Tag: theoretical & imaginary
The Eternal Change – The Coming of a Ruin
22.05.2025
The Eternal Change – The Coming of a Ruin22.05.2025
During the spring of 2024, I was fortunate to spend some time in Rome as a fellow at the Danish Institute. My agenda was to delve deeper into the importance of water in the eternal city—having chosen the Italian capital as the context of this investigation due to the significant… Read More
Protected: Boundaries
19.05.2025
Protected: Boundaries19.05.2025
There is no excerpt because this is a protected post.
Ludwig Mies van der Rohe at Drawing Matter
13.05.2025
Ludwig Mies van der Rohe at Drawing Matter13.05.2025
– Editors and Nicholas Olsberg
The drawings archive held by Mies at the time of his death was placed in the Museum of Modern Art, and his correspondence and papers at the Library of Congress. They constitute a comprehensive record of his works after the opening of his practice in the United States, especially for… Read More
Fine Art and Commercial Architecture
08.05.2025
Fine Art and Commercial Architecture08.05.2025
Architects are touchy about whether they are making art or not. At a conference in Santa Monica several years ago Cesar Pelli was very concerned that his architecture be considered art. This is an ambiguity of European usage. As one of ‘the arts,’ architecture is an art. Visual art is… Read More
Protected: Le Corbusier at Drawing Matter
07.05.2025
Protected: Le Corbusier at Drawing Matter07.05.2025
– Maristella Casciato and Nicholas Olsberg
There is no excerpt because this is a protected post.
Protected: Sin Centre: Sheen and Transparent Overlays
01.05.2025
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture
21.04.2025
DMJ – Of Ends and Origins: Raimund Abraham and the Birth of Architecture 21.04.2025
Origin stories have a unique standing in the history of architectural thinking and imagination. They are textual, visual, and representational devices not only of what architecture aspires to be but of the world to which architecture responds and in which it operates. Effective origin stories produce the subjects which both… Read More
Isou’s Bouleversement
14.04.2025
Isou’s Bouleversement14.04.2025
– Editors
Je pense que par la masse des définitions nouvelles et par la masse des secteurs inédits dévoilés, ce petit livre est le plus important ouvrage paru dans toute l’historie de l’architecture ou du moins le plus important ouvrage paru depuis plusieurs siécles en ce domaine. I believe that in terms… Read More
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz
07.04.2025
Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 07.04.2025
Last year, Francis Martinuzzi contacted Drawing Matter after seeing a reproduction of one of his drawings on our website. The drawing was from a project from the submission for his architectural diploma with Jean Faloux under the tutelage of Antoine Grumbach at Unité Pédagogiuqe no. 6 (L’École nationale supérieure d’architecture… Read More
In the Archive: Abattoirs, Boucheries, and Slaughterhouses
31.03.2025
In the Archive: Abattoirs, Boucheries, and Slaughterhouses31.03.2025
Click on drawings to move and enlarge. As architectural typologies, abattoirs, boucheries, and slaughterhouses embody the civilising of animal slaughter; serving as concrete expressions of the culture of animal consumption. Over time, the slaughterhouse has evolved in both its structures and perceptions, from a small-scale, craft-based operation rooted in necessity,… Read More
Curtains
28.03.2025
Curtains28.03.2025
– Petra Blaisse and Sophie Wehtje
Brief email exchanges. When meeting physically is out of the question, good old-fashioned correspondence still works, even if and for some time now, it is done electronically. This is how many of the editorial pieces on the Drawing Matter website come into being—through a chain of typed messages. It’s a… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
DMJ – A Will to the City
17.03.2025
DMJ – A Will to the City17.03.2025
Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More
Zünd-Up’s Great Vienna War of Dreams
14.03.2025
Zünd-Up’s Great Vienna War of Dreams14.03.2025
‘Only the realization of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… Share the power! Share property.’ Wolf Vostell, Cologne 1969 [1] On June 28, 1969, the four members of the Viennese collective Zünd-Up presented their student project, The Great Vienna Auto-Expander, for Karl… Read More
Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students
10.03.2025
Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students10.03.2025
In 1999, I was an undergraduate at Edinburgh University studying Architectural History when I undertook a work placement at the university archives. Here I was asked to help organise an uncatalogued collection received from the Patrick Geddes Centre at the Outlook Tower. Within this collection were 12 portfolios. Portfolio 7… Read More
DMJ – Place is the Principle of Generation
06.03.2025
DMJ – Place is the Principle of Generation06.03.2025
The essay takes the theme of storytelling and architecture as an opportunity to reframe the received generalisations of time and space. Roger Bacon’s insight that place is intrinsically temporal anticipates the description of ‘scene construction’ by neuroscientists Demis Hassabis, Dharshan Kumaran and Eleanor A. Maguire as that which ‘constitutes a common process underlying episodic memory’.… Read More
Anton Markus Pasing
30.01.2025
Anton Markus Pasing30.01.2025
Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More
Drawing as Travelogue
27.12.2024
Drawing as Travelogue27.12.2024
– Beth George and Emerald Wise
This is a rumination on memory, perceived worlds, and on drawing as embodied experience and shared conversation. While visiting Drawing Matter, we attended to and later remembered spaces both drawn and physical. Produced on the floor of a roof terrace in Sicily, we moved over the drawn field as a… Read More
Notes on the Visionary Spaces Exhibition at the Belvedere 21
16.12.2024
Notes on the Visionary Spaces Exhibition at the Belvedere 2116.12.2024
I arrive at the Belvedere 21 after visiting Walter Pichler’s famous farmhouse in Sankt Martin an der Raab, only a few days prior—it is a stiflingly hot day in Vienna and for some reason, I have chosen to walk. I arrive at the Belvedere 21 to attend the Visionary Spaces exhibition that showcases some of Walter Pichler’s works in… Read More
N.B. These Drawings Were From Memory
19.05.2025
N.B. These Drawings Were From Memory19.05.2025
– Abel Sloane
After entering Smart’s Place, and climbing the steep staircase of treads (that become increasingly high and shallow until all the tension in my body was focused on my toes gripping and my weight not leaning back*), I arrived at the space of Drawing Matter where Rosie had indiscriminately laid out… Read More
theoretical & imaginary DMC model sketch presentation