Category: commentaries, rants & reflections

On Authority

On Authority

Nuno Melo Sousa

Following our recent series with fala we decided to approach some other practices who have themselves developed their design process through particular drawing ‘types’, challenging our expectation of the usage and forms traditionally associated with drawing in an architecture studio. We are very grateful to fala for introducing us to Nuno Melo Sousa… Read More

Nuno Melo Sousa: in cahiers

Nuno Melo Sousa: in cahiers

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. As we travel, sitting, walking, flying, and running, we can look at the world.As we sit, eating, we can look at a small cahier also sitting,… Read More

Archive Politics

Archive Politics

Pedro Baía and Carlos Machado e Moura

The following text is an excerpt from ‘Archive Politics: Reflections based on Flashback / Carrilho da Graça’, a longer review published in Jornal Arquitectos 262 of ‘Flashback: Carrilho da Graça’, an exhibition of ten projects by João Luís Carrilho da Graça at Casa da Arquitectura, Matosinhos, (8 April 2022 – 29 January 2023), curated… Read More

Materia 5: Timber

Materia 5: Timber

Gordon Shrigley

This text is the final instalment in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  The language of architectural drawing, although appearing to promise an infinite arena for self-projection, ultimately fails to contain and express… Read More

Abelardo Morell

Abelardo Morell

Rebecca Connor Reading

In 2006 Abelardo Morell was invited by a collector with a Palazzo in Venice to photograph a camera obscura image of the Grand Canal in his mother’s bedroom. Morell returned to the city a year later. His host, pointing at a window in a Canaletto painting, said he knew a… Read More

MJ Long’s Doll House

MJ Long’s Doll House

Elena Palacios Carral

In 2018, I met the architect MJ Long at her home. Located in a building designed and constructed in the 1930s by Thomas Tait, it doubled as Long’s studio. It was formerly the home and studio of the sculptor Sir William Dick Reid; MJ Long and her husband Sandy (Colin… Read More

Álvaro Siza — An ‘Amoral’ Architect

Álvaro Siza — An ‘Amoral’ Architect

Eduardo Souto de Moura

The fact that Álvaro Siza did not write about his work or about architecture is a conscious gesture, which goes beyond the mere neutrality of city walls. What is important in Siza is not the end result or the work, hence his lack of comment. His manner, his alibis, his… Read More

Geography of Hope: Hans Hollein and John Hejduk

Geography of Hope: Hans Hollein and John Hejduk

Nicholas Olsberg

This is the final of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. Extrusion: Hollein in the Southwest The Austrian architect Hans Hollein, for many years a leading figure in the international avant-garde, was a student at… Read More

Ila Bêka & Louise Lemoine on the Moriyama House

Ila Bêka & Louise Lemoine on the Moriyama House

What is a House For and Bêka & Lemoine

The editors of ‘What is a House For’ (Mateusz Zaluska, Riccardo Amarri, and Matthew Bailey) have kindly allowed Drawing Matter to reproduce the following interview with Ila Bêka and Louise Lemoine, in which the filmmakers discuss the Moriyama House (2005) by Ryue Nishizawa, the subject of their 2017 film ‘Moriyama-San’.… Read More

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

About Malagueira: Siza’s Poem on Page 27 of Sketchbook 01

Rodrigo Lino Gaspar

The following translation proposed for Álvaro Siza’s writings on page 27 of his sketchbook 01 in Drawing Matter Collections is part of an ongoing investigation into the Malagueira project at DA/UAL PhD Programme in Contemporary Architecture. Siza’s sketchbooks are a precious tool for understanding his work and interpreting his concerns.… Read More

Geography of Hope: Bruce Goff

Geography of Hope: Bruce Goff

Nicholas Olsberg

This is the third of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. ‘Aparture’: Bruce Goff in the Parched Land ‘For the Panhandle, …1956 became the seventh straight year of drouth. Except for one savage blizzard, it… Read More

Porto: Paving Work on Rua de António Sardinha

Porto: Paving Work on Rua de António Sardinha

Ivo Martins

In the photograph on the left from 1939, found in the municipal digital archive, Porto’s civic centre is still under construction. The image captures half-paved new roads, with curious people milling around the freshly built City Hall. Viewing this photograph recalls the collages of Fernando Barroso and Mário Ramos, where… Read More

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Letter of Authorisation to Discuss Late Ottoman Archive Drawings as Operational Images

Ecem Arslanay and Mina Gürsel Tabanlıoğlu

Southeastern Turkey and Northern Syria have been struck by a 7.7 magnitude earthquake, followed by a 7.5 tremor, killing more than 46,000 people. Ecem and Mina’s local NGO is AHBAP. Please click here if you would like to make a donation. For the past two years, our Writing Prize has… Read More

W. R. Lethaby: Philip Webb and His Work

W. R. Lethaby: Philip Webb and His Work

Hugh Strange

This is the fifth and final text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. Philip Webb was William Lethaby’s great hero; he considered his life and work the model for an architect. Webb was a generation older than Lethaby, and the two men most… Read More

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Le Corbusier: The ‘Open hand’ as an expression of freedom?

Marianna Charitonidou

Le Corbusier placed particular emphasis on the notion of freedom. In Où en est l’architecture?, he declares: ‘I accept a poem only if it is made of “words in freedom”’. [1] In the same text, Le Corbusier describes his conception of art as ‘individual manifestation of freedom’. [2] In Sur… Read More

Historic England Image Archive

Historic England Image Archive

Arthur Prior-Palmer

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Geography of Hope: Adolfo Natalini and Superstudio

Geography of Hope: Adolfo Natalini and Superstudio

Nicholas Olsberg

This is the first of four extracts taken from an article first published in issue 40 on nonsite.org, dedicated to ‘New Views on Modern Architecture at Mid-Century’. As we descended into a World War that threatened the obliteration of decency and history, the poet Archibald Macleish, then Librarian of Congress,… Read More

The Sasada Lab

The Sasada Lab

Felix Wilson

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

W. R. Lethaby: Apprenticeship and Education

W. R. Lethaby: Apprenticeship and Education

Hugh Strange

This is the fourth text in this series, where Hugh Strange visits key texts throughout W. R. Lethaby’s life. The building sites of London in the late nineteenth century desperately lacked adequate skills, and this need was being addressed neither on the job nor through appropriate training. The first prospectus of… Read More

Materia 4: Brick

Materia 4: Brick

Gordon Shrigley

This text is the fourth in a series by Gordon Shrigley titled ‘Materia’ in which the architect meditates on the physical and semiotic nature of a number of everyday construction products.  Coarse rectangular lumps of clay mixed with straw and water, small enough to be carried in one or two hands, are laid… Read More

The City of Design

The City of Design

Emilio Ambasz

Italy has remained a federation of city-states. There are museum cities and factory cities. There is a city whose streets are made of water and another where all streets are hollowed walls. There is a city where all its inhabitants work on the manufacture of equipment for amusement parks, a… Read More

Beverly Buchanan: Here I am; I’m Still Here

Beverly Buchanan: Here I am; I’m Still Here

Clara Maria Blasius

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Joseph Heffernan

Every hectare of drained peatland emits two tonnes of carbon a year. Known peatlands only cover about 3% of the world’s land surface, but they store at least twice as much carbon as all of Earth’s standing forests. Cutting turf for fuel has been practiced for centuries, and communities have… Read More

Open Letters: Harvard GSD

Open Letters: Harvard GSD

Paul Mosley

Drawing Matter has been enjoying Open Letters, published bi-weekly by Harvard University Graduate School Of Design, from the start. In part, this is because our own publishing initiative began at much at the same time – now ten years ago – and proceeds at the same pace, and with a little of the… Read More