Category: drawing techniques & materials
Shadows in the work of Canaletto
23.03.2026
Shadows in the work of Canaletto23.03.2026
Canaletto used a camera obscura to trace the architecture of Venice on site.[1] He used the camera sketches in turn to produce finished drawings and paintings. Fig.1 reproduces two pages from Canaletto’s sketchbook, his quaderno, now in the Accademia Galleries in Venice. They show the Campo and Church of SS Giovanni… Read More
André des Gachons: Weather Warning
19.03.2026
André des Gachons: Weather Warning19.03.2026
The recent publication, La Veille du ciel: aquarelles météorologiques (Phénomène éditions), one of the most beautiful books published in 2025, gathers together forty years of daily weather reports by André des Gachons on the skies above the small rural commune of La Chaussée-sur-Marne, in eastern France. Des Gachons remained subjective… Read More
Baroqsysms
16.03.2026
Baroqsysms16.03.2026
Are architects wired to interpret reality flattened into two dimensions, with the third hovering somewhere nearby like an amputated ghost limb? Can short-form video animations, generated by Artificial Intelligence, scratch that phantom itch between two and three dimensions that we, survivors of this mental re-ordering, suffer from? I started thinking about… Read More
And in the shadows, the section fades
13.03.2026
And in the shadows, the section fades13.03.2026
On the black cartridge, a veil of pigments builds up, articulates an edge and fades into the depth. And yet it is the edge that meets me first, together with all the other edges that are layered upon each other. Cascading contrasts of white and black. Or: of brightness and darkness. Now… Read More
Protected: Drawing Superpositions
12.03.2026
Protected: Drawing Superpositions12.03.2026
There is no excerpt because this is a protected post.
Sam Jacob: On Collage (Talk, Workshop + Exhibition)
12.03.2026
Sam Jacob: On Collage (Talk, Workshop + Exhibition)12.03.2026
– Editors
In early February, Drawing Matter organised a series of public events with the architect Sam Jacob exploring the uses of collage in architectural representations. On the Friday (6 February), Sam gave a talk on his personal interests in collage, weaving a narrative from Richard Hamilton’s Just what is it that… Read More
Shadowed plans
11.03.2026
Shadowed plans11.03.2026
Drawing Matter holds in its collection a plan by Superstudio architects Carlo Chiappi and Adolfo Natalini for the 1967 competition for the restoration of the Fortezza da Basso—a 16th-century fort in Florence—and its transformation into a National Centre for Arts and Crafts.[1] The drawing combines traditional plan-making techniques with remarkable… Read More
Massinissa Selmani
09.03.2026
Massinissa Selmani 09.03.2026
The nomination of the Algerian artist Massinissa Selmani for the 2023 Prix Marcel Duchamp was an official acknowledgement that a practice grounded primarily in pencil drawing on paper on a modest scale can constitute a major contribution to contemporary art.[1] In Selmani’s abbreviated aesthetic, weighty ideas are carried by the… Read More
DMJ – Death Masks
06.03.2026
DMJ – Death Masks06.03.2026
This series of drawings is part of a larger project titled Tracking Blood Meridian, which explores the work of the American writer Cormac McCarthy. The sketchbook pages are developed as studies for landscape-like death masks that relate to members of the nineteenth-century Glanton gang, on whose exploits McCarthy’s 1985 novel… Read More
Engraving Shadows
19.02.2026
Engraving Shadows19.02.2026
In all relief printmaking techniques such as woodcut (in which cuts are made along the plank of a smooth piece of wood) and linocut (involving, like woodcuts, steel gouges with U- and V-shaped cutting tips), as well as wood engraving and even the humble potato-cut, what you leave uncut on… Read More
Saul Steinberg: Bucharest, Milan, New York
09.02.2026
Saul Steinberg: Bucharest, Milan, New York09.02.2026
Steinberg is for me, first of all, the New Yorker magazine—one of the most intelligent and open American publications, with a very distinct graphic style that includes a generous use of drawings and cartoons, born and fed by the amazingly rich cultural landscape of New York City. I see New York… Read More
Arrows
19.01.2026
Arrows19.01.2026
The small drawing that adorns the title page of F. R. S. Yorke’s 1937 study, The Modern House in England, is typical for its time. It shows an aerial perspective, made in thin black lines, of a conventional modern house with all its attributes. Cubic in shape, the house is… Read More
Drawing Research Platform, London, 2025, ENAC Summer Workshop
15.01.2026
Drawing Research Platform, London, 2025, ENAC Summer Workshop15.01.2026
– Raffael Baur, Patricia Guaita and Matthew Wells
For a fourth year, Drawing Matter hosted students from ENAC EPFL for a week-long workshop on survey drawings—this time not in a Somerset farmyard, but in Lincoln’s Inn Fields, 400 yards east of the archive. The workshop was organised by Patricia Guaita and Raffael Baur in collaboration with Drawing Matter,… Read More
On Measurement: A Survey of Florence
12.01.2026
On Measurement: A Survey of Florence12.01.2026
The following text is an extract from a longer essay entitled ‘De re mensura: Surveying Practice in Quattrocento Painting’—which the author completed at the Warburg Institute in the autumn of 2025—looking at Renaissance perspective painting to consider how practices of surveying informed the development of perspective as an artistic and intellectual pursuit. *… Read More
To Table
11.12.2025
To Table11.12.2025
To table is to create the conditions for collective presence through food, space, event, and ritual; it is to host a gathering where practices and events—ranging from the everyday to the ceremonial, the spontaneous to the planned—become acts of social meaning-making. Also, as a verb, ‘to table’ conventionally carries a dual… Read More
Drawing as Method and Process
28.11.2025
Drawing as Method and Process28.11.2025
Modus is a preparatory school for studies in architecture, art, and design, as well as a sustained investigation into the potentialities of drawing. Here, drawing is used to pose questions, uncover spatial and formal possibilities, and articulate new architectural statements. The school is founded on the belief that while architecture… Read More
Drawings of Architectures
13.11.2025
Drawings of Architectures13.11.2025
– Primitivo González and Niall Hobhouse
The exhibition Drawings of Architectures brings together Primitivo González’s private collection of original architectural drawings, sketches and notes, which González has been collecting for more than twenty-five years. The exhibition, designed by Ara, Noa and Primitivo González, includes drawings from Le Corbusier, Alvar Aalto, Rafael Moneo, and Emilio Tuñón, among others, and is presented at the Patio Herreriano Museum in… Read More
The Architect of Impossible Physics
06.11.2025
The Architect of Impossible Physics06.11.2025
More than once, when describing the processes involved in creating these drawings, my listener has responded with two words in particular: loading and channelling. I thought I would and should elaborate. The initial first gestures, lines, squiggles, scratches, smudges and randomisations of the mark making inform the start to the work in these… Read More
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling
30.10.2025
DMJ – From Team 4 to Foster Associates: Condensed Narratives and Expanded Storytelling30.10.2025
The work of Team 4 Architects (1963–1967) and Norman and Wendy Foster’s continuation as Foster Associates (1967–1992) is typically examined through their built projects rather than through their extensive drawing repertoire and its imaginative potential. This article unpacks the narrative strategies employed by the two British practices, focusing on the… Read More
Collection Guide: William Butterfield
25.09.2025
Collection Guide: William Butterfield25.09.2025
William Butterfield was a British architect who trained first as a builder’s apprentice and then as an architect in offices at London and Worcester before opening his own London studio in 1838, continuing in full practice until 1886, and then on a limited scale through to 1897. He was the… Read More
Fabric Fabrications
27.08.2025
Fabric Fabrications27.08.2025
Interpretation I am very grateful to Mark Dorrian for his reading of my 1977 drawing. [1] While at the time of its laborious production, the word shroud was not uppermost as my intended coding, I can now see that the dark, drawn folds have a real, symbolic or imaginary resonance—subsequently… Read More
A Machine is a House for Making a Living
25.08.2025
A Machine is a House for Making a Living25.08.2025
‘Mobility’ has long been a theme in architecture. After observing everyday life in Chinese cities, we became interested in exploring an understanding of mobility, which is not primarily defined by motion, but by the practices of pausing and occupying urban space. The discovery comes from the vehicles used by street… Read More
Banana Ballpoint
14.08.2025
Banana Ballpoint14.08.2025
design for a ball-point pen to be the same size as a banana, in plastic with soft rubber skin, and in bold natural colour, technicolour preferably. based on the observation that a ‘peeled’ banana is good functional shape for writing—not unlike a quill pen nor much like one either. 1st… Read More
Working (with) Drawings from the Drawing Matter Collection
27.03.2026
Working (with) Drawings from the Drawing Matter Collection27.03.2026
– Rosie Ellison-Balaam and Maria Mitsoula
The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More
DMC sketch theoretical & imaginary alternative histories (project)