10.03.2025
In 1999, I was an undergraduate at Edinburgh University studying Architectural History when I undertook a work placement at the university archives. Here I was asked to help organise an uncatalogued collection received from the Patrick Geddes Centre at the Outlook Tower. Within this collection were 12 portfolios. Portfolio 7… Read More
On Axonometric Drawing
27.02.2025
On Axonometric Drawing27.02.2025
In the work of our practice, since the very start, we have placed a great deal of attention towards drawing and representation. The recent exhibition in Antwerp—The Urban Villa—is a good example of our work, which is based on the combination of design with research; both of these two activities… Read More
Drawing on Ideas
17.02.2025
Drawing on Ideas17.02.2025
In 1972, when Peter Eisenman’s House II was published in L’Architecture d’Aujourd’hui, the editors confused a photograph of the built work for an image of a model. The house was located in Southern Vermont, and had been shot from a low angle against a uniform grey sky with a snow-covered hillside… Read More
Ernö Goldfinger: Westminster Bank
11.02.2025
Ernö Goldfinger: Westminster Bank11.02.2025
Looking at Ernö Goldfinger’s drawing for Westminster Bank at Alexander Fleming House in London, the first thing that stands out is its grid-like form. The frame of the building and its windows form a grid, and a grid within a grid, respectively. A peek inside the carefully drawn ground-floor windows… Read More
John Hejduk: Means, Ends
09.10.2025
John Hejduk: Means, Ends09.10.2025
– Anton Bucich
Peter Eisenman was wrong… It is architecture, even if you can’t ‘get in it.’[1] But he was also right… ‘The tradition of the architect-writer is well precedented in the history of architecture.’[2] It might remain a question without an answer, though it is curious that on large, the once hyphenated… Read More
theoretical & imaginary urban form sketch plan projection (axonometric isometric)