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Freestanding: Sigurd Lewerentz

Freestanding: Sigurd Lewerentz

Helen Thomas

…Mark’s Church at Björkhagen, Stockholm (1960). Sigurd Lewerentz, Plan elevation of the Resurrection Chapel, Woodland Cemetery, Stockholm, c.1925. © ArkDes Collections. Sigurd Lewerentz, Perspective of the Resurrection Chapel, Woodland Cemetery,…

An Overwhelming Concern with Shelter! (1966)

An Overwhelming Concern with Shelter! (1966)

Gustav Metzger

…on wove paper, 300 × 350 mm. DMC 2367. Hans Hollein (1934–2014), Semi-subterranean Building (detail), 1964. Pen and ink on trace, 300 × 500 mm. DMC 2490.13. Walter Pichler (1936–2012),…

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

DMJ – ‘All the varieties of Nature’s works under ground’: the Geological Imagination of Alexander Pope

Yue Zhuang

…the Swiss National Foundation, EU Marie Skłodowska-Curie Actions and the Leverhulme Trust. Her recent publications include, among others, The Hermeneutical Tradition of Chinese Gardens (2015) (in Chinese), Entangled Landscapes: Early Modern China and

Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review

Kay Fisker: Danish Functionalism and Block-based Housing (2022) – Review

Mark Pimlott

…brick as a demanding, yet communicative material. Kay Fisker (1893–1965), Vestersohus, Copenhagen, Denmark, 1935–1939. photo by Jens Seier. Clancy and Moore’s response, ‘Conversation and the Contingent’ recognises Fisker’s profound contribution…

In the Archive: Edouard Cabay

In the Archive: Edouard Cabay

Edouard Cabay

…DMC 1407r. Superstudio, grid drawing, c.1969. Indian ink on mylar, 427 × 555 mm. DMC 2098. Michael Webb, Spiral car ramp, 1961. Photocopy with yellow trace and red pantone overlay,…

Keshi Ghat

Keshi Ghat

Amrutha Viswanath

Seeing is a reaching out, a kind of metaphorical touching that involves one’s whole being and is reciprocal. Amita Singh  Author unknown, Plan and elevation, Keshi Ghat, Vrindavan, Uttar Pradesh,…

Aldo Rossi: Transforming Artefacts into Objects of Affection

Aldo Rossi: Transforming Artefacts into Objects of Affection

Marianna Charitonidou

…International, 13 (1976), p.6. Ungers et al., ‘Cities within the City: Berlin as Green Archipelago’, Lotus International, 19 (1978), p.95. Rossi, A Scientific Autobiography, p.84 Moneo, ‘Aldo Rossi: The Idea…

The I’Ansons: A Dynasty of London Architects & Surveyors

The I’Ansons: A Dynasty of London Architects & Surveyors

Peter Jefferson Smith

…section, Corn Exchange, Mark Lane, 1875. Pencil and grey and blue washes on paper, 490 × 670 mm. DMC 1650.1. Edward I’Anson (1812–1888), Interior perspective, Corn Exchange, Mark Lane, London,…

Giuseppe Terragni’s Primordial Architecture

Giuseppe Terragni’s Primordial Architecture

Valerio Paolo Mosco

Giuseppe Terragni (1904–1943) & Pietro Lingeri (1894–1968), Competition for the Monument to the Fallen of Como 1925–26, 1926. Photocollage on bodycolour background, mounted on board, 180 × 185 mm. DMC…

Seven Facets of Architectural Disegno

Seven Facets of Architectural Disegno

Cara Rachele

…che lui ha fatto col padrone […].’ Antonio Averlino (Filarete), Trattato di architettura, 1464, ch. II, f. 7v. Ernst Gombrich, ‘Leonardo’s Method for Working Out Compositions,’ in Norm and Form:…

Soane’s Designs for Combe House, Continued

Soane’s Designs for Combe House, Continued

Pierre du Prey

John Soane (1753–1837), Combe House for Reymundo Putt, 1805–1811. Black ink and pencil on wove paper. Albert Richardson’s collector’s mark on verso, 340 × 682 mm. DMC 1845.r. John Soane…

Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance

Writing Prize 2021: Itsuko Hasegawa, Capturing an Infinite Distance

Ahmed Belkhodja

…du roman, (Ed. Gallimard: Paris, 1995), p.85. Hasegawa, I., transl. Kayoko Ota, An exercise of formally structuring a house, (e-flux.com: 2020). The top 3 plans correspond to (l-r) House in…