Tag: theoretical & imaginary

Aldo Rossi at Drawing Matter

Aldo Rossi at Drawing Matter

Editors and Nicholas Olsberg

Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More

Protected: In the Archive: Abattoirs, Boucheries, and Slaughterhouses

Protected: In the Archive: Abattoirs, Boucheries, and Slaughterhouses

Rosie Ellison-Balaam

There is no excerpt because this is a protected post.

DMJ – A Will to the City

DMJ – A Will to the City

Lars Lerup

Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More

Zünd-Up’s Great Vienna War of Dreams

Zünd-Up’s Great Vienna War of Dreams

Wouter Van Acker

‘Only the realization of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… Share the power! Share property.’ Wolf Vostell, Cologne 1969 [1] On June 28, 1969, the four members of the Viennese collective Zünd-Up presented their student project, The Great Vienna Auto-Expander, for Karl… Read More

Protected: The Eternal Change – The Coming of a Ruin

Protected: The Eternal Change – The Coming of a Ruin

Allan Bech Hansen

There is no excerpt because this is a protected post.

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Mary Mitchell

In 1999, I was an undergraduate at Edinburgh University studying Architectural History when I undertook a work placement at the university archives. Here I was asked to help organise an uncatalogued collection received from the Patrick Geddes Centre at the Outlook Tower. Within this collection were 12 portfolios. Portfolio 7… Read More

Protected: Isou’s Bouleversement

Protected: Isou’s Bouleversement

Editors

There is no excerpt because this is a protected post.

DMJ – Place is the Principle of Generation

DMJ – Place is the Principle of Generation

Peter Carl

The essay takes the theme of storytelling and architecture as an opportunity to reframe the received generalisations of time and space. Roger Bacon’s insight that place is intrinsically temporal anticipates the description of ‘scene construction’ by neuroscientists Demis Hassabis, Dharshan Kumaran and Eleanor A. Maguire as that which ‘constitutes a common process underlying episodic memory’.… Read More

Protected: Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Protected: Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Francis Martinuzzi

There is no excerpt because this is a protected post.

Protected: Curtains

Protected: Curtains

Petra Blaisse

There is no excerpt because this is a protected post.

Protected: River Arno

Protected: River Arno

Ivo Poças Martins

There is no excerpt because this is a protected post.

Anton Markus Pasing

Anton Markus Pasing

Peter Wilson

Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More

Drawing as Travelogue

Drawing as Travelogue

Beth George and Emerald Wise

This is a rumination on memory, perceived worlds, and on drawing as embodied experience and shared conversation. While visiting Drawing Matter, we attended to and later remembered spaces both drawn and physical. Produced on the floor of a roof terrace in Sicily, we moved over the drawn field as a… Read More

Notes on the Visionary Spaces Exhibition at the Belvedere 21

Notes on the Visionary Spaces Exhibition at the Belvedere 21

Emerald Wise

I arrive at the Belvedere 21 after visiting Walter Pichler’s famous farmhouse in Sankt Martin an der Raab, only a few days prior—it is a stiflingly hot day in Vienna and for some reason, I have chosen to walk. I arrive at the Belvedere 21 to attend the Visionary Spaces exhibition that showcases some of Walter Pichler’s works in… Read More

Protected: Site Drawing: GPS on Architecture

Protected: Site Drawing: GPS on Architecture

Anton Ripon

There is no excerpt because this is a protected post.

Cedric Price: Parc de la Villette

Cedric Price: Parc de la Villette

Ana Bonet Miró

The following account looks into the drawing DMC 1438 related to Price’s Parc de la Villette competition entry, to quest for the modes in which this media object resituates his design approach of design for pleasure, not only as the evolution of his practice, but crucially as part of an… Read More

On Origins and Originality

On Origins and Originality

Niall Hobhouse

The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More

Drawing Without Erasing

Drawing Without Erasing

Ricardo Flores

The following text first appeared in Drawing without Erasing and Other Essays, by Flores & Prats (Barcelona: Puente editores, 2023), 16-23. Not so long ago, a journalist interviewed us for the British magazine Architecture Today, and the resulting article was called ‘Dirty Drawings’. This suggestive title might bring to mind a… Read More

Goldfinger—Planning Your Neighbourhood

Goldfinger—Planning Your Neighbourhood

Erin McKellar

At first glance Planning Your Neighbourhood appears as a series of prints in a case, and its use is unclear. This series of twenty prints was created by modernist architect Ernö Goldfinger, artist Ursula Blackwell, illustrator Shiela Hawkins, landscape architect Peter Shepheard and their assistant Martin Cobbett. Rather than solely… Read More

Notes on Nabokov

Notes on Nabokov

Michael Becker

Between 1948 and 1958, Russian exile Vladimir Nabokov (a heavy open ‘o’ as in ‘knickerbocker’) taught a course at Cornell University called ‘Masters of European Fiction’. This drawing—one of a few that Nabokov would make as part of the course—depicts a map of James Joyce’s Dublin in Ulysses. Drawn are the intertwining… Read More

Claude Parent at Drawing Matter

Claude Parent at Drawing Matter

Editors and Chloé Parent

Drawing Matter is honoured to have recently added to the collection a group of 60 drawings by Claude Parent, which were selected in very generous collaboration with Chloé Parent and the Claude Parent Archives. In the wider context of the collection, we see these drawings as offering unique access to… Read More

Suddenly This View

Suddenly This View

Drawing Architecture Studio

Suddenly This View begun as a series of architectural models and evolved into a collection of model photography. It is an ongoing project investigating everyday spaces, exploring how architectural models and their derivative creations can be used to convey spatial narratives. The subjects of Suddenly This View are everyday buildings… Read More

Wolkenbügel: El Lissitzky as Architect

Wolkenbügel: El Lissitzky as Architect

Richard Anderson and Markus Lähteenmäki

It was in a room without windows and walls of bare concrete, in the basement of one of the ETH buildings on its suburban campus in Hönggerberg Zürich, where I first heard about this book project from its author. Not another book on El Lissitzky, I remember thinking, when he… Read More

A Missing Drawing

A Missing Drawing

John Evelyn

Being casualy in the Privy Gallery at White-hall, his Majestie [Charles II] gave me thanks (before divers Lords & noble men) for my Book of Architecture & Sylva againe: That they were the best designed & usefull for the matter & subject, the best printed & designd (meaning the Tallè doucès [engravings] of the Paralelles) that… Read More