Category: drawing techniques & materials
Urban Landscape
07.08.2025
Urban Landscape07.08.2025
The following method for drawing urban landscapes was sent to us by Mehdi Zannad after his recent visit to Drawing Matter. It was first published by éditions Parenthèses in Topo-graphies in 2020. The view drawn by Mehdi is located near to the publisher’s office, which allowed him to scan each… Read More
Melancholy Little Gardens
04.08.2025
Melancholy Little Gardens04.08.2025
Lionel Wallace, the protagonist of H.G. Wells’s The Door in the Wall (1906), was haunted by the vision of an enchanted garden glimpsed in childhood. Having eluded the vigilant and authoritative care of his nursery governess, he found himself wandering aimlessly among the long grey West Kensington roads until he… Read More
DMJ – A Storyboard for the Fun Palace
07.07.2025
DMJ – A Storyboard for the Fun Palace07.07.2025
Each community, with its own pride, wit and resourcefulness, could make a toy, a microcosm, a small city, a university-of-the-streets, a street theatre, a science playground, an adventure playground for the young kids – a place for time-wasting, gossip, new-arguing, learning, promenading, dancing, eating and drinking, handling tools, paint, machinery…… Read More
Studio Ponis: The Crystal and the Flame
02.07.2025
Studio Ponis: The Crystal and the Flame02.07.2025
– Irina Davidovici, Niall Hobhouse, Alex Pillen, Jonathan Sergison and Annarita Zalaffi
On Friday 20 June, Drawing Matter welcomed Annarita Zalaffi, Jonathan Sergison, Irina Davidovici, and Alex Pillen to the archive for a conversation about the work of Studio Ponis in Sardinia, and Alberto Ponis and Annarita Zalaffi’s working relationship. The conversation marked the opening of an exhibition of drawings from the… Read More
From the Poetics of Reality to the Poetics of Memory
16.06.2025
From the Poetics of Reality to the Poetics of Memory16.06.2025
Aldo Rossi’s conception of context underwent a significant transformation over the course of his architectural career, shifting from an emphasis on place to a preoccupation with memory.[1] This evolution is most discernible in his drawings. A comparative close reading of two works—an untitled drawing from 1950 and Composizione con S. Carlo–Città e Monumenti from 1970—reveals… Read More
Kasuri Nomad Horizon
09.06.2025
Kasuri Nomad Horizon09.06.2025
This actor-network diagram traces the journey from raw materials to eventual disposal for Kasuri Nomad Horizon, a furniture set crafted from Bingo Kasuri, a traditional Japanese cotton fabric. Created for the Distillation of Architecture: 家具 exhibition at the Architectural Association School of Architecture from the 17th January to the 7th… Read More
The Eternal Change – The Coming of a Ruin
22.05.2025
The Eternal Change – The Coming of a Ruin22.05.2025
During the spring of 2024, I was fortunate to spend some time in Rome as a fellow at the Danish Institute. My agenda was to delve deeper into the importance of water in the eternal city—having chosen the Italian capital as the context of this investigation due to the significant… Read More
Wang Shu: Drawing Uncommon Grounds
24.04.2025
Wang Shu: Drawing Uncommon Grounds24.04.2025
– Xin Jin
Despite the extensive literature on Chinese experimental architecture that emerged in the mid-1990s after the Cultural Revolution, architects’ reflections on and practices of representation remain under explored. Wang Shu (王澍), recipient of the 2012 Pritzker Prize, is a prominent figure in Chinese experimental architecture. Though widely acclaimed in the West… Read More
The (Im)possible Palimpsest
10.04.2025
The (Im)possible Palimpsest10.04.2025
Preceding the Campo Marzio plan, a plate named Scenographia Campi Martii offers a clue towards an understanding of Piranesi’s work—the terminology is fundamental, the word Scenographia is purposely chosen to make a direct link to the theatrical representation and scenic design, often investigated by Piranesi. The image presented in this… Read More
Walter Marchetti: Observation of the Movements of a Fly
04.04.2025
Pembroke’s Archives
03.04.2025
Pembroke’s Archives03.04.2025
Alison Turnbull was appointed lead artist for the Mill Lane development at Pembroke College, University of Cambridge in 2020. Drawing on objects from the College Archive and working in close collaboration with architects Haworth Tompkins and landscape architects Tom Stuart-Smith Studio, she has created permanent works for the new interior… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
DMJ – A Will to the City
17.03.2025
DMJ – A Will to the City17.03.2025
Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More
DMJ – Place is the Principle of Generation
06.03.2025
DMJ – Place is the Principle of Generation06.03.2025
The essay takes the theme of storytelling and architecture as an opportunity to reframe the received generalisations of time and space. Roger Bacon’s insight that place is intrinsically temporal anticipates the description of ‘scene construction’ by neuroscientists Demis Hassabis, Dharshan Kumaran and Eleanor A. Maguire as that which ‘constitutes a common process underlying episodic memory’.… Read More
Making their Curves Come True…
28.02.2025
Making their Curves Come True…28.02.2025
– Editors
By the 1950s, a generation of architectural draughtsmen had abandoned their Beaux Arts ‘curves’ for the rulers and set squares of High Modernism; they had to be tempted back, by whatever means, to drawing the irregular curves that were both a possibility—and a feature—of the new architecture of structural concrete.… Read More
On Axonometric Drawing
27.02.2025
On Axonometric Drawing27.02.2025
In the work of our practice, since the very start, we have placed a great deal of attention towards drawing and representation. The recent exhibition in Antwerp—The Urban Villa—is a good example of our work, which is based on the combination of design with research; both of these two activities… Read More
Paul Rudolph: Transcending the Conventions of Architectural Drawing
27.01.2025
Paul Rudolph: Transcending the Conventions of Architectural Drawing 27.01.2025
Paul Rudolph (1918-1997) is known for his compelling large-scale presentation drawings, such as the memorable perspective sections of his Yale Art & Architecture Building in New Haven, CT (1958-1963), among others. But a deeper dig into the Rudolph archive at the United States Library of Congress in Washington D.C. reveals… Read More
Dogma: Urban Villa – From Speculation to Collaboration
23.01.2025
Dogma: Urban Villa – From Speculation to Collaboration23.01.2025
On the north edge of Brussels city centre, the recently refurbished Gare Maritime was once Europe’s largest goods station. Located in the former industrial area known as ‘Tour & Taxis’, the vast nineteenth-century roof now shelters offices, indoor retail boulevards and enough left over space to host markets and events,… Read More
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
– Raffael Baur and Patricia Guaita
The following text recounts the week-long drawing workshop held at Shatwell Farm in August 2024. To read the students’ reflections and view their drawings, click here. To read invited expert Sergio Ekerman’s account of the two lectures he delivered throughout the week, click here. The 2024 ENAC Summer Workshop at… Read More
Notes on the Visionary Spaces Exhibition at the Belvedere 21
16.12.2024
Notes on the Visionary Spaces Exhibition at the Belvedere 2116.12.2024
I arrive at the Belvedere 21 after visiting Walter Pichler’s famous farmhouse in Sankt Martin an der Raab, only a few days prior—it is a stiflingly hot day in Vienna and for some reason, I have chosen to walk. I arrive at the Belvedere 21 to attend the Visionary Spaces exhibition that showcases some of Walter Pichler’s works in… Read More
Drawing as Signature: Paul Rudolph and the Perspective Section
12.12.2024
Drawing as Signature: Paul Rudolph and the Perspective Section12.12.2024
The following text delves into the drawing of the perspective section—a spatial and structural design tool as well as a specific type of architectural representation—through the drawings of Paul Rudolph, while also reflecting on a post-war Modern era of architectural design-thinking. The text is included in Reassessing Rudolph, ed. by… Read More
Genius loci
24.07.2025
Genius loci24.07.2025
– Mehdi Zannad
This text was first published in French in d’a | d’architectures (no 322,11 December 2024) as a review of the exhibition Trompe-l’oeil, from 1520 to the present day, which was on show at the Musée Marmottan Monet in Paris from 17 October 2024 to 2 March 2025. * It is difficult to distinguish between the… Read More
plan presentation theoretical & imaginary