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After the Revolution: Dugourc in Spain

After the Revolution: Dugourc in Spain

Iris Moon

…p.61. R. J. A. te Rijdt, De Watteau à Ingres, p.243. See also Reinier Baarsen, Paris, 1650–1900, p.445. Rijdt, De Watteau à Ingres, p.243. See Jules Renouvier, Histoire de l’art pendant la Révolution, pp.374–81….

The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925

The wobbly line: Asplund, Johansson and the influence of Tessenow in Sweden 1915–1925

Jan Rydén

…wall, a common feature of village churches. Erik Gunnar Asplund (1885–1940), Woodland Chapel, Skogskyrkogården (the Woodland Cemetery), December, 1918. © Arkdes Collections. In preparatory sketches, one sees that Asplund intended…

Paolo Portoghesi: the Field Theory

Paolo Portoghesi: the Field Theory

Marco Vanucci

…beyond Computers (London: Bloomsbury, 2018), 90-97. Paolo Portoghesi, Roma Barocca (Rome: Bestetti, 1966). Louis Sullivan, “Ornament”, The Engineering Magazine, August 1892. Paolo Portoghesi, Le inibizioni dell’architettura moderna (Rome: Laterza, 1974)….

Notes on the Sketchbook

Notes on the Sketchbook

Mark Dorrian

…publications and observations, c.1804–1812. Pencil, pen, ink and watercolour, 148 × 210 mm. Photo: Craig Stevens. Louis-Hippolyte Lebas (1782–1867), Annotated sketchbook: travel and study sketches of monuments and ornaments from…

Alberto Ponis: Drawing Landscape

Alberto Ponis: Drawing Landscape

Team SHICHAI拾柴

https://vimeo.com/820213520 This is film was made by team SHICHAI拾柴 for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. It concludes a series of posts…

Schinkel: ‘Precisely Loose’

Schinkel: ‘Precisely Loose’

Lok-Kan Chau

Karl Friedrich Schinkel (1781–1841), Construction for Entrance Facade, Tilebein House, Stettin, Prussia, 1806. Sepia ink and colour washes on paper, two sheets joined, 1000 × 605 mm. DMC 1856.1. What…

DMJ – The Stereoautograph

DMJ – The Stereoautograph

Pablo Garcia

…outbreak of World War I. For these efforts, he is sometimes called the ‘father of stereophotogrammetry’. See Dieter Fritsch, ‘The Photogrammetric Week Series – A Centennial Success Story’, in Photogrammetric Week 5 (Heidelberg: Verlag,…

Cedric Price: The Evolving Image

Cedric Price: The Evolving Image

…the Heinz Gallery, 1975. Pin bade. Cedric Price (1934–2003), Cover sheet, The Evolving Image, 1975. Lithograph on emulsion coated paper. Cedric Price (1934–2003), Exhibition poster, The Evolving Image, 1975. Print….

Architectural Typefaces

Architectural Typefaces

Adrien Vasquez

examples include Felice Feliciano’s Alphabetum Romanum (1463), Fra Luca Pacioli’s Divina Proportione (1509), Francesco Tornellio’s Opera del modo de fare le littere maiuscole antique (1517), Albrecht Dürer’s Underweysung der messung mit dem zirckel un richt scheyt (1525) and

Fantasy in Reality: Architecture, Representation, Reproduction

Fantasy in Reality: Architecture, Representation, Reproduction

…models, as reproductions in film and photography, and as digital files.  This Line of Enquiry stems from a symposium, Fantasy in Reality: Architecture, Representation, Reproduction that took place on 15 and 16…

The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso

The Palace of Dawn and Dusk / Palacio del Alba y del Ocaso

Alberto Cruz

…y Ronda (Chile: Fundacion Alberto Cruz Covarrubias, 2021), p. 237 – 9. The Open City, or the Cuidad Abierto-Amereida, was the product of the search (termed by Cruz and his…

Siza and the limits of representation

Siza and the limits of representation

Niall Hobhouse

…41, 1977. Pen on paper, 300 × 210 mm. DMC 2514.41. Álvaro Siza, from Caderno 13, page 44, 1977. Pen on paper, 300 × 210 mm. DMC 2514.44. Álvaro Siza,…