Architect: Le Corbusier

The Philips Pavilion: Models as Structural Expression

The Philips Pavilion: Models as Structural Expression

By Matthew Mindrup

The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More

Drawing Powers: Introduction

Drawing Powers: Introduction

By Fernando Poeiras

This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More

Drawing Powers: conclusions

Drawing Powers: conclusions

By Fernando Poeiras

This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More

Survey: Le Corbusier, Roland Garros stadium

Survey: Le Corbusier, Roland Garros stadium

By Matthew Wells

In July 1958, one day before Faisal II was assassinated during the 14 July Revolution in Baghdad, the Iraqi Ministry of Development sent a telegram to Paris confirming Le Corbusier’s appointment to design the Olympic Stadium. Over the following months, while the programme and site were being clarified, his office… Read More

Sketches from Algiers

Sketches from Algiers

By Adam Voelcker

In October 1975 I returned to Cambridge to complete my architecture course. I had spent my year out in London with MacCormac and Jamieson, an exciting time as it was early days for this young practice and I was one of their very first assistants. In fact, I nearly didn’t… Read More

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

By Peter Wilson

The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

By José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris is 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Notes on The Palace of the Assembly and Museum at Chandigarh

Notes on The Palace of the Assembly and Museum at Chandigarh

By José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris is 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Excerpt: Shadow Places

Excerpt: Shadow Places

By Simon Unwin

The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Just Begin: The Convent Sainte-Marie-de-la-Tourette

By Stan Allen and José Oubrerie

‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More

BV Doshi: Drawn Closer

BV Doshi: Drawn Closer

By Balkrishna Vithaldas Doshi and Sarah Handelman

I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More

Ronchamp: ‘Rough to the Touch’

Ronchamp: ‘Rough to the Touch’

By Robin Evans

– Robin Evans, excerpted from ‘Comic Lines,’ in The Projective Cast: Architecture and its Three Geometries (London: MIT Press, 1995), 282.