Medium: drawing

Visualizing the Renaissance Worksite and the problems of graphic translation  

Visualizing the Renaissance Worksite and the problems of graphic translation  

Jarne Geenens and Elizabeth Merrill

Francesco di Giorgio’s autograph manuscript of machine design, the Opusculum de architectura is among the most enigmatic records of early modern architecture.[1] Dedicated to Duke Federico da Montefeltro, the compact vellum manuscript celebrates the art and ingenuity of technical design, while simultaneously capturing the energy and ambition of the fabled… Read More

Aqueduct of Malagueira—Complexity or Contradiction

Aqueduct of Malagueira—Complexity or Contradiction

Rodrigo Lino Gaspar

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More

Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’

Schmitz and Drévet: The Egyptian Pavilions at the 1867 ‘Exposition Universelle’

Anja Segmüller

The 1867 Paris Exposition Universelle was one of the most frivolous and lavish events in late-19th-century European history. Erected along the Champs-de-Mars, it encompassed a huge, covered arena surrounded by dozens of pavilions and gardens.[1] It was conceived by Napoleon III to showcase of industrial and technological progress, to promote… Read More

Alberto Ponis, The London Years

Alberto Ponis, The London Years

Gillian Darley

I am leafing through a neat hundred-page sketchbook with notes, the text enlivened with pencil, charcoal, and pen sketches with varied annotations, including asterisks and underlining in colour crayon, brought into order with careful lists and occasional full pages on practical matters such as delivering a lecture or taking architectural… Read More

DMJ – Canaletto’s Venetian Sketches and the Camera Obscura

DMJ – Canaletto’s Venetian Sketches and the Camera Obscura

Philip Steadman

Antonio Canaletto used a camera obscura to make careful sketches of the buildings of Venice. The Gallerie dell’ Accademia has a quaderno, a notebook containing 140 pages of these sketches, which provided the raw material for paintings made in the 1730s, as well as finished drawings that Canaletto offered for sale.… Read More

The Polyhedrists (2022) – Review

The Polyhedrists (2022) – Review

Rosie Ellison-Balaam

The Polyhedrists is described as ‘a history of the relationship between art and geometry in early modern period’.[1] Despite it being a relatively short book, it offers a complex and confronting view of polyhedra’s history; polyhedra being three-dimensional convex shapes with flat polygonal faces and straight edges. Its author, Noam… Read More

DMJ – The Stereoautograph

DMJ – The Stereoautograph

Pablo Garcia

The Zeiss Stereoautograph 1914 Bild II is a mammoth device (Fig.1). It weighs over 400kg and has the same footprint as a Smart Car. When it was retired and donated to the Zeiss Archive in 2004, the Technical University of Hanover had to remove part of its roof in order to lift… Read More

Baron Ferdinand de Rothschild at Waddesdon

Baron Ferdinand de Rothschild at Waddesdon

Baron Ferdinand de Rothschild

The following extract, a personal account by Baron Ferdinand de Rothschild, describes the imaginary and real processes of constructing and maintaining a country home, from the ground up, in late-19th-century England. Written for the Red Book in 1897, a family album of sorts, it is one of the key sources… Read More

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

The ‘indispensable ingredients of sublimity’: Smirke and Papworth’s Designs for the Wellington Testimonial

Colum O'Riordan

In 2001, the Irish Architectural Archive (IAA) acquired at auction an item described in the catalogue as ‘Architectural Drawing, possibly by Robert Smirke, of Wellington Monument, Phoenix Park’. The unsigned, undated drawing is a perspective view of an obelisk, the base of which is a four-faced distyle Doric temple. This… Read More

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Trevor Dannatt: St Mary’s Grove — I’m going to get medieval on your ass!

Adrian Dannatt

‘I’m going to get medieval on your ass!’ Any analogy between the hefty massing of the middle-ages and soi-disant Brutalism is here revived in the bold metal hinges of our garage door, worthy of some château fort. Likewise the solid lead parapet of the roof could well guard a fortress, if also reminiscent of the… Read More

Heinz Isler: Natural Hills on Different Edge Lines

Heinz Isler: Natural Hills on Different Edge Lines

John Chilton

I first encountered Heinz Isler’s thin reinforced concrete shells when I saw his presentation ‘Third Decade of Structural Shells’ at the thirtieth anniversary symposium of the International Association for Shell and Spatial Structures (IASS), in Madrid, in September 1989. This was the first time I saw his inspirational drawing ‘Natural Hills on… Read More

Protected: Emerging Ecologies: O.M. Ungers

Protected: Emerging Ecologies: O.M. Ungers

There is no excerpt because this is a protected post.

The Manufacture of architecture: Joseph Paxton and the development of the Great Stove

The Manufacture of architecture: Joseph Paxton and the development of the Great Stove

Hugh Strange

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. Joseph… Read More

Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop

Drawing Research Platform, Somerset, 2023, ENAC Summer Workshop

Alberto Johnsson, Arthur Masure, Daniel Nitsche, Toby Pullen and Alexander Turner

During a one-week summer workshop at Shatwell Farm, students from the EPFL, alongside young architects from the UK, explored drawing as a key tool of architecture and engineering. Through research into the Drawing Matter collection and the construction of survey drawings, the workshop used drawing as a corporeal form of… Read More

Keep digging and you will find what you are looking for: Alvar Aalto in Germany

Keep digging and you will find what you are looking for: Alvar Aalto in Germany

Sofia Singler

In 1957, Alvar Aalto gave a speech in Munich entitled ‘Schöner Wohnen’.[1] He referred to his own design, the Hansaviertel apartment block in Berlin—his first project in Germany—as he described the key concerns in the design of the modern dwelling. (The construction of Aalto’s second German project, the Neue Vahr… Read More

Repton does a Bernini – A crescent for The Ham

Repton does a Bernini – A crescent for The Ham

Timothy Mowl

Ever since 1743, when John Wood failed to get backers for his vast Royal Forum, the area to the south of South Parade has been treated like the campus of a nondescript university. The chequered gardens of Abbey Orchard have been supplanted by Manvers Street car park, while to the… Read More

Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once

Upper Lawn Pavilion: Strategy and Detail, Drawing / Feeling everything at once

Stephen Bates

In this film Stephen Bates discusses a group of drawings by Alison and Peter Smithson for the Upper Lawn Pavilion, dating from the late 1950s when the Smithsons bought the site, and the 1970s when the architects proposed several alterations—only some of which were realised. Stephen Bates’ relationship with the… Read More

Fragmentary Notes on Unclaiming the Life of a Drawing

Fragmentary Notes on Unclaiming the Life of a Drawing

Bahar Avanoğlu

The following notes reflect on a first year teaching studio led by Bahar Avanoğlu at Istanbul Bilgi University. The studio took Niall McLaughlin’s Alternative Histories model, an interpretation of a sketch by Basil Spence for extending the Houses of Parliament in London, as a starting point to continue a chain… Read More

Judit Reigl: Invisible Cities

Judit Reigl: Invisible Cities

Janos Gat

Judit Reigl was ninety-two years old in 2015 when she started Dance of Death, her transcendent series of small-scale vanitas drawings. Having reached a stage where she could barely see her own pencil marks, Reigl found skulls to be a ready subject. She said she had drawn many skulls in… Read More

Gothic Put to Use: The Viollet-le-Duc Album

Gothic Put to Use: The Viollet-le-Duc Album

Martin Bressani

This film is part of series of posts of selected papers from the study symposium at Shatwell Farm, hosted by Drawing Matter and convened by KU Leuven and TU Delft on 27 and 28 April 2023. More about the symposium, and other films and written papers, can be found here. In… Read More

François Cointeraux: the Architect of the ‘Agricultural Proletariat’

François Cointeraux: the Architect of the ‘Agricultural Proletariat’

Anja Segmüller

François Cointeraux was born in Lyon in 1740 and was introduced to agriculture and construction at an early age through his family’s business ventures. When his uncle designated him the ‘universal heir’ of his company, Cointeraux inherited several buildings in Lyon and around 24 houses in the area. His marriage… Read More

DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

DMJ — Of Lines Terrestrial and Occult: Friedrich Gilly, Alberto Sartoris, Adolphe Appia, and the Matter of Perspective

Ross Anderson

This essay discusses three enigmatic one-point perspective drawings. The first was made by the precocious Prussian architect and teacher Friedrich Gilly, the second by Alberto Sartoris as a young student of architecture in Geneva, and the third by the relatively unknown modern Swiss scenographer Adolphe Appia. These drawings have been… Read More

Portals: The Visionary Architecture of Paul Goesch (2023) – Review

Portals: The Visionary Architecture of Paul Goesch (2023) – Review

Stan Allen

Paul Goesch was forcibly detained in a psychiatric hospital and, in 1940, murdered by the Nazis. Looking at these intense, yet often playful and exuberant drawings, it is impossible to forget the stark facts of his life. Which is unfortunate, because an exclusive attention to his personal history imposes a… Read More

Gathered Moments: Asplund’s Villa Snellman

Gathered Moments: Asplund’s Villa Snellman

Andrew Carr

Virginia Woolf’s use of short stories to form larger works, and her bracketing of inner discourse with physical objects and phenomena, suggest a similar episodic approach to architectural composition. Discrete moments are assembled to form a whole which is often held within an overarching temporal structure. This structure does not… Read More