Architect: Le Corbusier

Twelve drawings for the Governor’s Palace at Chandigarh

Twelve drawings for the Governor’s Palace at Chandigarh

By José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier in his Atelier at 35 Rue de Sèvres from 1957 to 1965. The following text is the second in a series of two transcriptions of informal… Read More

Excerpt: Shadow Places

Excerpt: Shadow Places

By Simon Unwin

The following text is excerpted from Simon Unwin’s book on shadow, in his series Analysing Architecture Notebooks, available here. For 20% off until May 31st 2021, use code KHL20. The piece is illustrated with drawings specially selected by Simon from the Drawing Matter collection. ‘Yea, though I walk through the… Read More

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Just Begin: The Convent Sainte-Marie-de-la-Tourette

By Stan Allen and José Oubrerie

‘The first line on paper,’ Louis Kahn once said, ‘is already a measure of what cannot be expressed fully.’ This captures perfectly the anxiety of beginnings: not what is to be expressed, but everything that will be left out, and an inevitable sense of loss over all the unexplored possibilities.… Read More

BV Doshi: Drawn Closer

BV Doshi: Drawn Closer

By Balkrishna Vithaldas Doshi and Sarah Handelman

I was fifty years old when I started designing Sangath, my office in Ahmedabad. In India, when you cross fifty, suddenly – biologically, psychologically – you start to think about what in your life you have discovered. When I made the first drawings, I was thinking about many things: although… Read More

Ronchamp: ‘Rough to the Touch’

Ronchamp: ‘Rough to the Touch’

By Robin Evans

– Robin Evans, excerpted from ‘Comic Lines,’ in The Projective Cast: Architecture and its Three Geometries (London: MIT Press, 1995), 282.

Le Corbusier and the Poetry of Objects

Le Corbusier and the Poetry of Objects

By Danièle Pauly

The consideration of objects shapes the mind, providing it with resources: sliced butcher’s bones, shells that are whole or broken by the tides. . . . Nature also teaches sharpness, the rigour of functions. — Le Corbusier, Unité [1] Around 1928, Le Corbusier abandoned the universe of manufactured objects, having exhausted all… Read More

Alternative Histories: Florian Beigel Architects on Le Corbusier

Alternative Histories: Florian Beigel Architects on Le Corbusier

When asked to participate in ‘Alternative Histories’, I was pleased to be offered the large, elegant drawing by Le Corbusier of his proposal for the Bhakra Dam near Chandigarh, India. I remember seeing this drawing with Florian Beigel years ago in the Drawing Matter archive, and again in an important… Read More

Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier

Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier

A Rain of Light It is our true belief that light is particles of dust. When light is driven through impurities it intensifies, and we assign it a mineral quality. We feel empowered by the ‘photon theory of light’ by Albert Einstein. – Robbrecht en Daem Architecten, January 2019­

Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India

Le Corbusier: Sketch for the Governor’s Palace, Chandigarh, India

By Niall Hobhouse

Niall Hobhouse remembers that Jullian de la Fuente, the Chilean architect who worked with Le Corbusier, told him the story of how he came to own the twelve pages (of which one is shown) extracted from Le Corbusier’s sketchbook: In the late 1950s the first Prime Minister of India, Jawaharlal… Read More

Le Corbusier: Unité d’habitation

Le Corbusier: Unité d’habitation

This letter from Le Corbusier, to Marseille photographer Louis Sciarli, responds to a request from Elle magazine for photographs of the school on the rooftop of the Unité. Le Corbusier includes a drawing that instructs the unfortunate photographer as to exactly how he would like the children to be posed. M. Sciarli… Read More

This Was Tomorrow: Reinventing Architecture 1953–1978

This Was Tomorrow: Reinventing Architecture 1953–1978

This Was Tomorrow: Reinventing Architecture 1953–1978 is an exhibition about architectural imagination and the power, processes and poetics of creation and invention. It presents a series of twelve episodes – beginning in the 1950s – that look at the ferment of new ideas as architects began to reconceive space in response… Read More

The Open Hand (1954)

The Open Hand (1954)

By Le Corbusier

The Open Hand will affirm that the second era of the machine-civilisation, the era of harmony, has started. -Le Corbusier