Medium: collage

Careful Crudeness

Careful Crudeness

Karen Olesen

At first glance, this image is a mess. An aerial photograph onto which a pen drawing of an undistinctive, modernist building structure has been mounted. Gouache is smeared in a few places in a seemingly half-hearted attempt to hide parts of the photograph and soften the collision of the two… Read More

Instagram, Indifference, and Postcritique in US Architectural Discourse

Instagram, Indifference, and Postcritique in US Architectural Discourse

Joseph Bedford

The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More

John Hejduk’s Bye House: An Object in the Landscape

John Hejduk’s Bye House: An Object in the Landscape

Stan Allen and Marina Correia

‘Life has to do with walls; we are continuously going in and out back and forth and through them; a wall is the quickest, the thinnest, the thing we’re always transgressing, and that is why I see it as the present, the most surface condition.’ — John Hejduk[1] The series… Read More

Peter Wilson: Ponte dell’Accademia

Peter Wilson: Ponte dell’Accademia

Adrian Hawker

In the years prior to the commencement of his major built works, Bridgebuilding No.4 Ponte dell’Accademia holds a critical position within the formative projects of the architect Peter Wilson. The design was prepared in response to an open international architecture competition that was launched under Aldo Rossi’s directorship of the… Read More

Nancy Goldring: Drawings and Foto-Projections

Nancy Goldring: Drawings and Foto-Projections

Leann Davis Alspaugh and Nancy Goldring

The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Marianna Charitonidou

Alison and Peter Smithson often introduced figures that were protagonists in the news, such as Marilyn Monroe and Joe DiMaggio, French actor Gérard Philipe, and the first prime minister of Independent India, Jawaharlal Nehru into their architectural drawings for social housing projects—as in the case of their collages for the… Read More

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Emilio Ambasz’s ‘Italy, The New Domestic Landscape’ (1972)

Editors

Late last year Emilio Ambasz offered us a fascinating text in which he reflects on ‘Italy, The New Domestic Landscape’, the seminal exhibition he curated in 1972 for MoMA. We have taken his text as an invitation to informally bring together drawings and objects related both to the exhibition and to the radical practices… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

fala: collages

fala: collages

fala

This is the sixth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. fala started with collages. An abundance of images populated the internet; at some point, an online presence was decidedly claimed. Collages were the closest we… Read More

Fronts and Faces

Fronts and Faces

Lera Samovich

The paper is cut without measuring. Rulers and set squares are neglected. Scissors are preferred over cutters and cutting mats. Circles are traced from nearby cups and glasses. The lines are never quite parallel. The edges are askew and the angles are uncertain. Alignments, perfect geometries and round numbers are… Read More