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Charles Stanley Peach: Pioneer in Power

Charles Stanley Peach: Pioneer in Power

– Andrew Jones

…here. Notes J. N. Hill, Pioneer in Power. [source unknown; after 1934]. E. Stanley Hall, ‘Obituary of Charles Stanley Peach’, Journal of the Royal Institute of British Architects, vol. 61,…

La Casa Della Falsita

La Casa Della Falsita

– Peter Wilson

…Della Falsita, Focus Furniture, Munich, 1981. Haus-Rücker-Co, catalogue spread from La Casa Della Falsita, Focus Furniture, Munich, 1981. Studio Alchymia, catalogue page from La Casa Della Falsita, Focus Furniture, Munich,…

William Butterfield: Forms and Transformations

William Butterfield: Forms and Transformations

– Nicholas Olsberg

This text was first published in DMJournal No.1: The Geological Imagination (2023). Print copies of the Journal, and subscriptions for the first three issues, are now available through our online bookshop. We are currently…

Stan Allen’s Situated Objects (2020): Review & Excerpt

Stan Allen’s Situated Objects (2020): Review & Excerpt

– Niall Hobhouse

…Matter. Excerpt: Explaining by Drawing: In Axonometric “The plan determines everything; it is the decisive moment.” Le Corbusier, Toward an Architecture (1923) Stan Allen, Shinkenchiku, Residential Design Competition, 1981; 90-Degree…

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

Frank Lloyd Wright, House for Edith Carlson, 1939, Part II

– Philippa Lewis

…of the Drawing Matter collection. Some of the texts were first published as ‘Behind the Lines’. Correspondence, ‘Below Zero’, house for Miss Edith A. Carlson, Superior, Wisconsin, 1939-42. Typescript. DMC 1809….

Future Scenarios, Part I

Future Scenarios, Part I

– Niall Hobhouse and Nicholas Olsberg

…Cities were laced with radiowaves, shaped in fragments of planetary geometries, and pierced with sky-high roadways. Winold Reiss (1886–1953), Future City: study for a mural, 1938. Pencil on tracing paper…

O’Donnell + Tuomey in Conversation

O’Donnell + Tuomey in Conversation

– Sheila O'Donnell and John Tuomey

Sheila O’Donnell (1953), composite plan drawing, Central European University, Budapest, 2013. Print on thick wove paper, 1200 × 1200 mm. DMC 3220. John Tuomey: Let me tell you the story…

Mystery as Ground

Mystery as Ground

– Andrew Clancy

…play of the profoundly skilled and experienced. Peter Märkli, Sophiaskirche Konstantinopel, c.1990. Ballpoint pen on trace, with white tippex, 270 × 310 mm. DMC 2699.1. Peter Märkli (1953), untitled, c.1990….

Drawing from a Deep Well

Drawing from a Deep Well

– Patrick Lynch

and artworks) needed a complimentary mode of phenomenological involvement: participation. Cross on a Hill (with girl), St Peter’s, Klippan, 2012. Photograph courtesy Patrick Lynch. I decided, heeding Wittgenstein’s advice, to…

Viollet-le-Duc: Ruins in Reverse

Viollet-le-Duc: Ruins in Reverse

– Thomas Gould

comes from a frustrated will to picture something else (like the elsewhere of Viollet-le-Duc’s ruined tropic). The ludicrous frog, stolidly smoking a pipe, sits firm, as if to say: that’s enough…

Drawing Powers: conclusions

Drawing Powers: conclusions

– Fernando Poeiras

…research was funded by of LIDA – Arts and Design Research Lab, with the financial support of FCT – Fundação para a Ciência e a Tecnologia, I.P, through National funds….

The Wessex Project: Thomas Hardy, Architect: Part II

The Wessex Project: Thomas Hardy, Architect: Part II

– Kester Rattenbury

…Hardy: The Time-torn Man (London: Viking, 2006), pp.184-187. Thomas Hardy, A Laodicean (London: Sampson Low, Marston, Searle & Rivington, 1881; Penguin Classics, 1997), p.18. Ibid., p.29. Ibid., p.35. Ibid., p.60….