Tag: theoretical & imaginary
Printed Matters
21.05.2026
Printed Matters 21.05.2026
Few objects stage anticipation as effectively as a box, especially one whose contents are revealed slowly, piece by piece. The sense of something concealed within prepares the viewer for an experience at once intimate and tactile, one that is focused by the box itself, but that—in the act of unpacking—becomes… Read More
Protected: Collection Guide: Peter Wilson & BOLLES+WILSON
20.05.2026
Protected: Collection Guide: Peter Wilson & BOLLES+WILSON20.05.2026
– Editors
There is no excerpt because this is a protected post.
Drawing Superpositions
15.05.2026
Drawing Superpositions15.05.2026
When drawing plans for a project that does not primarily form architectural space through solid mass, the question of what a line signifies becomes especially critical. This drawing faced the challenge of representing an object that produces light and sound, situated in the public space of Vårby Gård, a suburb… Read More
Protected: Three Drawings
14.05.2026
Protected: Three Drawings14.05.2026
There is no excerpt because this is a protected post.
Protected: An Attardé Draftsman: Giacomo Beverati
11.05.2026
Protected: An Attardé Draftsman: Giacomo Beverati11.05.2026
There is no excerpt because this is a protected post.
Protected: Collection Guide: Cedric Price
23.04.2026
Protected: Collection Guide: Cedric Price23.04.2026
– Editors
There is no excerpt because this is a protected post.
The House Stands Still While Life Moves
17.04.2026
The House Stands Still While Life Moves17.04.2026
The house has a floor sticky like honey; our feet cling to it and we cannot get away from it. The house is a rucksack so huge and full on our shoulders that every movement becomes impossible. The house is an unconditional refuge for those who fear all the mishaps… Read More
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio
13.04.2026
Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio13.04.2026
– Mehrshad Atashi and Lida Badafareh
In his conversation with Don Wall in Mask of Medusa, John Hejduk recalls the programme of the Schatzalp sanatorium in Thomas Mann’s The Magic Mountain. ‘[…] the hero is going up the mountain in a carriage in the deep snow, he sees the dead bodies of those who had died in the sanatorium… Read More
On Cedric Price
02.04.2026
On Cedric Price02.04.2026
Cedric Price’s thinking and work have had a very particular influence on my work, in the sense that some fundamental choices I have made as an architect have been deeply influenced by his philosophy. In this sense, it seems to me that Cedric Price was one of the few architects… Read More
A Taste for Architectural Drawings
01.04.2026
A Taste for Architectural Drawings01.04.2026
The smelling and tasting of historical architectural drawings have been overlooked by scholars as valuable research tools, particularly in matters of dating and authorship. In this short discussion—a foretaste of a future volume, or two, that I intend to write on the subject—I demonstrate that drawings made by architects, including… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
Collection Guide: Futurism, Rationalism, and Stile Littorio
26.03.2026
Collection Guide: Futurism, Rationalism, and Stile Littorio26.03.2026
The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio. At the… Read More
The Unperformed: Eisenstein’s Set Design for Heartbreak House
13.03.2026
The Unperformed: Eisenstein’s Set Design for Heartbreak House13.03.2026
The sole drawing by Sergei Eisenstein in the Drawing Matter archive is a set design for a production of George Bernard Shaw’s Heartbreak House (1919) from 1922. It is a rare, interdisciplinary confluence of a socialist Irish playwright (Shaw), a Russian filmmaker and theorist (Eisenstein), and a radical theatre maker… Read More
Het woonpalazzo – The Residential Palazzo
16.02.2026
Het woonpalazzo – The Residential Palazzo16.02.2026
Open any book by a Dutch architect and you are bound to come across H. P. Berlage—the forefather from whom sprang everything, albeit indirectly, from the Amsterdam School to Der Stijl and who is revered for his contribution at all scales from the details of his buildings to his town… Read More
Saul Steinberg: Bucharest, Milan, New York
09.02.2026
Saul Steinberg: Bucharest, Milan, New York09.02.2026
Steinberg is for me, first of all, the New Yorker magazine—one of the most intelligent and open American publications, with a very distinct graphic style that includes a generous use of drawings and cartoons, born and fed by the amazingly rich cultural landscape of New York City. I see New York… Read More
Tracing Shadows: A Workshop Primer
05.01.2026
Tracing Shadows: A Workshop Primer05.01.2026
Here, Mark Dorrian examines the theoretical history of the shadow and its evolving role in architectural drawing. The text acts as a word-and-image primer for the third colloquium event, jointly hosted by the RIBA and V&A Drawings Collections, and Drawing Matter, which will take place later this month—a day of… Read More
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight
18.12.2025
DMJ – The Story of the Raft: Architectural Narrations of Disaster, Despair and Delight18.12.2025
Architectural stories, almost by definition, construct narratives combining image and text. It is these combinations of the visual and the verbal that make architectural stories particularly compelling and memorable. ‘The Story of the Pool’ (1976) by Rem Koolhaas is a case in point. The script, written by Koolhaas, tells of… Read More
Collection Guide: Zaha Hadid
15.12.2025
Collection Guide: Zaha Hadid15.12.2025
– Editors
Zaha Hadid was born in 1950 in Baghdad, Iraq. After studying mathematics at the American University in Beirut, Lebanon, from 1968 to 1971, she moved to London in 1972, where she studied architecture at the Architectural Association (AA). It was here that her work began to reference the Russian avant-garde,… Read More
This is Tomorrow
02.12.2025
This is Tomorrow 02.12.2025
The following text is excerpted from the catalogue of the exhibition Theo Crosby: One Hundred Lives, which is on view at Osh Gallery London until the 11th December 2025. Curated by Pentagram’s Michael Bierut and researcher Tess McCann, the exhibition focuses on the life and work of Theo Crosby, one of the founding… Read More
Collection Guide: The Viennese School
18.11.2025
Collection Guide: The Viennese School18.11.2025
Drawing Matter’s collection of Viennese drawings from the 19th and early 20th century includes works by Franz Jakob Kreuter, Otto Wagner, Josef Hoffmann, Otto Schönthal, Emil Hoppe, and Friedrich Ohmann, among others. It was a time of great technological advance, social upheaval, cultural revolt, and changing attitudes to design. Considered as a group, the… Read More
Sin Centre: Sheen and Transparent Overlays
10.11.2025
Sin Centre: Sheen and Transparent Overlays10.11.2025
– Nat Chard and Michael Webb
Following a lively debate at Drawing Matter about the surface and support of Michael Webb’s isometric drawing of a car ramp, Nat Chard thought to ask Michael himself how he made it. Dear all, On Monday we had a conversation about one of Mike Webb’s Sin Centre drawings that had a print-like… Read More
The Architect of Impossible Physics
06.11.2025
The Architect of Impossible Physics06.11.2025
More than once, when describing the processes involved in creating these drawings, my listener has responded with two words in particular: loading and channelling. I thought I would and should elaborate. The initial first gestures, lines, squiggles, scratches, smudges and randomisations of the mark making inform the start to the work in these… Read More
Collection Guide: Andrea Branzi & Archizoom Associati
27.10.2025
Collection Guide: Andrea Branzi & Archizoom Associati27.10.2025
– Rosie Ellison-Balaam and Francesco Fiammenghi
To probe the long and multifaceted career of Andrea Branzi (1938–2023), one must first turn to his formative years at the Faculty of Architecture at the University of Florence in the early 1960s. At the time, the Florence School became the incubator of several of Italy’s postwar avant-garde groups, including… Read More
Protected: Figuring Out
19.05.2026
Protected: Figuring Out19.05.2026
– Issi Nanabeyin
There is no excerpt because this is a protected post.
Open Call: Visibility, and the Unseen sketch theoretical & imaginary