Tag: presentation
Artful Trades: Into a Market of Consumables
6 March 2024
Artful Trades: Into a Market of Consumables6 March 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Despite predictions of the… Read More
Architectural Covers: A Site of Design
7 February 2024
Architectural Covers: A Site of Design7 February 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Between 1971 and 1973,… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17 January 2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17 January 2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial
20 November 2023
The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial20 November 2023
In 2001, the Irish Architectural Archive (IAA) acquired at auction an item described in the catalogue as ‘Architectural Drawing, possibly by Robert Smirke, of Wellington Monument, Phoenix Park’. The unsigned, undated drawing is a perspective view of an obelisk, the base of which is a four-faced distyle Doric temple. This… Read More
Repton does a Bernini – A Crescent for The Ham
24 October 2023
Repton does a Bernini – A Crescent for The Ham24 October 2023
Ever since 1743, when John Wood failed to get backers for his vast Royal Forum, the area to the south of South Parade has been treated like the campus of a nondescript university. The chequered gardens of Abbey Orchard have been supplanted by Manvers Street car park, while to the… Read More
Denise Scott Brown ‘From Soane to the Strip’
1 September 2023
Denise Scott Brown ‘From Soane to the Strip’1 September 2023
The following text is an excerpt from Denise Scott Brown’s 2018 Soane Medal lecture, written by Thomas Weaver, and developed out of a series of conversations between Denise Scott Brown and Thomas Weaver in July 2018. I have never thought of myself as a photographer, only an architect and urbanist,… Read More
Comins x Shatwell Tea House
25 August 2023
Comins x Shatwell Tea House25 August 2023
– Various
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins x Shatwell Tea House. The most common question visitors have… Read More
Diplomatics and Instrumentality of the Drawing / William Butterfield
21 August 2023
Diplomatics and Instrumentality of the Drawing / William Butterfield21 August 2023
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
Patrick Gwynne: Colour by Numbers
7 August 2023
Patrick Gwynne: Colour by Numbers7 August 2023
Preferring the sterile white look, most British modernist architects shied away from colour, considering it to be the domain of the interior decorator—the ‘woman’s role’. But Patrick Gwynne (1913–2003) always loved to use colour in his designs, with sensitivity and knowledge. As a budding architect in the mid-1930s, Gwynne purchased… Read More
Alberto Ponis: Pathways
12 July 2023
Alberto Ponis: Pathways12 July 2023
This is the second of a series of posts pairing films made by team SHICHAI拾柴 with drawings from the Drawing Matter Collection. The films, of houses designed by Alberto Ponis on Sardinia, were made for the exhibition ‘Drawing Landscape: Alberto Ponis,’ exhibited at Tongji University, Shanghai, 10 April—20 May 2023. Explore more… Read More
John Hejduk’s Bye House: An Object in the Landscape
29 June 2023
John Hejduk’s Bye House: An Object in the Landscape29 June 2023
– Stan Allen and Marina Correia
‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More
Drawing as Preservation
14 June 2023
Drawing as Preservation14 June 2023
Jiang Yuan’s ‘Epanggong Illustration’ is a reverie made real by the tip of Yuan’s paintbrush. It is simultaneously a fantasy of a past to which one cannot return, a fascination with a form of existence that has disappeared, and also a set of ideas, which live on in spheres far… Read More
Benjamin Wistar Morris and a new Metropolitan Opera House
10 June 2022
Benjamin Wistar Morris and a new Metropolitan Opera House10 June 2022
A recent acquisition of six drawings by the American architect Benjamin Wistar Morris reveals his long involvement with one of the most important urban projects of the twentieth century. Morris’s role in this project was a highlight of his career although he has not been widely associated with it. A… Read More
Montage-Entourage; Or The Politics Of The Seam
24 January 2022
Montage-Entourage; Or The Politics Of The Seam24 January 2022
The following text is a version of chapter three from Reality Modeled After Images: Architecture and Aesthetics after the Digital Image by Michael Young, published by Routledge © 2021. Available from Routledge. Portions of this chapter were initially developed in the essay ‘The Aesthetic Recycling of Cultural Refuse’ published in Writing Architectures: Ficto-Critical Approaches… Read More
Drawing the Brunswick Centre
19 July 2021
Drawing the Brunswick Centre19 July 2021
In the 1960s, when I was a penniless AA student, I used to produce perspective drawings for various offices to help pay the rent. Among them were the Smithsons, for whom I did several of the Economist, mainly interiors; Colquhoun and Miller, the chemistry building at Holloway College; YRM and… Read More
André Arbus: Details Matter
29 March 2021
André Arbus: Details Matter29 March 2021
These presentation drawings – polished, finished, complete – were drawn by André Arbus in the 1950s. They are of a compact, open-plan apartment. Although they are not design drawings, they reveal a lot about the process of design. They communicate thought and care and suggest many drawings have come before them.… Read More
Make me Hyper-Real: Image Ethics and the Architectural Visualisation
5 March 2021
Make me Hyper-Real: Image Ethics and the Architectural Visualisation5 March 2021
Architectural visualisations sell us the image of a new reality. In depicting a building that is designed, rather than completed, they constitute a kind of spatial hypothesis: a temptation of a happier, wealthier, and more connected world. By constructing these fictions through the means of the image, they sell us the notion that the project it depicts will improve our lives for the better. … Read More
Architecture at the Edge
13 January 2021
Architecture at the Edge13 January 2021
– Craig Moller and Marco Moro
The following is a conversation between Marco Moro and Craig Moller, New Zealand-born architect and author of the drawing pictured above. Moller made the drawing while in a design studio taught by Mark Wigley in 1985, while the latter was about to finish his doctoral thesis within the newly established… Read More
Aldo Rossi: The First Sketch and the Final Drawing
25 November 2020
Aldo Rossi: The First Sketch and the Final Drawing25 November 2020
The following letter was sent to the Drawing Matter editors by Andrea Leonardi, a member of Rossi’s office for nine years. A few days ago my dear friend Maurizio Diton, sent me an article he wrote for you in October 2019, ‘The Office Copier and Baptism by Colour: Working… Read More
Venice Biennale (1985)
14 July 2020
Venice Biennale (1985)14 July 2020
The third edition of the Venice Biennale in 1985, ‘Progetto Venezia’, directed by Aldo Rossi, had two major themes: the priority given to the moment of planning and the comparison with the Venetian landscape. For the 1985 exhibition, architects were invited to display their designs for the ‘requalification or the… Read More
Notes on Port Royal, Jamaica
7 July 2020
Notes on Port Royal, Jamaica7 July 2020
– Paul Cox
My parents Oliver and Jean Cox were devoted ‘Jamaicophiles’, having worked on many projects in the country since the 1960s. One of the most enduring and absorbing was a proposed redevelopment of Port Royal as a renewal and upgrade of the historic city, rebuilding and restoring while making an interesting… Read More
Mies: The Berlin Building Expostition (1974)
25 June 2020
Mies: The Berlin Building Expostition (1974)25 June 2020
The following text is excerpted from Oppositions 2 (1974): 86–91. The Berlin Building Exposition of 1931 was the largest of its kind ever to be held. With Teutonic thoroughness every material, every method, every theory that had to do with building was shown in the Exposition. The result of this thoroughness, plus… Read More
Thomas Henry Wyatt’s Brook House
12 June 2020
Thomas Henry Wyatt’s Brook House12 June 2020
There is no building that tells the social and aesthetic story of Park Lane better than Brook House. From its beginnings as a scrappy country lane (‘Tyburn Lane’) in the eighteenth century, Park Lane rose to become the millionaires’ row of the Victorian and Edwardian eras and went on in… Read More
Architectural Drawing (1983)
22 June 2021
Architectural Drawing (1983)22 June 2021
– George Collins
This essay was first published in the catalogue for Drawings by Architects (25 February – 3 April 1983), held at the ICA in London. A period piece, for sure, the text sits at the cusp of changing attitudes to the display and value attributed to architect’s drawings. In recent years… Read More
exhibition design presentation exhibition sketch