Architect: Le Corbusier
Thinking Through Twentieth-Century Architecture (2023) – Review
17 August 2023
Thinking Through Twentieth-Century Architecture (2023) – Review17 August 2023
Philosophy has long played an influential part in architectural practice and discourse. In the last twenty years, several new publications have started to trace the histories of this phenomenon. Some, like Branko Mitrović’s Philosophy for Architects (2011), lay out introductory surveys of major figures, works, and ideas at the overlap… Read More
Learning From Machine Learning, on designer trees and architectural historiographies of the digital
11 July 2023
Learning From Machine Learning, on designer trees and architectural historiographies of the digital11 July 2023
What does it mean for scholars to collaborate with contemporary knowledge machines? In this article, Sylvia Lavin reflects on the failures, successes, and potentialities of a machine learning tool designed to identify trees in architectural drawings. This project, which she initiated in 2022, was undertaken by Princeton University and the… Read More
The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review
10 November 2022
The Project of Independence: Architectures of Decolonization in South Asia, 1947-1985 (2022) – Review10 November 2022
“The history of modern architecture is the history of its exhibitions,” states the introduction of the anthology ‘Exhibiting Architecture’, [1] and it is hard to deny the central role of exhibitions in the writing of the canonic and the public history of architecture. Yet the exclusionary nature of the history… Read More
Drawing Conversations: Letters to Clients
26 October 2022
Drawing Conversations: Letters to Clients26 October 2022
In October 1925 Le Corbusier wrote to his client Madame Meyer a remarkable letter about his proposal with Pierre Jeanneret for her villa. It combined drawings with a highly scripted text that carefully guided her through each space, from the entrance to the roof garden. Like the pioneers of early… Read More
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář
4 October 2022
In the Archive: Petit, Lebas, Fontaine, Le Corbusier and Kolář4 October 2022
Click on drawings to move and enlarge. In this series, Drawing Matter invites visitors to write about material in the archive or the libraries at Shatwell that they have viewed as part of their research. In The Library at Night, Alberto Manguel likens a library to a human brain and… Read More
The Cornice: The Edge of Architecture
21 February 2022
The Cornice: The Edge of Architecture21 February 2022
The following essay was first published as the introduction to ‘The Cornice’, GTA Papers 6 (2021). It is one of the outcomes of the work done in preparation for the exhibition The Hidden Horizontal: The Cornice in Architecture and Art, which was on show at the Graphische Sammlung of ETH… Read More
The Philips Pavilion: Models as Structural Expression
23 November 2021
The Philips Pavilion: Models as Structural Expression23 November 2021
The following text discusses the use of models as an integral part of the architectural process. It is excerpted from Matthew Mindrup’s article on the roles of models in the design of the Sydney Opera House and Iannis Xenakis and Le Corbusier’s Philips Pavilion for the 1958 World’s Fair (arq:… Read More
Drawing Powers: Introduction
2 November 2021
Drawing Powers: Introduction2 November 2021
This text is the first in a series of five in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. There is an enormous difference between seeing a thing without a pencil in your… Read More
Drawing Powers: conclusions
2 November 2021
Drawing Powers: conclusions2 November 2021
This text is the conclusion to a series of essays in which Fernando Poeiras (ESAD.CR/LIDA), explores the different powers of drawing within architectural design projects. Each text is illustrated with examples from the Drawing Matter Collection. Find the introduction to the series here. What surprises me most in architecture, as in other… Read More
Le Corbusier: The ‘Open hand’ as an expression of freedom?
2 February 2023
Le Corbusier: The ‘Open hand’ as an expression of freedom?2 February 2023
– Marianna Charitonidou
Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More
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