Category: Drawing Matter archive: research & collecting

Behind the Lines 9

Behind the Lines 9

Philippa Lewis

Cyril Ponsonby walked anxiously from where he was staying in Wilbury Road, Hove over to the Hotel Metropole on the Brighton sea front. It was 1907, a sunny day in early August. He was hot and bothered. Under his arm he held a sheaf of papers. He went through the… Read More

Alternative Histories: Bovenbouw Architectuur on James Gowan

Alternative Histories: Bovenbouw Architectuur on James Gowan

We had great fun elaborating on the cumulative aspect of James Gowan’s sketch. Gowan drew a procession of different structural features – a conga line of architectural fragments. We reinterpreted the idea on a vertical rather than horizontal axis. The conga line was turned into a tower-like stack. We embraced… Read More

Alternative Histories: De Vylder Vinck Taillieu on Michael Graves

Alternative Histories: De Vylder Vinck Taillieu on Michael Graves

Jan de Vylder records that as a child Michael Graves was given a set of painted building blocks by his uncle. The set was made of wooden offcuts found around the yard where the young architect grew up; they remained with him throughout his career. From: Jan De Vylder Sent:… Read More

Alternative Histories: Hugh Strange Architects on Carlo Scarpa

Alternative Histories: Hugh Strange Architects on Carlo Scarpa

Approximately A1-landscape in size, Carlo Scarpa’s drawing shows a series of studies of an unbuilt theatre project from 1970. A coloured, elevational sketch suggesting a masonry wall cut with slot-like or nearly-rounded apertures, inset with a lighter, framed structure, dominates the drawing. Our eyes are drawn to the details: a… Read More

Alternative Histories: Bardakhanova Champkins on Virgilio Marchi

Alternative Histories: Bardakhanova Champkins on Virgilio Marchi

Had the Zuev Worker’s Club competition (Moscow, 1926) been won by Konstantine Melnikov, and not resulted in the well-known building by Ilya Golosov, perhaps a different strand of rationalism would have emerged in pre-war Italy. This could have extended the earlier speculations of Futurists such as Virgilio Marchi; Terragni’s NovoComum… Read More

Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3

Drawing, Movement and Medium: Mark Dorrian in conversation with Michael Webb, Episode 3

Mark Dorrian and Michael Webb

The third episode of Michael Webb’s conversation with Mark Dorrian resumes with the fate of the Sin Centre model. The piece is published to mark the entry of the first part of a new model of the Sin Centre into the Drawing Matter collection. The conversation took place on Wednesday,… Read More

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2

Drawing, Movement and Medium: Michael Webb in conversation with Mark Dorrian, Episode 2

Mark Dorrian and Michael Webb

Mark Dorrian: I’ve loaded some images – Michael, by the way, doesn’t know what’s coming up. After showing this, the drawing of the building, I thought it would be useful to show a couple of slides about the context in which this project then appeared. The Furniture Manufacturers Building is… Read More

Alternative Histories: Max Otto Zitzelsberger on Louis Tullius Joachim Visconti

Alternative Histories: Max Otto Zitzelsberger on Louis Tullius Joachim Visconti

Building upon Building Building upon buildings, drawing upon drawings, thinking upon thoughts. If this architectural drawing of Visconti has ever been realised, I do not know. In the end I am only interested in his architectural vision. Construction boards bear ideas and visions, before these become reality. They tell stories… Read More

Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier

Alternative Histories: Robbrecht en Daem Architecten on Le Corbusier

A Rain of Light It is our true belief that light is particles of dust. When light is driven through impurities it intensifies, and we assign it a mineral quality. We feel empowered by the ‘photon theory of light’ by Albert Einstein. – Robbrecht en Daem Architecten, January 2019­

Alternative Histories: Jonathan Sergison on Carlos Diniz

Alternative Histories: Jonathan Sergison on Carlos Diniz

Carlos Diniz’s drawing for Hillrise Apartments represents of another architect’s work. Who this may have been remains unclear. Interpreting the work of others is a common aspect of developing architectural ideas; our many collaborators add to projects through their drawings and models, constantly adjusting arrangements and proportions. On other occasions,… Read More

Alternative Histories: GAFPA on Superstudio

Alternative Histories: GAFPA on Superstudio

We received a sketch made by Superstudio, the Italian architecture firm renowned for its conceptual architecture works.In the famous 1966 exhibition ‘Super Architecture’ the squared grid is used in a variety of scales from the simplest objects of furniture, such as a table, to an urban landscape.Through a series of… Read More

Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith

Alternative Histories: Wim Goes Architectuur On Cassius Goldsmith

Alternative Histories: Olivier Goethal On Paul Rudolph

Alternative Histories: Olivier Goethal On Paul Rudolph

YOU CLOSE, YOU OPENYOU OPEN, YOU CLOSE model 1/20 & object 1/1.1952–2018. a reinterpretation of paul rudolph’s flaphouse. like a tiny temple, lifted from its surrounding. 400-800THz …a narrow window makes our observed reality.in gradient with colours of visible light. while reflecting the given context onto its surface,its structure expresses… Read More

Dance Dance Revolution

Dance Dance Revolution

Iris Moon

In 1788, the art theorist and critic Quatremère de Quincy devoted a long entry of the Encyclopédie méthodique to the arabesque, ‘forms of ornament that are often the most capricious, fantastical, and imaginary, whether in sculpture or painting, that architecture employs in the decoration of walls, panels, door-frames, pilasters, friezes, and sometimes even… Read More

Superstudio: In Yesterday’s Tomorrow

Superstudio: In Yesterday’s Tomorrow

Eszter Steierhoffer

‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Following social and economic upheaval, there is often a retreat to the home. Traditionally, the ‘home’ is identified with a site of… Read More

Alternative Histories: Tony Fretton Architects on Erik Gunnar Asplund

Alternative Histories: Tony Fretton Architects on Erik Gunnar Asplund

We recognise modernism as a continuing program to find architecture for the present time, and Asplund’s work as part of its history.  Our project is a thought experiment on the central aspects of architecture’s modernism – social responsibility in combination with freedom to work with current sensibilities. It has proceeded… Read More

OMA’S NEDERLANDS DANS THEATER

OMA’S NEDERLANDS DANS THEATER

Stefano de Martino

Since you have asked about the two small sketches from Luce van Rooy Gallery attributed to Zaha: they are my drawings from the very early stages of the Nederlands Dans Theater project. The original site was not in The Hague but in Scheveningen, just down the road near the beach.… Read More

Behind the Lines 8

Behind the Lines 8

Philippa Lewis

Annette Berthe Schlegel, wife of Adalbert, mother of Mariana, Friedrich, Werner and Elmira, and grandmother to little Wilhelm and Lydia, died peacefully in her cherry wood bed at home in Marienstrasse, Stuttgart, on March 29th, 1812. Adalbert, a successful watchmaker, had held Annette dear, and two weeks after the funeral… Read More

Zaha Hadid

Zaha Hadid

Desley Luscombe

When, in January 1983, Peter Cook reviewed a recently held exhibition for Zaha Hadid’s 59 Eaton Place, he spoke of the resonance between the individual and their education in developing an architectural identity. [1] He pondered on the development of Hadid over that period,     What if fate had led her… Read More

Mussolini and the Tomb of Augustus in the Spring of 1935

Mussolini and the Tomb of Augustus in the Spring of 1935

John David Rhodes

Fascist urban planning was animated by the fear that one might be looking at the wrong thing. Too many buildings from too many periods stopped vision from apprehending what ought to have interested it most, the monuments bequeathed to posterity by the classical past. Phrased differently: these monuments, or their… Read More

Theodore Conrad and Harvey Wiley Corbett

Theodore Conrad and Harvey Wiley Corbett

Jennifer Gray and Irene Sunwoo

The fragment of Theodore Conrad’s 1929 cardboard model of the Metropolitan Life Insurance Company tower designed by Harvey Wiley Corbett (1873–1954) — featured in the current exhibition Model Projections at the Arthur Ross Architecture Gallery at Columbia GSAPP — marks an early episode in the American model maker’s career and an experimental… Read More

Madelon Vriesendorp

Madelon Vriesendorp

Niall Hobhouse and Madelon Vriesdendorp

Excerpted from Madelon Vreisendop in conversation with Niall Hobhouse, RIBA, 2 July 2018

Behind the Lines 7

Behind the Lines 7

Philippa Lewis

Mr. Tassie’s House On June 27th 1807 William Tassie scratched his long nose, dipped a pen in the inkwell, and finished off his letter to Alexander Wilson Esq of Messrs. Dunlop & Wilson, Booksellers of Glasgow:   ‘I have been near a twelve month engaged with alterations in my house –… Read More

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Madelon Vriesendorp and Rem Koolhaas at Van Rooy Gallery, 1980

Editors

On 1 October 1980, at the height of postmodernism, Luce van Rooy opened her gallery in Amsterdam, around the corner from the Stedelijk Museum. [1] In a recent interview van Rooy reflects on the history of the gallery: the idea — what she calls a gallery for ‘architecture and related… Read More