Category: on their own work

Fuglsang Kunstmuseum: Facts and interpretation in staging a museum

Fuglsang Kunstmuseum: Facts and interpretation in staging a museum

Tony Fretton

The following text was first published in OASE #111: Staging the Museum (2022). Drawing Matter would like to thank Tony Fretton and the issue’s editors Aslı Çiçek, Jantje Engels, and Maarten Liefooghe, for allowing us to reproduce the text. Purchase a copy of OASE #111 here. Fuglsang Kunstmuseum is located on the… Read More

OMA: Rem Koolhaas—Initiative

OMA: Rem Koolhaas—Initiative

Richard Hall

This is the sixth and final post, in the series titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Drawing Without Erasing

Drawing Without Erasing

Ricardo Flores

The following text first appeared in Drawing without Erasing and Other Essays, by Flores & Prats (Barcelona: Puente editores, 2023), 16-23. Not so long ago, a journalist interviewed us for the British magazine Architecture Today, and the resulting article was called ‘Dirty Drawings’. This suggestive title might bring to mind a… Read More

OMA: Collaborators—Allies

OMA: Collaborators—Allies

Richard Hall

This is the fifth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Suddenly This View

Suddenly This View

Drawing Architecture Studio

Suddenly This View begun as a series of architectural models and evolved into a collection of model photography. It is an ongoing project investigating everyday spaces, exploring how architectural models and their derivative creations can be used to convey spatial narratives. The subjects of Suddenly This View are everyday buildings… Read More

OMA: Big Competitions—Reorienting the Modern Project

OMA: Big Competitions—Reorienting the Modern Project

Richard Hall

This is the fourth post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

OMA: Rotterdam—Child’s Crusade

OMA: Rotterdam—Child’s Crusade

Richard Hall

This is the third post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Protected: A Will to the City

Protected: A Will to the City

Lars Lerup

There is no excerpt because this is a protected post.

The Poetry of Concrete

The Poetry of Concrete

Lina Bo Bardi

The following text is reproduced from the catalogue to Lina Bo Bardi: The Poetry of Concrete, an exhibition of the architect’s drawings at the Tchoban Museum for Architectural Drawing, Berlin (1.06.2024 – 22.09.2024). Find more information, and purchase the catalogue, here. I was born in Rome, in Prati di Castello,… Read More

The GSD Sketching Group and the Call for Sketchbooks Exhibition

The GSD Sketching Group and the Call for Sketchbooks Exhibition

Juan Fernández González

The GSD Sketching Group brings together the Harvard Graduate School of Design community to explore and sketch their surroundings. This student group was founded in February 2022 by Olivia Champ Tremml and myself, with the goal of dignifying hand drawing within the design professions and to strengthen its relevance in… Read More

OMA: Elia Zenghelis—Watersheds

OMA: Elia Zenghelis—Watersheds

Richard Hall

This is the second post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

DMJ – Instruments of Uncertain Occupation

DMJ – Instruments of Uncertain Occupation

Nat Chard

Architecture is a promiscuous practice that touches and learns from many other disciplines. Architects have associated their studies with other specialisations in the sciences, arts and humanities and many of the aspects of architectural education draw upon and defer to those realms. To make architecture one needs to gather ideas… Read More

Sugimoto and Architecture

Sugimoto and Architecture

Hiroshi Sugimoto

The early twentieth century saw a multifaceted blossoming of the avant-garde in Europe, with Dadaism, Futurism, Constructivism, De Stijl… These movements also had an influence on architecture. Until the nineteenth century, people’s way of living was centred around religion. Much architectural decoration was developed in order to express the magnificence… Read More

Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff

Sugimoto and Architecture: A Conversation between David Chipperfield and Ralph Rugoff

David Chipperfield and Ralph Rugoff

This interview is excerpted from the catalogue of Hiroshi Sugimoto: Time Machine, which was on show at the Hayward Gallery, London, 11 October 2023 – 07 January 2024, and is touring to UCCA Beijing and MCA Australia. Copies of the catalogue can be purchased here. Ralph Rugoff: Hiroshi Sugimoto has… Read More

James Stirling, and the Industrialization of Architecture?

James Stirling, and the Industrialization of Architecture?

Lok-Kan Chau

James Stirling’s presentation drawing from 1957 to a faculty of engineers might seem strangely familiar to contemporary architects. A section of a box, showing the structure, services, and how people might dwell inside—it almost anticipates the prefabricated modular construction architects are now being asked to design. Only a few years… Read More

OMA: London—Foreplay

OMA: London—Foreplay

Richard Hall

This is the first post, in a series of six, titled OMA CONVERSATIONS. The series is the result of a collaboration between Drawing Matter and architect Richard Hall who, over the past two years, has conducted twenty-three in-depth conversations with key collaborators working with OMA during its formative years. Drawing… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the fifth and final in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have… Read More

Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens

Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens

Tim Richardson

In the following extract, from his book Cambridge College Gardens, Tim Richardson describes the incident that made philosopher Ludwig Wittgenstein sketch out his ideas for an alternative garden design at Trinity College in Cambridge, alongside a letter Wittgenstein wrote to the College Garden Committee objecting to the plans for their… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the fourth in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More

Simon Fraser University

Simon Fraser University

Arthur Erickson

This text is an excerpt from Arthur Erickson on Learning Systems, co-published by Concordia University Press and the Canadian Centre for Architecture where the Arthur Erickson Archive is held. The text is reproduced with the kind permission of the Estate of Arthur Erickson. Recalling distant events is not easy, but those years two… Read More

Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre

Landing Square Scenarios: The Wilhelmina Pier & Luxor Theatre

Peter Wilson

Radical Scenarios for Rotterdam For a while in the 1990s, Berlin and Rotterdam were seen as embodiments of opposing strategies in city making. Postwar Berlin was the laboratory for the ‘Reconstruction of the European City’—blocks with 22m facades—while Rotterdam, largely destroyed by German bombing during WW2, became a zone of… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the third in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed by Kieran from a… Read More

Connor Street: Made by Many Hands

Connor Street: Made by Many Hands

Kieran Hawkins

The following text is the second in a series by architect Kieran Hawkins, Director of Cairn, tracing the design and construction of an extension to a Victorian House in East London, recounting the everyday realities of the project and, in the green text, the broader environmental issues incumbent on architects to address. The texts have been developed… Read More

On Drawing

On Drawing

Raimund Abraham

A drawing for me is a model that oscillates between the idea and the physical, or built, reality of architecture. It is not a step toward this reality but an autonomous act to anticipate the concreteness of the ideal. An architectural drawing can never be rendered but must surrender to… Read More