Period: c19th

Charles Barry: Travel Sketching

Charles Barry: Travel Sketching

Rachel Blissett

Barry made this drawing at the invitation of David Baillie, an English gentleman of means who was travelling on board HMS Satellite. As Barry recorded in his journal: ‘went on board every afternoon to make a view of the town where I met with the greatest attention and kindness’. The… Read More

Louis Bricard

Louis Bricard

Nicholas Olsberg

The Dominican monastery in the centre of the city of Laval on the Loire was seized during the first year of the Revolution, while an expansion was in construction, and then acquired by the regional government as its seat of administration. In 1803 the medieval cloister and chapel were demolished… Read More

Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Stone Adversaries – Ruskin’s Rocks, Hejduk’s Diamonds

Anthony Auerbach

Paper by Anthony Auerbach read at the Architectural Drawings Symposium, Shatwell, 24 April 2016. I would like to introduce two items from this collection, or rather two collections our host has brought together, whose cohabitation here prompted me to consider whether they are related and whether the relation can be… Read More

A Civic Utopia Exhibition

A Civic Utopia Exhibition

A Civic Utopia: Architecture and the City in France 1765-1837 was curated by Nicholas Olsberg and Basile Baudez, and organised by Drawing Matter Trust in collaboration with The Courtauld Gallery as part of Somerset House’s celebration of the 500th anniversary of Thomas More’s Utopia. The exhibition considered the place of architecture… Read More

Some Thoughts on Sheds

Some Thoughts on Sheds

Nicholas Olsberg

In architectural terms I take ‘shed’ as a neutral word, meaning a structure at any scale open at one or two ends, devoted to storage, display or industrial activity, in which the roof providing shelter is its primary element – in effect a cover with minimum foundations and form: train… Read More

Fontaine: Model for a Music Room

Fontaine: Model for a Music Room

Ana Araujo

A fresh alternative to the intellectual and formal mannerisms associated with architectural drawings in the West since the age of Leon Battista Alberti, Pierre-François-Léonard Fontaine’s drawing explores a simple, direct way of communicating a spatial proposition. To access his vision we don’t need to be familiar with the conventions of… Read More

Barthélemy Enfantin

Barthélemy Enfantin

Helen Thomas

This strange, flat drawing in watercolour, ink and pencil comprises a sheet of studies thought to be made by French economist and political theorist Barthélemy Prosper Enfantin in 1849. It depicts ideas for the organisation of a military complex, a cité militaire, possibly with Algeria in mind as a location. Enfantin published… Read More

Notes on the 2016 Summer School

Notes on the 2016 Summer School

Helen Mallinson

Found in translation At first it seemed hugely unfair to invite an audience of some thirty adept critics to review a week’s drawing work by eight students, the more so in the dauntingly Olympian cultural setting of Hauser & Wirth. The review was held in Smiljan Radic’s 2014 Serpentine Pavilion,… Read More

The Stones of John Ruskin

The Stones of John Ruskin

Karen Eve Johnson, Nicholas Olsberg and John Ruskin

Ruminations on the collection of siliceous minerals What follows is a selection from the collection of minerals given to and arranged for St. David’s School, Reigate, by John Ruskin, who prepared a full printed Catalogue of the Collection of Siliceous Minerals, dated 1883. The collection is still largely intact. Stones… Read More

Jean-Baptiste Lassus

Jean-Baptiste Lassus

Martin Bressani

After a brief passage at the École des Beaux-Arts in Paris in the studio of Henri Labrouste from 1828 to 1830, French architect Jean-Baptiste Lassus fell under the sway of the romantic cult of history and turned toward the middle ages. Together with his life-time associate Eugène-Emmanuel Viollet-le-Duc (1814–1879), he… Read More

Fontaine: Market Stalls

Fontaine: Market Stalls

Basile Baudez

The following text is an excerpt from a conference paper given by Basile Baudez as part of the Rencontres du Centre André Chastel, Paris, May 2016. The ‘History of Colour in Architectural Drawing, 16th–19th Centuries’ is part of a forthcoming book. Architectural historians have focused on the history of drawing… Read More

The Imperial Palace of God

The Imperial Palace of God

George Elliot

Inscribed by the artist: DEDICATED TO THE WORLD. THIS MAGNIFICENT ARCHITECTURAL, PERSPECTIVE VIEW, OF THE SECOND DIVISION, OF THE IMPERIAL PALACE OF GOD. IMPERIAL CROWN. EDUCATION FOR THE PEOPLE. GEORGE ELLIOT. EMPEROR OF THE WORLD. THE TRUE AND LAWFUL GOD. GEORGE THE 5, KING OF GREAT BRITAIN. SON OF THE… Read More