Architect: Peter Smithson

In the Archive: Alejandro Carrasco Hidalgo

In the Archive: Alejandro Carrasco Hidalgo

Alejandro Carrasco Hidalgo

In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. During the peaceful and beautiful train ride that goes from London Paddington to Castle Cary, I dedicated time to thinking about what… Read More

Careful Crudeness

Careful Crudeness

Karen Olesen

At first glance, this image is a mess. An aerial photograph onto which a pen drawing of an undistinctive, modernist building structure has been mounted. Gouache is smeared in a few places in a seemingly half-hearted attempt to hide parts of the photograph and soften the collision of the two… Read More

Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once

Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once

Stephen Bates

In this film Stephen Bates discusses a group of drawings by Alison and Peter Smithson for the Upper Lawn Pavilion, dating from the late 1950s when the Smithsons bought the site, and the 1970s when the architects proposed several alterations—only some of which were realised. Stephen Bates’ relationship with the… Read More

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Marianna Charitonidou

Alison and Peter Smithson often introduced figures that were protagonists in the news, such as Marilyn Monroe and Joe DiMaggio, French actor Gérard Philipe, and the first prime minister of Independent India, Jawaharlal Nehru into their architectural drawings for social housing projects—as in the case of their collages for the… Read More

Hexenhaus (2021) – Review

Hexenhaus (2021) – Review

Paul Clarke

‘THE FOREST THAT BUILT THE HOUSE’ There are two drawings for me that are significant in understanding the work of the Smithsons. Both are of Upper Lawn [1]. One is a drawing made by Peter Smithson of their Solar Pavilion in elevation, the other by Alison Smithson in plan. The… Read More

Jesús Vassallo’s Epics in the Everyday (2019): Review & Excerpt

Jesús Vassallo’s Epics in the Everyday (2019): Review & Excerpt

Helen Thomas

Review The compelling question of reality, or rather its representation as realism presented as an aesthetic category, acts as the organising principle of this interesting book. This is an investigation of the relationship between photography, architecture and the problem of realism, as its subtitle explains. Its author, Jesús Vassallo, immediately… Read More

Conjunction and Incongruity

Conjunction and Incongruity

Polly Gould

The word archive, meaning both the collection of documents and the building that houses them, is doubled in its meaning and it is not necessarily clear which one precedes the other. Drawing Matter Open Day highlighted in interesting ways the relation of causality between building and drawing as document or… Read More

Peter Smithson: Obelisk

Peter Smithson: Obelisk

Peter Smithson’s influence predates slightly that of Cedric Price. It has also migrated to Shatwell, most notably in the recent re-erection of his wooden obelisk that first stood at Hadspen, commanding the view across the countryside. At Shatwell the obelisk takes on a more urban role (the design was originally… Read More

Jessie Brennan

Jessie Brennan

Olivia Horsfall Turner

An image These drawings are an act of imagination. Like stills from the filmed footage of a detonation, in each frame a building slumps further down the viewfinder: present, going, going… gone. Or so it seems. On closer inspection, it emerges that the building is still there. It is in… Read More

Notes on the 2016 Summer School

Notes on the 2016 Summer School

Helen Mallinson

Found in translation At first it seemed hugely unfair to invite an audience of some thirty adept critics to review a week’s drawing work by eight students, the more so in the dauntingly Olympian cultural setting of Hauser & Wirth. The review was held in Smiljan Radic’s 2014 Serpentine Pavilion,… Read More

Five Obelisks

Five Obelisks