Tag: Siza on Paper
Álvaro Siza: SAAL Bouça Housing, Porto
10.02.2025
Álvaro Siza: SAAL Bouça Housing, Porto 10.02.2025
– Manuel Montenegro, Helen Thomas and Ellis Woodman
This drawing has two layers and two authors. Francisco Guedes de Carvalho made the draft perspective when he was a collaborator working in Siza’s office after studying under him at the Faculty of Architecture at the University of Porto (FAUP). Guedes de Carvalho worked on the Bouça housing project both… Read More
Aqueduct of Malagueira—Complexity or Contradiction
10.01.2024
Aqueduct of Malagueira—Complexity or Contradiction10.01.2024
This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More
Quinta da Malagueira
11.08.2023
Quinta da Malagueira11.08.2023
In this short text Pier Vittorio Aureli reflects on Quinta da Malagueira housing project in what he sees as a potential convergence between formal principals and political intentions. Quinta da Malagueira is perhaps the last great ‘social housing project’. That is, it is the last great architectural contribution to the… Read More
Álvaro Siza — An ‘Amoral’ Architect
27.03.2023
Álvaro Siza — An ‘Amoral’ Architect27.03.2023
The fact that Álvaro Siza did not write about his work or about architecture is a conscious gesture, which goes beyond the mere neutrality of city walls. What is important in Siza is not the end result or the work, hence his lack of comment. His manner, his alibis, his… Read More
Álvaro Siza: The Adoration of the Magi
19.01.2022
Álvaro Siza: The Adoration of the Magi19.01.2022
Our story opens at the close of the Christmas season. It quite literally starts with an Epiphany, both chronologically and figuratively, a glimpse of Three Kings prompted by Niall Hobhouse’s holiday greetings. His somewhat precarious nativity scene, charmingly set upon Álvaro Siza’s yellow columns, reminded me of Sandro Botticelli’s Adoration… Read More
Álvaro Siza: Fast and Slow Lines
20.10.2021
Álvaro Siza: Fast and Slow Lines20.10.2021
Álvaro Siza began working on the ‘Quinta da Malagueira’ project in 1977. In his sketchbooks, he would doodle iterations of the proposal over and over, together with other observational scenes, figures, calculations, and schedules. The sketches have various line qualities. Some are steadier, thicker in the middle, and thinner at… Read More
Malagueira: Conflict Resolution (1983)
04.01.2021
Malagueira: Conflict Resolution (1983)04.01.2021
From my experience at Évora, I believe that participation – neither mystifying nor mystified – implies numerous and inevitable conflicts, conflicts which come out of the project. The general concept for the Malagueira district, the methods, the project itself, have indeed given rise to contradictory commentaries, even before our intervention:… Read More
Dating Siza: The Malagueira ‘Cupula’
23.07.2020
Dating Siza: The Malagueira ‘Cupula’23.07.2020
The unbuilt half-dome (referred to by the architect as the ‘cupula’) at the Quinta da Malagueira is the subject of a protracted design process that has lasted for over four decades. At the start of 2020, Álvaro Siza sent a drawing of the half-dome to Drawing Matter accompanied by letter… Read More
The Real and Imagined Worlds of Álvaro Siza
26.06.2020
The Real and Imagined Worlds of Álvaro Siza26.06.2020
Inside the cover of Álvaro Siza’s sketchbooks, there is a whole world: the real and the imagined. In his personal registers of the real, Siza accepts the world as it is. He uses drawing in a playful but productive way, learns when he apprehends, absorbs when drawing. This process of… Read More
The Difficulty of Designing Furniture
07.11.2019
The Difficulty of Designing Furniture07.11.2019
I Architecture: a tree here, a house there, or a temple; on the right a hill, or plain, sea, river; a bridge, regular outline of this street, the irregularity of another; colour, rhythms, climate, this client; yellowing photograph, parchment, power, marginality.Not as a matrix. Provocation, hence vocation to distort, to… Read More
Siza and the Limits of Representation
25.09.2018
Siza and the Limits of Representation25.09.2018
Over the years in which the collection of Drawing Matter has been formed we have come to understand that the most productive discussion of architecture is actually about the precise relationship between the drawing and ‘its’ building. One good rule is that an architect with a powerful idea is always… Read More
Empathy
08.05.2018
Empathy08.05.2018
Being that can be understood is language. – Hans-Georg Gadamer One of the items in the Drawing Matter collection is a notebook once owned by Álvaro Siza. In it is this sketch, made of the Royal Academy London, where he was asked to consider making some work for an exhibition.… Read More
Álvaro Siza: Sense Making
22.09.2017
Álvaro Siza: Sense Making22.09.2017
Álvaro Siza’s influence begins with the move of the Drawings Collection to Shatwell in 2012. In the same year Stephen Taylor Architects completed the Cowshed and Hugh Strange Architects completed the Archive building. Well known for his seminal Quinta da Malagueira housing estate (1973–1977) in Evora, Portugal, Siza appreciated the scale of… Read More
Malagueira and Évora, Portugal
19.09.2016
Malagueira and Évora, Portugal19.09.2016
– Cathy Hawley and Hugh Strange
School of Architecture and Landscape, Kingston University This year we have been examining the relationship between the ancient Roman, medieval and baroque city of Évora and the adjacent Malagueira public housing development – some 1100 low-rise units designed by Álvaro Siza from 1977 onwards in the aftermath of the revolution… Read More
The Birth of the Column
07.04.2016
The Birth of the Column07.04.2016
The following text is excepted from an interview with Kate Goodwin, in: Sensing Spaces, Architecture Reimagined, Royal Academy of Arts, 2014. All drawings are by Álvaro Siza, 2013–2014, for the design, placement and installation of three columns in precast yellow concrete, first in the courtyard of Burlington House and then in… Read More
Drawing of a Cause
25.02.2026
Drawing of a Cause25.02.2026
– João Manuel Miranda
The following text is based on an excerpt from Lost Causes: Possibilidade e Política em Concursos de Habitação (Porto: Circo de Ideias, 2025), edited by João Manuel Miranda and Tiago Antero. The book presents the results of ‘Lost Causes’, a research project that aims to promote critical reflection on unbuilt… Read More
sketch DMC Siza on Paper