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Alternative Histories: dePaor on Hans Poelzig

Alternative Histories: dePaor on Hans Poelzig

dePaor, Hans Poelzig’s sketch for the Grosses Schauspielhaus, 2018. One 210 × 305 mm sheet of 300gsm watercolour paper, one paperclip, 60 × 60 × 220 mm. Hans Poelzig (1869–1936),…

Alternative Histories: Point Supreme Architects on Adolfo Natalini

Alternative Histories: Point Supreme Architects on Adolfo Natalini

Point Supreme Architects, Adolfo Natalini’s elevation with people and birds, 2018. Marble, wood, brass, 200 × 200 × 200 mm. Adolfo Natalini (1941–2020), Piccolo Tempio della Ragione from Sketchbook 10,…

Alternative Histories: ONO Architectuur on James Gowan

Alternative Histories: ONO Architectuur on James Gowan

ONO architectuur, James Gowan’s elevation, 2018. Aluminium, grey paint (lacquer: RAL 7035), 80 × 80 × 130 mm. James Gowan (1923–2015), elevation, University of Leicester, Engineering Building, 1959–1963. Pencil on…

Gavin Stamp: Interwar, British Architecture 1919-1939

Gavin Stamp: Interwar, British Architecture 1919-1939

Otto Saumarez Smith

…One of Stamp’s longest-running conservation battles, for Giles Gilbert Scott’s Battersea Power Station (described by Summerson as ‘Gavin Stamp’s billiard table’), has finally come to fruition with its reuse; but…

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Lina Bo Bardi: Public Plaza and Museum of Art São Paolo

Helen Thomas

Lina Bo Bardi (1914–1992), Preliminary Study, Sculptural stage props on Trianon Terrace, Museum of Art São Paolo, 1965. India ink and watercolour on paper, 562 × 765 mm. MASP Collection,…

Alternative Histories: EM2N on Alexander Brodsky

Alternative Histories: EM2N on Alexander Brodsky

EM2N, Alexander Brodsky’s three plans, 2018. Polyester cube, light base, 185 × 177 × 275 mm. Alexander Brodsky (1955), Three Plans, 2016. Pencil on tracing paper, 485 × 320 mm….

Opportunism

Opportunism

Richard Hall and Emma Rutherford

…‘The Sparkling Metropolis’, Guggenheim, New York (1978). ​See also various discussions on the exhibition in: Christophe van Gerrewey (Ed.), OMA/Rem Koolhaas: A Critical Reader, (Basel: Birkhäuser, 2019), pp.26-61. See related reading….

Accademia Bridge Proposals: Venice Biennale 1985

Accademia Bridge Proposals: Venice Biennale 1985

Editors

…in the 1930s. Wilson and Deleu’s projects join two imposing drawings—each about 2 x 1.5m—by Dario Passi for the same project, one of which now hangs in Drawing Matter’s office. …

Behind the Lines 1

Behind the Lines 1

Philippa Lewis

…Well, that’s ruined it, he mutters to himself – still if that’s what it takes… At 9 Bemersyde Drive a male voice shouts out, ‘Who’s cut up my bloomin’ magazine?’…

Christmas Reading List 2020

Christmas Reading List 2020

Editors

…2.6.20 Stirling at Stuttgart: Review View / Up Views By John Tuomey, published 15.6.20 Soane: Energy and Frustration By Ptolemy Dean, published 24.6.20 Just Begin: The Convent Sainte-Marie-de-la-Tourette By Stan…

Reflections on The Drawing Matter Archive

Reflections on The Drawing Matter Archive

Roz Barr, Jonah Ginsburg, Benjamin Machin and Sandra Porter

The following four texts reflect on connections to and interactions with Drawing Matter, on the ground or from afar. Central to each is the drawings collection at Shatwell Farm. Design…

On William Kent (1771)

On William Kent (1771)

Horace Walpole

William Kent (1685–1748), Sketch view of Windsor Castle, Windsor, England, 1740. Pen and black ink with wash on laid paper, 201 × 324 mm. DMC 1676. Here is Walpole’s famous…