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DMJ โ€“ The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish

DMJ โ€“ The Sun as Drawing Machine: Towards the Unification of Projection Systems from Villalpando to Farish

โ€“ Francisco Javier Girรณn Sierra

…on the wall. Carlo Urbino, Del foco. Terza per l’ombra dimostratione, Codex Huygens, f.90, c.1560–70. Black chalk, pen and brown ink, red chalk, lines inscribed with stylus on laid paper….

DMJ โ€” Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

DMJ โ€” Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

โ€“ Ross Anderson

…the School of Fine Arts in Geneva, 1919. Swiss Federal Institute of Technology, Archives de la construction moderne, Lausanne, Inv. 0172.04.sc. Adolphe Appia, Espace rythmique: Clair de lune, 1909. Charcoal,…

Nancy Holt: Sky Mound

Nancy Holt: Sky Mound

โ€“ Holt/Smithson Foundation

…in the world, investigating perception, systems, and place. Holt’s rich artistic output spanned concrete poetry, audio works, film and video, photography, slide works, ephemeral gestures, drawings, room-sized installations, earthworks, artists’…

Singing Songs of Piccadilly: Review

Singing Songs of Piccadilly: Review

โ€“ Editors

…would it cost, Sir Robert, to close the Park to the public?’ Walpole – ‘May it please your Majesty, but Three Crowns – your own, your husband’s and your son’s’…

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Useless Terrain: The Ballynagrenia and Ballinderry Bog

โ€“ Joseph Heffernan

A Country Road, A Tree, Evening – We follow the path ahead of us stretching off into the distance with no end in sight. Every hectare of drained peatland emits two tonnes…

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

William Dickinson’s Pocketbook: Rethinking Drawing & practice in Early C18th England

โ€“ Elizabeth Deans

…also D. Green, ‘Grinling Gibbons: his Work as Carver and Statuary 1648-1721’, (London, 1964), pp. 74, 164. Cf. An earlier design for the monument tomb for Mary II from c….

Hardman & Co.

Hardman & Co.

โ€“ Sarah James

for spandrels and moulding of gothic arches, St. Chad’s, Birmingham, c.1839–1841. Pencil, pen, ink, watercolour on wove paper, 660 × 1037 mm. DMC 2856.2. Hardman & Co., Design for throne…

Take Courage

Take Courage

โ€“ Freddie Phillipson

…reinterpretation through design.  Freddie Phillipson (1981), 09 Garden – House 01.12.2017. Pencil on paper. Freddie Phillipson (1981), 10 Olympos – Chios 08.08.2010. Pencil on paper. Over the last two years…

Marie-Josรฉ Van Hee: Seeing not Showing

Marie-Josรฉ Van Hee: Seeing not Showing

โ€“ Tessa Baird

Marie-José Van Hee (1950), House, c.1990. Graphite on tracing paper. © Marie-José Van Hee. ‘House’ by Marie-José Van Hee is drawn on a sheet of trace, the edge of which…

A souvenir and survey

A souvenir and survey

โ€“ Basile Baudez

François Soufflot le Romain (1750–1801), section, survey of Temple of Minerva, Rome, 1778. Black ink and grey and red washed, with black pencil detailing on paper, 550 × 445 mm….

The Ruined Temple and Oberrealta Chapel

The Ruined Temple and Oberrealta Chapel

โ€“ Zachary Torres

Unknown Italian, Ruined Temple, c.1810. Black ink with coloured washes on laid paper, 287 × 428 mm. DMC 1896. Christian Kerez, plan and elevation at 1:50, Oberrealta Chapel, Grisons, Switzerland,

On Tony Fretton and the Lisson Gallery

On Tony Fretton and the Lisson Gallery

โ€“ Nicholas Logsdail

…× 160 mm. DMC 2895.2.9. Tony Fretton, Elevation sketches, Lisson Gallery I Sketchbook, 1985-6. 105 × 150 mm. DMC 2895.18.31. Tony Fretton, Elevation sketches, Lisson Gallery II Sketchbook, 1989. 125…