Period: c19th

E. W. Godwin and the Mild Mild West

E. W. Godwin and the Mild Mild West

Matt Page

From this drawing it would seem unlikely that the side wall at its centre would one day be photographed thousands of times, and attract the interest of people from all over the world. Here, it appears unremarkable, especially when compared to the gutsy brick detailing and gothic flourishes of the… Read More

Brunel’s Camera Lucida: A Closer Look

Brunel’s Camera Lucida: A Closer Look

Pablo Garcia

A camera lucida is a 19th-century drawing aid. When you look into the eyepiece, you see a ghost image of your subject overlaid onto your paper. Since you can see your hand holding your pencil with your subject superimposed, you can trace directly from real life. Invented in 1807, before… Read More

Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Two lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop

Sergio Kopinski Ekerman

The following text is a brief reflection on two lectures delivered at Shatwell Farm in August 2024 as part of the ENAC EPFL Drawing Research Platform. To read the students’ reflections and view their drawings, click here. To read an account of the week, click here. The two lectures at… Read More

Protected: Buffington & Mies: Skyscrapers on Paper

Protected: Buffington & Mies: Skyscrapers on Paper

Niall Hobhouse

There is no excerpt because this is a protected post.

DMJ – Five Episodes from the History of Drawing Instruments

DMJ – Five Episodes from the History of Drawing Instruments

Neil Bingham

Instruments of Building in Ancient Rome Vitruvius, writing in the first century BC, portrays being an architect (architectus) in ancient Rome as a daunting task. The knowledge of the architect, he notes, must encompass the understanding of geometry, engineering, optics, history, philosophy, astronomy, and even music and medicine. At a… Read More

Photo City: How Images Shape the Urban World

Photo City: How Images Shape the Urban World

Fabrizio Gallanti

A long time before the surge of the Internet and the diffusion of portable devices connected to it, seeping into our eyes incessant flows of images, the relationship of people to their surroundings was profoundly altered by photography, and then cinema. The carefully curated exhibition Photo City: How Images Shape the… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Nicholas Olsberg

This post concludes Nicholas Olsberg’s series on William Butterfield’s Heath’s Court project, the text of which is included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Sounding corridors’: entry and sequence The driveway brings us into a… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Nicholas Olsberg

William Butterfield’s architectural practice, spanning the entire Victorian era, is the focus of Nicholas Olsberg’s new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.  Over the next three weeks, Drawing Matter will reproduce a chapter within The Master Builder that focuses… Read More

The Future of the Past: The ‘Round Church’, Cambridge

The Future of the Past: The ‘Round Church’, Cambridge

Nikolaus Pevsner

The war to restore to churches ritual and at the same time architectural dignity was waged by one man and one society, the man being a fervent convert to Catholicism, the society calling itself Catholic too, but meaning what is called Anglo-Catholic. They operated independently, but appreciated one another. The… Read More

DMJ – Brunel’s camera lucida

DMJ – Brunel’s camera lucida

Philip Steadman

In the Drawing Matter collection there is a camera lucida that belonged to Isambard Kingdom Brunel (1806–1859) (Figs 1–4,6).[1] The camera lucida is an instrument for drawing from life, patented in 1806 by the versatile English chemist and physicist William Hyde Wollaston (1766–1828).[2] The term camera lucida (‘well-lit room’) is… Read More

In the Archive: New and Found 4

In the Archive: New and Found 4

Editors

Click on drawings to move. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is a collection… Read More

Louis-Hippolyte Lebas at Drawing Matter

Louis-Hippolyte Lebas at Drawing Matter

Editors and Nicholas Olsberg

French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More

Architectural models and the oriental ideal of the Alhambra

Architectural models and the oriental ideal of the Alhambra

Asun González Pérez

The Alhambra architectural models reflect the circumstances in which they were created, during the last years of the Romantic movement, when artists and patrons were fascinated by the diffuse idea of the ‘Orient’, somewhat embodied by the Alhambra. This part-myth, part-real palace was the ultimate destination for Romantic travellers and… Read More

Design Drawings Damage Atlas (2023)

Design Drawings Damage Atlas (2023)

Neil Bingham

Snap, crackle, pop. Oh, that horrible sound of unravelling a roll of architectural drawings on old dried-up tracing paper from the nineteenth century. Slowly unfurling the brown brittle sheet, it cracks and shatters, little bits drop off in flakes, littering the table and floor like confetti. The experience feels like… Read More

Return to the Archive

Return to the Archive

Hans-Dieter Nägelke

In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More

Glarner Wirtschaftsarchiv

Glarner Wirtschaftsarchiv

Helen Thomas

Through an unprepossessing door tucked into the corner of two buildings located at the edge of a precinct both rural and industrial is the entrance to the kind of magic world that archives often hide. Founded 20 years ago by Dr. Sybill Kindlimann of the influential local family, Blumer, the… Read More

Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’

Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’

Anja Segmüller

The 1867 Paris Exposition Universelle was one of the most frivolous and lavish events in late-19th-century European history. Erected along the Champs-de-Mars, it encompassed a huge, covered arena surrounded by dozens of pavilions and gardens.[1] It was conceived by Napoleon III to showcase of industrial and technological progress, to promote… Read More

Baron Ferdinand de Rothschild at Waddesdon

Baron Ferdinand de Rothschild at Waddesdon

Baron Ferdinand de Rothschild

The following extract, a personal account by Baron Ferdinand de Rothschild, describes the imaginary and real processes of constructing and maintaining a country home, from the ground up, in late-19th-century England. Written for the Red Book in 1897, a family album of sorts, it is one of the key sources… Read More

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

Colum O'Riordan

In 2001, the Irish Architectural Archive (IAA) acquired at auction an item described in the catalogue as ‘Architectural Drawing, possibly by Robert Smirke, of Wellington Monument, Phoenix Park’. The unsigned, undated drawing is a perspective view of an obelisk, the base of which is a four-faced distyle Doric temple. This… Read More

The Manufacture of architecture: Joseph Paxton and the development of the Great Stove

The Manufacture of architecture: Joseph Paxton and the development of the Great Stove

Hugh Strange

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. Joseph… Read More

DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

Ross Anderson

This essay discusses three enigmatic one-point perspective drawings. The first was made by the precocious Prussian architect and teacher Friedrich Gilly, the second by Alberto Sartoris as a young student of architecture in Geneva, and the third by the relatively unknown modern Swiss scenographer Adolphe Appia. These drawings have been… Read More

Architecture and Real Abstraction: Adler & Sullivan

Architecture and Real Abstraction: Adler & Sullivan

Francesco Marullo

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. The… Read More

Designs on Democracy (2022) – Review

Designs on Democracy (2022) – Review

Ellis Woodman

‘This is not a book in which material has been selected on the basis of taste; quite the contrary. These are not buildings or personalities with which it has been easy to empathise, and I hope that this book is not read as a defence or an apology.’  With these words the… Read More

Diplomatics and Instrumentality of the Drawing / William Butterfield

Diplomatics and Instrumentality of the Drawing / William Butterfield

Nicholas Olsberg

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More