Tag: theoretical & imaginary
A Bath for Immortality
24 April 2024
A Bath for Immortality24 April 2024
It is 1971 and the city is Graz. ‘If we look at the city as a set of artefacts that can be modified over time, homogeneous and isotropic, correlated to the physical reality of the landscape and the territory, and at the same time if we refuse to take part… Read More
OMA: London—Foreplay
19 April 2024
OMA: London—Foreplay19 April 2024
This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More
The Captive Globe
28 March 2024
The Captive Globe28 March 2024
This essay is about a drawing—or rather, about the insight embedded within that drawing and the life it has taken on in the forty-five years since it was made. The drawing in question is The City of the Captive Globe. It was created in 1972, first published in 1978 by… Read More
Branzi, Observed: Autocatalytic, Earnestly Jaded
25 March 2024
Branzi, Observed: Autocatalytic, Earnestly Jaded25 March 2024
Andrea Branzi died on 9 October 2023 aged 84. The impact of one of his seminal works, No-Stop City, has been felt far and wide within architectural discourse. Since its production between 1967 and 1972, the drawings and collages of No-Stop City have haunted the camps within architectural academia that… Read More
The Animated Wall: A Fragile Vigour
14 March 2024
The Animated Wall: A Fragile Vigour14 March 2024
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. A… Read More
Artful Trades: Into a Market of Consumables
6 March 2024
Artful Trades: Into a Market of Consumables6 March 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Despite predictions of the… Read More
Visualizing the Renaissance Worksite and the problems of graphic translation
17 January 2024
Visualizing the Renaissance Worksite and the problems of graphic translation 17 January 2024
– Jarne Geenens and Elizabeth Merrill
Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More
Return to the Archive
12 January 2024
Return to the Archive12 January 2024
In the mellow warmth of September 2023, I, in my capacity as the Director of the Museum of Architecture at the Technical University Berlin, found myself in the unpretentious village of Mikoszewo, Poland. There, where the Vistula River gracefully concludes its journey into the arms of the sea, I stood,… Read More
Alberto Ponis, The London Years
14 December 2023
Alberto Ponis, The London Years14 December 2023
I am leafing through a neat hundred-page sketchbook with notes, the text enlivened with pencil, charcoal, and pen sketches with varied annotations, including asterisks and underlining in colour crayon, brought into order with careful lists and occasional full pages on practical matters such as delivering a lecture or taking architectural… Read More
On Drawing
30 November 2023
On Drawing30 November 2023
A drawing for me is a model that oscillates between the idea and the physical, or built, reality of architecture. It is not a step toward this reality but an autonomous act to anticipate the concreteness of the ideal. An architectural drawing can never be rendered but must surrender to… Read More
Mapping Cities: Barcelona and Paris
29 November 2023
Mapping Cities: Barcelona and Paris29 November 2023
– Dibujantes CNT and Grand Marnier
Prompted by the publication of Laurence Le Bras and Emmanuel Guy’s text on Guy Debord’s situationist maps of Paris, a closer look at two ways to represent the experience of a city…
Guy Debord—An Art of War
29 November 2023
Guy Debord—An Art of War29 November 2023
– Laurence Le Bras and Emmanuel Guy
The following is an extract from the book Emmanuel Guy, Laurence Le Bras, and Bibliothèque Nationale De France, Guy Debord: Un Art de La Guerre (Editions Gallimard, 2013), pp. 92–96 published on the occasion of the exhibition ‘Guy Debord: an art of war’, presented by the Bibliothèque nationale de France on the François-Mitterrand… Read More
Protected: Emerging Ecologies: O.M. Ungers
9 November 2023
Protected: Emerging Ecologies: O.M. Ungers9 November 2023
There is no excerpt because this is a protected post.
Repton does a Bernini – A crescent for The Ham
24 October 2023
Repton does a Bernini – A crescent for The Ham24 October 2023
Ever since 1743, when John Wood failed to get backers for his vast Royal Forum, the area to the south of South Parade has been treated like the campus of a nondescript university. The chequered gardens of Abbey Orchard have been supplanted by Manvers Street car park, while to the… Read More
Judit Reigl: Invisible Cities
10 October 2023
Judit Reigl: Invisible Cities10 October 2023
Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More
Portals: The Visionary Architecture of Paul Goesch (2023) – Review
29 September 2023
Portals: The Visionary Architecture of Paul Goesch (2023) – Review29 September 2023
Paul Goesch was forcibly detained in a psychiatric hospital and, in 1940, murdered by the Nazis. Looking at these intense, yet often playful and exuberant drawings, it is impossible to forget the stark facts of his life. Which is unfortunate, because an exclusive attention to his personal history imposes a… Read More
Hans Hollein & Spiritual Expression in Architecture
22 September 2023
Hans Hollein & Spiritual Expression in Architecture22 September 2023
The defining characteristics of modern architecture took shape against a host of disorientating shifts in the 19th century. On the theoretical side, the instantiation and development of aesthetics as an autonomous realm strained a sacred harmony between beauty, truth, and goodness. On the practical side, technological, social, and cultural advancements… Read More
Denise Scott Brown ‘From Soane to the Strip’
1 September 2023
Denise Scott Brown ‘From Soane to the Strip’1 September 2023
The following text is an excerpt from Denise Scott Brown’s 2018 Soane Medal lecture, written by Thomas Weaver, and developed out of a series of conversations between Denise Scott Brown and Thomas Weaver in July 2018. I have never thought of myself as a photographer, only an architect and urbanist,… Read More
Comins x Shatwell Tea House
25 August 2023
Comins x Shatwell Tea House25 August 2023
– Various
Similar to the way the soil, climate, cultivar, and—of course—the tea maker come together to craft distinct and flavourful teas, numerous helping hands played an important role in the journey that culminated in the process and construction of the Comins x Shatwell Tea House. The most common question visitors have… Read More
Sant’Elia and Global Futurist Architecture
21 July 2023
Sant’Elia and Global Futurist Architecture21 July 2023
‘Found’ in the archive at Drawing Matter, this wild text by Marinetti on his friend and collaborator Sant’Elia seems not to have been previously translated. Its occasion was a commemorative exhibition of the young architect’s work organized in 1930 by the commune of his native city, Como, fourteen years after… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11 July 2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11 July 2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
Drawing as Preservation
14 June 2023
Drawing as Preservation14 June 2023
Jiang Yuan’s ‘Epanggong Illustration’ is a reverie made real by the tip of Yuan’s paintbrush. It is simultaneously a fantasy of a past to which one cannot return, a fascination with a form of existence that has disappeared, and also a set of ideas, which live on in spheres far… Read More
Constant’s Ladders as Mythic Entity
22 April 2024
Constant’s Ladders as Mythic Entity22 April 2024
– Alison Bartlett
The ladder, a seemingly unexceptional instrument within the array of futuristic and utopian architectural schemes, sits front and centre; the protagonist of not only this drawing but of Constant’s almost two-decade-long project, spanning 1956–1974, entitled ‘New Babylon’. Propped somewhat haphazardly against a series of horizontally-connected and vertically-angled planes, it exudes… Read More
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