Category: commentaries, rants & reflections

Geography of Hope: Bruce Goff

Geography of Hope: Bruce Goff

Nicholas Olsberg

This is the third of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. ‘Aparture’: Bruce Goff in the Parched Land ‘For the Panhandle, …1956 became the seventh straight year of drouth. Except for one savage blizzard, it… Read More

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Ecem Arslanay and Mina Gürsel Tabanlıoğlu

Southeastern Turkey and Northern Syria have been struck by a 7.7 magnitude earthquake, followed by a 7.5 tremor, killing more than 46,000 people. Ecem and Mina’s local NGO is AHBAP. Please click here if you would like to make a donation. For the past two years, our Writing Prize has… Read More

W. R. Lethaby: Philip Webb and His Work

W. R. Lethaby: Philip Webb and His Work

Hugh Strange

This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Marianna Charitonidou

Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More

Historic England Image Archive

Historic England Image Archive

Arthur Prior-Palmer

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Geography of Hope: Adolfo Natalini and Superstudio

Geography of Hope: Adolfo Natalini and Superstudio

Nicholas Olsberg

This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More

The Sasada Lab

The Sasada Lab

Felix Wilson

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

Materia 4: Brick

Materia 4: Brick

Gordon Shrigley

This text is the fourth in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  Coarse rectangular lumps of clay mixed with straw and water, small enough to be carried in one or two hands, are laid… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

Beverly Buchanan: here I am; I’m still here

Beverly Buchanan: here I am; I’m still here

Clara Maria Blasius

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Joseph Heffernan

Every hectare of drained peatland emits two tonnes of carbon a year. Known peatlands only cover about 3% of the world’s land surface, but they store at least twice as much carbon as all of Earth’s standing forests. Cutting turf for fuel has been practiced for centuries, and communities have… Read More

Open Letters: Harvard GSD

Open Letters: Harvard GSD

Paul Mosley

Drawing Matter has been enjoying Open Letters, published bi-weekly by Harvard University Graduate School Of Design, from the start. In part, this is because our own publishing initiative began at much at the same time – now ten years ago – and proceeds at the same pace, and with a little of the… Read More

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

W. R. Lethaby: The Church of Sancta Sophia, Constantinople

Hugh Strange

This is the third text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. William Lethaby’s second book, The Church of Sancta Sophia, Constantinople: A Study of Byzantine Building, published in 1894, could hardly have started on its subject more emphatically, ‘Sancta Sophia is the most… Read More

Joan Littlewood’s Memos to Cedric Price

Joan Littlewood’s Memos to Cedric Price

Ana Bonet Miró

In this text, Ana Bonet Miró reflects on the memos written by Joan Littlewood addressed to her company of actors, and to Cedric Price during their collaboration on the Fun Palace project. For more on Littlewood and Price’s collaboration, listen to Ana Bonet Miró and Matthew Blunderfield in conversation for… Read More

Queensway, Hong Kong

Queensway, Hong Kong

Sony Devabhaktuni

What I knew of Hong Kong before I moved here came from film and photography. It was a dense, post-modern city that in earlier decades had been characterised by its economic success. Since the turn of the century, the city has been pummelled by shocks and anxieties. Life in Hong… Read More

Heinz Isler Model

Heinz Isler Model

John Chilton and Paul Shepherd

This text was written by Paul Shepherd. The interjections, in italic, are additions by his friend and Heinz Isler expert John Chilton. If you go down to the woods today… Since our son was away on Scout camp all weekend, my plans for Sunday involved a much-needed lie-in and an… Read More

W. R. Lethaby: The Builder’s Art and the Craftsman

W. R. Lethaby: The Builder’s Art and the Craftsman

Hugh Strange

This is the second text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Dissatisfied with his first book, Architecture, Mysticism and Myth, a year later William Lethaby indicated a significant shift in thinking with the essay, ‘The Builder’s Art and the Craftsman’. The text… Read More

Stendhal’s Autobiography: La Vie de Henri Brulard

Stendhal’s Autobiography: La Vie de Henri Brulard

Christopher Woodward

Soft childish snow swirled on the sidewalk in New York. Lecture given, Christmas presents bought, two hours before the bus to Newark. Outside a bookstore a stall of paperbacks to clear, and there it is, the New York Review of Books’ paperback edition of La Vie du Henri Brulard, Stendhal’s autobiography of… Read More

Two Way Traffic: Japanese Woodblock Prints

Two Way Traffic: Japanese Woodblock Prints

Alex Faulkner

One of the great enigmas of ukiyo-e – Japanese woodblock prints of the eighteenth and nineteenth centuries – is the anachronistic intrusion of Western drawing into an apparently closed world; that the sophisticated culture of Edo (now modern Tokyo) seemingly closed off its borders since the Middle Ages. The widespread… Read More

Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review

Missing Link: Strategies of a Viennese Architecture Group (1970-1980) – Review

Erik Wegerhoff

There is a strange moment in the second room of the exhibition, where all kinds of great works are hung on the walls to admire, organised around a central display of plastic and aluminium furniture: a collage of a car hovering like the golden calf amidst a crazed crowd; a… Read More

Materia 3: Red Oxide

Materia 3: Red Oxide

Gordon Shrigley

This text is the third in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products. The first and second texts in the series, on render and corrugated iron, can be read here. Architects are subsumed within… Read More

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Robert Maxwell: The Letter, the Lost Sketchbook and the Lecture

Editors

These three sketches are from a sketchbook that Robert Maxwell used while studying at the Liverpool School of Architecture in 1944. They are reproduced here to mark the publication of Robert Maxwell: the Letter, the Lost Sketchbook and the Lecture, edited by Celia Scott, which is now available through Drawing… Read More