Medium: print
Guy Debord—An Art of War
29 November 2023
Guy Debord—An Art of War29 November 2023
– Laurence Le Bras and Emmanuel Guy
The following is an extract from the book Emmanuel Guy, Laurence Le Bras, and Bibliothèque Nationale De France, Guy Debord: Un Art de La Guerre (Editions Gallimard, 2013), pp. 92–96 published on the occasion of the exhibition ‘Guy Debord: an art of war’, presented by the Bibliothèque nationale de France on the François-Mitterrand… Read More
Sant’Elia and Global Futurist Architecture
21 July 2023
Sant’Elia and Global Futurist Architecture21 July 2023
‘Found’ in the archive at Drawing Matter, this wild text by Marinetti on his friend and collaborator Sant’Elia seems not to have been previously translated. Its occasion was a commemorative exhibition of the young architect’s work organized in 1930 by the commune of his native city, Como, fourteen years after… Read More
Protected: Frank Lloyd Wright in London
19 July 2023
Protected: Frank Lloyd Wright in London19 July 2023
There is no excerpt because this is a protected post.
Instagram, Indifference, and Postcritique in US Architectural Discourse
5 July 2023
Instagram, Indifference, and Postcritique in US Architectural Discourse5 July 2023
The following text is reproduced from The Hybrid Practitioner: Building, Teaching, Researching Architecture (2022), edited by Caroline Voet, Eireen Schreurs, and Helen Thomas. The publication is available in print or as an ebook, here. You can find Joseph Bedford on Instagram here. From the 1970s through the 1990s, many architects… Read More
In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis
15 February 2023
In the Archive: de la Fuente, Unknown, OMA, Ellwood and Ponis15 February 2023
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. I first found myself at Drawing Matter to view the voiles produced by the Chilean… Read More
W. R. Lethaby: Philip Webb and His Work
3 February 2023
W. R. Lethaby: Philip Webb and His Work3 February 2023
This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More
Geography of Hope: Adolfo Natalini and Superstudio
18 January 2023
Geography of Hope: Adolfo Natalini and Superstudio18 January 2023
This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More
The Usonia Plot at Pleasantville
23 November 2022
The Usonia Plot at Pleasantville23 November 2022
– Editors
Pleasantville, Westchester County, New York, was one of three co-operative Usonian communities founded in the late 1940s. The other two, The Acres (also known as Galesburg Country Homes) and Parkwyn Village were both near Kalamazoo, Michigan. They all involved Frank Lloyd Wright as the overall site planner and in each… Read More
Two Way Traffic: Japanese Woodblock Prints
12 October 2022
Two Way Traffic: Japanese Woodblock Prints12 October 2022
One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More
Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto
9 September 2022
Aldo Rossi: Dieses Ist Lange Her/ora Questo e Perduto9 September 2022
Looking at This was a long time ago/now this is lost, as well as other drawings in Rossi’s unofficial collection of l’architettura assassinata, brings to mind the image of a feast. The scenes are funereal indeed, but they hold a festive aura, as if a celebration had just taken place… Read More
Elia Zenghelis: The Image as Emblem and Storyteller
11 July 2022
Elia Zenghelis: The Image as Emblem and Storyteller11 July 2022
We recently arranged for Elia Zenghelis to give a presentation under the title ‘The Image as Emblem and Storyteller’ via the Architecture Foundation’s YouTube channel. The talk summarises a thesis that Elia has been continuously developing throughout his career: from OMA’s polemical early work, via decades as one of the… Read More
Exhibition Design: Charging the Void
9 March 2022
Exhibition Design: Charging the Void9 March 2022
Last year at Cornell University, five students in Alessandra Cianchetta’s design studio Global Artscapes worked on designs for a gallery in the valley at Shatwell. For this, they used photographs and videos in default of a site visit. The brief was for an exhibition space to accommodate the display of… Read More
In the Archive: New and Found
1 December 2021
In the Archive: New and Found1 December 2021
– Editors
Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New On the digital planchest this time is… Read More
The I’Ansons: A Dynasty of London Architects & Surveyors
30 November 2021
The I’Ansons: A Dynasty of London Architects & Surveyors30 November 2021
The following excerpt from Peter Jefferson Smith’s The I’Ansons: A Dynasty of London Architects & Surveyors (2019) charts the involvement of three generations of the I’Anson dynasty (Edward Sr [1775–1853]; Edward Jr [1812–1888]; and Edward Blakeway [1843–1912]) in the design of the Corn Exchange in Mark Lane, City of London.… Read More
A Short History of Alberto Ponis on the Sardinian Coast
15 November 2021
A Short History of Alberto Ponis on the Sardinian Coast15 November 2021
Alberto Ponis was born in Genoa in 1933. He took his architecture degree in Florence in 1960. His father, Mario Alberto, had founded the M.I.T.A. (Manifattura Italiana Tappeti Artistici) in 1926 in Nervi, near Genoa. The company’s building was built by Luigi Daneri in 1940. Gio Ponti, Arnaldo Pomodoro and… Read More
Sigurd Lewerentz: Architect of Death and Life (2021): Review and Excerpts
15 November 2021
Sigurd Lewerentz: Architect of Death and Life (2021): Review and Excerpts15 November 2021
The new monograph Sigurd Lewerentz: Architect of Death and Life has arrived, published by ArkDes and Park Books to accompany the exhibition that opened in Stockholm in October 2021 curated by ArkDes director Kieran Long with scenography by Caruso St John Architects (open until August 2022). As an excellent preparation… Read More
Frank Lloyd Wright, House for Edith Carlson, 1939, Part I
21 October 2021
Frank Lloyd Wright, House for Edith Carlson, 1939, Part I21 October 2021
This is part one of the true story of librarian Edith Carlson, who in 1938 commissioned a house from Frank Lloyd Wright. The letters that document the project are now in the Drawing Matter collection. Extracted from Stories from Architecture: Behind the Lines at Drawing Matter by Philippa Lewis, published by MIT Press… Read More
Lines, Drawings, the Human Condition
13 October 2021
Lines, Drawings, the Human Condition13 October 2021
– Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo
This conversation between Tim Ingold, Momoyo Kaijima, Andreas Kalpakci and Anh-linh Ngo was first published, in German translation, in issue 238 of ARCH+ (March 2020). Drawing Matter would like to thank the editors of ARCH+ for allowing us to publish the original English version of the text. Momoyo Kaijima: With… Read More
Disney: The Architecture of Staged Realities
10 September 2021
Disney: The Architecture of Staged Realities10 September 2021
‘Project Life Cycle’ provides a brief look into the complex work behind the scenes of a Walt Disney Company production. It is a meticulous formalisation that maps the industrial-organisational apparatus of the life cycle of a Disney project. The creative process is abstracted into a sequence of decisions, a neatly… Read More
Piranesi Unbound (2020): Review
19 August 2021
Piranesi Unbound (2020): Review19 August 2021
There is much to admire in this sequel to Heather Hyde Minor’s Piranesi’s Lost Words (Penn State, 2015), which sets out to ‘explore new territory by reimagining his artistic production in terms of his books’. Whereas Lost Words drew attention to Piranesi as an author who combined texts and images… Read More
From Diderot to Tokyo: Mechanical, Subjective and Digital Time
23 June 2021
From Diderot to Tokyo: Mechanical, Subjective and Digital Time23 June 2021
The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More
26 Kingly Street Co-Op
21 June 2021
26 Kingly Street Co-Op21 June 2021
– Editors
Throughout the 1960s, the Artists’ Own Gallery at 26 Kingly Street in Soho held exhibitions, events and gigs. It was run by a group of artists, including Keith Albarn and his wife, Hazel, who exhibited her work there. Malcolm McLaren presented the first public showing of his work at the Gallery… Read More
Quinta da Malagueira
11 August 2023
Quinta da Malagueira11 August 2023
– Pier Vittorio Aureli
In this short text Pier Vittorio Aureli reflects on Quinta da Malagueira housing project in what he sees as a potential convergence between formal principals and political intentions. Quinta da Malagueira is perhaps the last great ‘social housing project’. That is, it is the last great architectural contribution to the… Read More
sketch plan DMC