Category: on their own work

Álvaro Siza: A Vertical Dream

Álvaro Siza: A Vertical Dream

António Choupina and Álvaro Siza

In this short video, António Choupina and Álvaro Siza discuss a sketch for an imaginary skyscraper from Caderno 32 (1979), now in the Drawing Matter Collection. Siza describes his interest in Frank Lloyd Wright’s ‘Mile-High Illinois’ or ‘Sky City’ tower (1957), and his work for Rogério de Azevedo on the… Read More

The First Exercise, One Door and One Window

The First Exercise, One Door and One Window

Tania Garduño Israde

In 2003, at the troubled age of eighteen, I started a Bachelor’s degree in Interior Architecture at the Politecnico di Milano. The first semester was a disappointment, a disaster even. The extremely hierarchical and academic system in Italy was terribly discouraging for creativity and questioning. By raising your hand to… Read More

‘A free composition of bodies’: the Härlanda Church

‘A free composition of bodies’: the Härlanda Church

Peter Celsing

Peter Celsing won the competition to design the Härlanda Church, Gothenburg, Sweden, in 1952, and the church was completed seven years later in 1959. The design of the project is a fragmented list of reflections by the architect in the account reproduced below—which was first drafted on receipts from the… Read More

Nuno Melo Sousa: weight

Nuno Melo Sousa: weight

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. They dance.They stand.They stare.They bend.They underline.They comply.They don’t comply.They question.They agree.They dismiss.They provoke.They ignore. Each and every one of them keeps a continuous movement between what… Read More

Nuno Melo Sousa: on big papers

Nuno Melo Sousa: on big papers

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. First, there were a couple of tense drawings.One, two, three. At the very third second, it quickly escalated to a nonstop dry pastel scratch on A2… Read More

Nuno Melo Sousa: on small papers

Nuno Melo Sousa: on small papers

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Kept behind the scenes, singing like mantras: voices in low tune. They flourish and are planted like small seeds.Their synthesis is colourful and schematic.They are all… Read More

Nuno Melo Sousa: on walls

Nuno Melo Sousa: on walls

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. Liberation.When I was a kid, I could not draw on walls. It was forbidden in my parents’ house. At school, we could pin pieces of paper.… Read More

Nuno Melo Sousa: authority

Nuno Melo Sousa: authority

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. there is no authority.there is no gravity.there is no fee.there is no programme.there is no agenda.there is no time.there is no client.there is no plot. Creatures.… Read More

On Authority

On Authority

Nuno Melo Sousa

Following our recent series with fala we decided to approach some other practices who have themselves developed their design process through particular drawing ‘types’, challenging our expectation of the usage and forms traditionally associated with drawing in an architecture studio. We are very grateful to fala for introducing us to Nuno Melo Sousa… Read More

Nuno Melo Sousa: in cahiers

Nuno Melo Sousa: in cahiers

Nuno Melo Sousa

This text is a part of a series of reflections by Nuno Melo Sousa on his drawing practices. Click here for the series introduction. As we travel, sitting, walking, flying, and running, we can look at the world.As we sit, eating, we can look at a small cahier also sitting,… Read More

T.O.P. Office and the Accademia Bridge

T.O.P. Office and the Accademia Bridge

Luc Deleu

In a way, this project was architecturally ‘ready-made’. Our proposal for the Accademia Bridge can best be seen as an example of recycling and reuse. Formally, it sublimates what is available from a limitation of resources and materials. In the concept lies a wink to the (still naive in my… Read More

Nancy Goldring: Drawings and Foto-Projections

Nancy Goldring: Drawings and Foto-Projections

Leann Davis Alspaugh and Nancy Goldring

The following interview is reproduced from the publication Distillations: Nancy Goldring, Drawings and Foto-Projections, 1971–2021, published by ORO Editions. The interview was conducted by Leann Davis Alspaugh for The Hedgehog Review. The Hedgehog Review: In the 2014 summer issue of The Hedgehog Review, we ran two of your works ‘The… Read More

Ila Bêka & Louise Lemoine on the Moriyama House

Ila Bêka & Louise Lemoine on the Moriyama House

What is a House For and Bêka & Lemoine

The editors of ‘What is a House For’ (Mateusz Zaluska, Riccardo Amarri, and Matthew Bailey) have kindly allowed Drawing Matter to reproduce the following interview with Ila Bêka and Louise Lemoine, in which the filmmakers discuss the Moriyama House (2005) by Ryue Nishizawa, the subject of their 2017 film ‘Moriyama-San’.… Read More

Shed for Carolyn

Shed for Carolyn

George Gibbs

The drawing shown below was highly commended in the Working Drawing Award of the Trinity Buoy Wharf Drawing Prize 2022. The Working Drawing Award is a special category within the exhibition that celebrates the role of drawing within architecture, design and making processes. Context Shed for Carolyn was a project to rehabilitate… Read More

DMJ – Dialogues between Architecture And Granite in Punta Sardegna

DMJ – Dialogues between Architecture And Granite in Punta Sardegna

Alberto Ponis

The stones are also premonitions, and the trails chart a course through nature that is both sign and path, direction and culture. The human journey and the mystery of the eternal, chance and intervention. Thus, the pre-existing stones are added and mingle with those put in later, and vice versa,… Read More

fala: butterflies

fala: butterflies

fala

This is the final of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Every discussion ends in a few drawn lines as words don’t do the job as well. A project is usually sketched between the lines that… Read More

fala: photography

fala: photography

fala

This is the seventh of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. We photograph the construction site a few times, to keep a certain moment for later. When construction ends, we photograph it again, intensely. Not just… Read More

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Useless Terrain: The Ballynagrenia and Ballinderry Bog

Joseph Heffernan

Every hectare of drained peatland emits two tonnes of carbon a year. Known peatlands only cover about 3% of the world’s land surface, but they store at least twice as much carbon as all of Earth’s standing forests. Cutting turf for fuel has been practiced for centuries, and communities have… Read More

Gothic Sublime

Gothic Sublime

Sonny Evans

For the past two years, our Writing Prize has attracted a large number of thoughtful texts from participants all over the world. This year we partnered with the Architecture Foundation to sponsor one of their three writing prize categories. The Drawing Matter category, titled ‘Architecture and Representation’, invited entrants to… Read More

fala: collages

fala: collages

fala

This is the sixth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. fala started with collages. An abundance of images populated the internet; at some point, an online presence was decidedly claimed. Collages were the closest we… Read More

From Afar

From Afar

Ajna Babahmetovic

During the first lockdown in 2020, from my bedroom in Graz, I began to model a small Bosnian town named Kozarac. The indefinite postponement of life, as it had seemed at the time, made space for such an ambitious task. Equipped only with a .dwg survey map of the city… Read More

fala: execution drawings

fala: execution drawings

fala

This is the fifth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Construction documents include an array of scales. General drawings, partials, maps, details, and indexes are loaded with intentions and manic descriptions. They are supposed to… Read More

Sweet Disorder and the Carefully Careless: Ideas, Faces and Places (2022) – review

Sweet Disorder and the Carefully Careless: Ideas, Faces and Places (2022) – review

Eric Parry and Robin Webster

Reviews by Robin Webster and Eric Parry, and notes from Celia Scott. The opening of the exhibition and symposium about the architect Robert (Bob) Maxwell and the sculptor Celia Scott was held in the elegant home of the Irish Architectural Archive, at 45 Merrion Square in Dublin. The focus of… Read More

fala: renders

fala: renders

fala

This is the fourth of eight articles in which the partners at fala examine different approaches to drawing and imagery within their practice as designers. Low-resolution images are humble and straightforward. The textures are blunt and the colours are strong. Ambient occlusion is mostly off. Light, shadows and reflections are rarely under… Read More