Period: c20th
Design Drawings Damage Atlas (2023)
15 April 2024
Design Drawings Damage Atlas (2023)15 April 2024
Snap, crackle, pop. Oh, that horrible sound of unravelling a roll of architectural drawings on old dried-up tracing paper from the nineteenth century. Slowly unfurling the brown brittle sheet, it cracks and shatters, little bits drop off in flakes, littering the table and floor like confetti. The experience feels like… Read More
Helsinki City Theatre: Timo Penttilä on the real purpose of drawings
12 April 2024
Helsinki City Theatre: Timo Penttilä on the real purpose of drawings12 April 2024
On his retirement in 1998 as professor of architecture at the Academy of Fine Arts in Vienna, Finnish architect Timo Penttilä returned to Finland, where he soon made the decision to close his architectural practice. In this process he ordered his staff to destroy the entire office archive of drawings… Read More
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata
10 April 2024
DMJ – Enzo Mari, Formazione Dinamica di una Sfera Reticolata10 April 2024
Enzo Mari’s Formazione Dinamica di una Sfera Reticolata (Dynamic Formation of a Reticulated Sphere), one of a series of objects produced under the title Relatione tra Contenuto e Contenitore (Relation between Content and Container), was manufactured by the Milanese company Danese between 1959 and 1963. It is a transparent polyester… Read More
C.S. Peach and the Cruciform Design of the Cathedral
5 April 2024
C.S. Peach and the Cruciform Design of the Cathedral5 April 2024
In view here is a startling watercolour by Charles Stanley Peach, titled Plan of a Church Constructed on Divine Principles (1910)—his pictorial articulation of the cruciform layout of the Christian Cathedral. Architectural aspects are overlayed upon two images of Jesus. The first with his arms splayed wide, hands pinned to… Read More
Trevor Dannatt: St Mary’s Grove — Through the Door
3 April 2024
Trevor Dannatt: St Mary’s Grove — Through the Door3 April 2024
This is the sixth part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series, here. Entering the house the first thing one sees is the entrance door to my… Read More
Erik Gunnar Asplund at Drawing Matter
2 April 2024
Erik Gunnar Asplund at Drawing Matter2 April 2024
– Editors and Nicholas Olsberg
Erik Gunnar Asplund (1885–1940), trained first at the Royal Institute of Technology (where he would teach from 1931), and then at the Royal Academy of Fine Arts in Stockholm, undertook an extensive study tour of Greece and Italy, and opened his own practice around 1913, working entirely in Sweden, and… Read More
The Captive Globe
28 March 2024
The Captive Globe28 March 2024
This essay is about a drawing—or rather, about the insight embedded within that drawing and the life it has taken on in the forty-five years since it was made. The drawing in question is The City of the Captive Globe. It was created in 1972, first published in 1978 by… Read More
Masterplanning the University of London
27 March 2024
Masterplanning the University of London27 March 2024
Legend has it that Charles Holden promised the University of London a building that would last five hundred years. While there is no hard evidence for Holden’s claim, his Senate House (1932–37) looks as permanent as anything built in modern Britain. A 19-storey tower faced with granite and Portland stone,… Read More
Branzi, Observed: Autocatalytic, Earnestly Jaded
25 March 2024
Branzi, Observed: Autocatalytic, Earnestly Jaded25 March 2024
Andrea Branzi died on 9 October 2023 aged 84. The impact of one of his seminal works, No-Stop City, has been felt far and wide within architectural discourse. Since its production between 1967 and 1972, the drawings and collages of No-Stop City have haunted the camps within architectural academia that… Read More
Helmut Jacoby: The Amon Carter Museum
22 March 2024
Helmut Jacoby: The Amon Carter Museum22 March 2024
You can stand on the balcony of Philip Johnson’s Amon Carter Museum today and see the same view of Fort Worth that Helmut Jacoby drew up in 1960. Not much has changed. Apart from the fanciful New-Mexican art in the foreground (his invention), the same hot Texan sun, the same… Read More
The Animated Wall: A Fragile Vigour
14 March 2024
The Animated Wall: A Fragile Vigour14 March 2024
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. A… Read More
DMJ – Template and Talisman
13 March 2024
DMJ – Template and Talisman13 March 2024
For a time, Aldo Van Eyck kept this little amulet in his pocket. An alabaster disc, inlaid with mother of pearl and jet, 30mm in diameter, it is coin-sized, weighted against and warmed by the heat of the body, passing though the fingers. Its uses are both symbolic and instrumental.… Read More
Shatwell Farm: Sheds and Silos
11 March 2024
Shatwell Farm: Sheds and Silos11 March 2024
This text is the second in a series of studies of Shatwell Farm made by Emily Priest while staying on site in September last year. Shatwell sits on dusty yellow Bridport sand encircled by limestone. Most of the farm’s ground is flat, except for its western edge, which creeps up… Read More
Geoffrey Bawa: Drawing from the Archives (2023) — Review
8 March 2024
Geoffrey Bawa: Drawing from the Archives (2023) — Review8 March 2024
Geoffrey Bawa, the Sri Lankan architect who died in 2003 at 83 years old in his native Columbo, has been justly celebrated for the skill with which he integrated modern architectural forms and materials into the landscapes and built environment of Sri Lanka and Bali. Although he was often labelled… Read More
Artful Trades: Into a Market of Consumables
6 March 2024
Artful Trades: Into a Market of Consumables6 March 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Despite predictions of the… Read More
Nobuo Sekine: The Weight of Things
4 March 2024
Nobuo Sekine: The Weight of Things4 March 2024
‘A stone yearning for the sky.’[1] Such was the sort of rock Nobuo Sekine sought out at a quarry near Udine in the months prior to the opening of the 1970 Venice Biennale. A hulking, oblong piece of unfinished stone perched precariously upon a stainless-steel pillar, Sekine’s sculpture Phase of… Read More
Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987.
29 February 2024
Unveiling the Enigma: Jan Henriksson’s Örebro Riksbank, 1987.29 February 2024
– Felicia Liang and William Wikström
Jan Henriksson playfully crafted an evocative scenography for the financial world of the 1980s, deviating from the pursuit of uniformity with various forms that break free as autonomous figures within a larger context. Two of Henriksson’s drawings for the Central Bank, Örebro Riksbank exemplify his unique position in 20th-century Swedish… Read More
Where to Find a Drawing of a Swiss Gold Vault
28 February 2024
Where to Find a Drawing of a Swiss Gold Vault28 February 2024
If you really want to hear about where to find the mountain vaults of Swiss banks, and what they look like, the first thing you should probably know is that the archives vigilantly kept by almost all banks in Switzerland are not publicly accessible—and even when they are, the last thing… Read More
Tim Robinson: Deep Mapping
26 February 2024
Tim Robinson: Deep Mapping26 February 2024
This text is an excerpt from Shallow Time: The Burren (Dpr-Barcelona and Irish Architecture Foundation, 2023), 73-74, written by Tom Cookson. The text is reproduced with permission from the Irish Architecture Foundation. How to communicate the topographic nature of landscape and lived experience on a map reproduced on paper? The composition… Read More
Houses for Printing: A Microcosm of the World
21 February 2024
Houses for Printing: A Microcosm of the World21 February 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Caterina Pincioni, secretary at… Read More
Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens
15 February 2024
Ludwig Wittgenstein (and Gustav III of Sweden), designing gardens15 February 2024
In the following extract, from his book Cambridge College Gardens, Tim Richardson describes the incident that made philosopher Ludwig Wittgenstein sketch out his ideas for an alternative garden design at Trinity College in Cambridge, alongside a letter Wittgenstein wrote to the College Garden Committee objecting to the plans for their… Read More
Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review
8 February 2024
Giuliano Fiorenzoli: Because of Seeing Architecture (2023) – Review8 February 2024
In 1977, two years into the city’s fiscal crisis, I moved to New York City—a young architecture student, ready to take in everything the metropolis had to offer. What I found was a city scarred by garbage strikes, the blackout, and a serial killer calling himself the Son of Sam.… Read More
Architectural Covers: A Site of Design
7 February 2024
Architectural Covers: A Site of Design7 February 2024
The following text is an excerpt from the guide that accompanied the exhibition ‘PRINT READY DRAWINGS: Composites, Layers, and Paste-ups, 1950-1989’, installed at the MAK Center for Art and Architecture in Los Angeles between 11 November 2023 – 4 February 2024, and curated by Sarah Hearne. Between 1971 and 1973,… Read More
Mies van der Rohe: Clarity as the Aim
17 April 2024
Mies van der Rohe: Clarity as the Aim17 April 2024
– Carlos Martí Arís
Mies’s work is an exemplary embodiment of the idea of architectural abstraction. His buildings are free of all the ‘figurative’ ingredients that characterise traditional architecture. They are made up of materials or constructive elements given cohesion and structure by a series of visual devices. But, although his language is so… Read More
sketch plan DMC