Category: design methodologies

The Lost Art of Drawing

The Lost Art of Drawing

Michael Graves

The following has been excerpted from Architecture and the Lost Art of Drawing, New York Times, 2012. I personally like to draw on translucent … tracing paper, which allows me to layer one drawing on top of another, building on what I’ve drawn before, and again, creating a personal, emotional connection… Read More

Dismantled Sketchbook

Dismantled Sketchbook

James Gowan

To some extent this is the battleground of the British architectural avant-garde; the incompatibilities of graphics and architecture, the freedom that the former allows and the restrictions that the latter asserts. In recent years, the graphics have got smoother whilst the dialectic has remained largely unresolved. A conclusive project is… Read More

James Gowan: The Expandable House

James Gowan: The Expandable House

Markus Lähteenmäki

James Gowan and James Stirling, first as partners (1956–1963) and then in their own practices, reworked the ideas of composition both in plan and section, often echoing alternative Modernist sources, such as those of the Soviet avant-garde. They looked for new ways to forge connections between programme and form, and… Read More

A Life of Their Own (1985)

A Life of Their Own (1985)

Paul Rudolph

The following has been excerpted from Staying Creative; Artistic Passion is a Lifelong Pursuit – and These Mature Masters Prove the Point. (Otto Luening, Elizabeth Catlett, Paul Rudolph), December 1985. I try to find a graphic means of indicating what’s happening to the space. Space can move quickly or slowly. It… Read More

John Lautner: House and Studio for Edgar Ewing

John Lautner: House and Studio for Edgar Ewing

Nicholas Olsberg

On presenting himself as a potential apprentice at Taliesin to Frank Lloyd Wright Jr., Lautner heard no objection except the sly comment that he would be ‘too big for the rooms’. Everything about his approach to visualising a design speaks to the distance from which this towering figure saw the… Read More

History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

The Hatred of Rendering (1930)

The Hatred of Rendering (1930)

Le Corbusier

The following has been extracted from a lecture delivered in Brazil in 1930. I should like to give you the hatred of rendering … Architecture is in space, in extent, in depth, in height: it is volumes and circulation. Architecture is made inside one’s head. The sheet of paper is… Read More

Sketch from Vézelay from Letter to Mérimée (1843)

Sketch from Vézelay from Letter to Mérimée (1843)

Eugène Viollet-le-Duc

From a letter to Mérimée written in 1843 from Vézelay: You, Sir, who have ceaselessly lived the life of the past, you understand the joy, the secret happiness felt when we can record in our sketchbook some of these forgotten [historical] treasures … but how much more interesting when these… Read More

Five Boxes

Five Boxes

Michael Craig-Martin

Line drawing — drawing without shading, cross-hatching or chiaroscuro — permits and conveys the most precise sense of accuracy of any kind of drawing. The facts are laid bare, nothing can be fudged or obscured. Leonardo used line drawing for his studies of everything from flying machines to the human… Read More