Medium: photograph

Protected: Richard Neutra at Drawing Matter

Protected: Richard Neutra at Drawing Matter

Editors and Nicholas Olsberg

There is no excerpt because this is a protected post.

DMJ – Something in the Air: On the Atmosphere of a Lee Miller Photograph

DMJ – Something in the Air: On the Atmosphere of a Lee Miller Photograph

Mark Dorrian

Frontispieces are to do with storytelling and we find a curious example of this at the start of Humphrey Jennings’ posthumously published book Pandaemonium 1660–1886: the Coming of the Machine Age as Seen by Contemporary Observers. It is a photograph by Lee Miller of Jennings himself, a filmmaker, writer and… Read More

Notes on the Visionary Spaces exhibition at the Belvedere 21

Notes on the Visionary Spaces exhibition at the Belvedere 21

Emerald Wise

I arrive at the Belvedere 21 after visiting Walter Pichler’s famous farmhouse in Sankt Martin an der Raab, only a few days prior—it is a stiflingly hot day in Vienna and for some reason, I have chosen to walk. I arrive at the Belvedere 21 to attend the Visionary Spaces exhibition that showcases some of Walter Pichler’s works in… Read More

Protected: Buffington & Mies: Skyscrapers on Paper

Protected: Buffington & Mies: Skyscrapers on Paper

Niall Hobhouse

There is no excerpt because this is a protected post.

The improvising bouwmeester,* or: how Raymaekers’ buildings got built 

The improvising bouwmeester,* or: how Raymaekers’ buildings got built 

Arne Vande Capelle, Stijn Colon, Lionel Devlieger and James Westcott

The following text first appeared in Arne Vande Capelle, Stijn Colon, Lionel Devlieger, and James Westcott, Ad Hoc Baroque: Marcel Raymaekers’ Salvage Architecture in Postwar Belgium (Brussels: Rotor, 2023), 168, 174-178. *Master builder, from the middle ages, responsible for materials, design, construction, workforce, and client liaison.[1] Raymaekers rejected the modern diminution of the architect’s… Read More

Protected: Drawing on Ideas

Protected: Drawing on Ideas

Stan Allen

There is no excerpt because this is a protected post.

Impressions of the Siza exhibition

Impressions of the Siza exhibition

Sergio Kopinski Ekerman

When I was an architecture exchange student at Faculdade de Arquitetura da Universidade do Porto (FAUP), between 2000 and 2001, there was a legend you could knock at Álvaro Siza Vieira’s office door and end up working there as an intern—the equivalent of walking into Mount Olympus to collaborate with… Read More

Cedric Price: Parc de la Villette

Cedric Price: Parc de la Villette

Ana Bonet Miró

The following account looks into the drawing DMC 1438 related to Price’s Parc de la Villette competition entry, to quest for the modes in which this media object resituates his design approach of design for pleasure, not only as the evolution of his practice, but crucially as part of an… Read More

DMJ – Five Episodes from the History of Drawing Instruments

DMJ – Five Episodes from the History of Drawing Instruments

Neil Bingham

Instruments of Building in Ancient Rome Vitruvius, writing in the first century BC, portrays being an architect (architectus) in ancient Rome as a daunting task. The knowledge of the architect, he notes, must encompass the understanding of geometry, engineering, optics, history, philosophy, astronomy, and even music and medicine. At a… Read More

OMA: Rem Koolhaas—Initiative

OMA: Rem Koolhaas—Initiative

Richard Hall

This is the sixth and final post, in the series titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

L’architecture des réalités mises en scene: (re)construire Disney

L’architecture des réalités mises en scene: (re)construire Disney

Fabrizio Gallanti

Drawing Matter asked Fabrizio Gallanti, Director of the arc en rêve – centre d’architecture, for an informal commentary on the content and presentation of their current exhibition L’architecture des réalités mises en scene: (re)construire Disney, open until January 2025. We are arc en rêve. We do exhibitions. In Bordeaux, South-West of France.… Read More

DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing

DMJ – Devices of Dream-Like Precision: Tracing the Streets of Kyoto using Photogrammetry and Layered Drawing

Sayan Skandarajah

There have been frequent attempts to represent the city of Kyoto as a coherent whole, from the cloud-swept panorama of the 17th-century Rakuchu Rakugai zu (Scenes In and Around Kyoto) folding screen paintings to the digital diorama of the GIS-driven Virtual Kyoto Project. Whilst these portraits of the city have relied on… Read More

Photo City: How Images Shape the Urban World

Photo City: How Images Shape the Urban World

Fabrizio Gallanti

A long time before the surge of the Internet and the diffusion of portable devices connected to it, seeping into our eyes incessant flows of images, the relationship of people to their surroundings was profoundly altered by photography, and then cinema. The carefully curated exhibition Photo City: How Images Shape the… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Nicholas Olsberg

This post concludes Nicholas Olsberg’s series on William Butterfield’s Heath’s Court project, the text of which is included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Sounding corridors’: entry and sequence The driveway brings us into a… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Nicholas Olsberg

This post continues with the second part of Nicholas Olsberg’s text on William Butterfield’s Heath’s Court project, included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.   ‘Cycles of the human tale’: the library The elevation of the… Read More

OMA: Collaborators—Allies

OMA: Collaborators—Allies

Richard Hall

This is the fifth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

DMJ – Sir John Soane’s Office

DMJ – Sir John Soane’s Office

Helen Dorey

Sir John Soane’s drawing offices at Nos 12 and 13 Lincoln’s Inn Fields were the fulcrum of his practice between 1794 and his retirement in 1833. His unique surviving ‘upper’ office was restored in 2022–23. In this article, I will trace the history of the office and recount its use… Read More

Suddenly This View

Suddenly This View

Drawing Architecture Studio

Suddenly This View begun as a series of architectural models and evolved into a collection of model photography. It is an ongoing project investigating everyday spaces, exploring how architectural models and their derivative creations can be used to convey spatial narratives. The subjects of Suddenly This View are everyday buildings… Read More

Wolkenbügel: El Lissitzky as Architect

Wolkenbügel: El Lissitzky as Architect

Richard Anderson and Markus Lähteenmäki

It was in a room without windows and walls of bare concrete, in the basement of one of the ETH buildings on its suburban campus in Hönggerberg Zürich, where I first heard about this book project from its author. Not another book on El Lissitzky, I remember thinking, when he… Read More

OMA: Big Competitions—Reorienting the Modern Project

OMA: Big Competitions—Reorienting the Modern Project

Richard Hall

This is the fourth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Adolfo Natalini with Superstudio at Drawing Matter

Adolfo Natalini with Superstudio at Drawing Matter

James Dunbar and Editors

Adolfo Natalini (1941–2020) was an Italian architect. A member of the ‘School of Pistoia’ Pop Art group in the early 1960s, Natalini combined his Pop aesthetic with critique and irony in his thesis work at the University of Florence School of Architecture, graduating in 1966.[1] Soon after, he co-founded Superstudio… Read More

In the Archive: New and Found 4

In the Archive: New and Found 4

Editors

Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More

Shatwell Farm: Covering over, bagging up, tying down

Shatwell Farm: Covering over, bagging up, tying down

Emily Priest

This text is the fourth in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September 2023. Tarpaulin has its origins in 17th-century maritime communities. Sailors, who were nicknamed ‘tarpaulins’, used to sleep on decks under hard-wearing fabrics which were impregnated with tar- as a… Read More

OMA: Rotterdam—Child’s Crusade

OMA: Rotterdam—Child’s Crusade

Richard Hall

This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More