Showing 397–408 of 481 results for in the archive ordered by relevancy

O’Donnell + Tuomey in Conversation

O’Donnell + Tuomey in Conversation

Sheila O'Donnell and John Tuomey

Sheila O’Donnell (1953), composite plan drawing, Central European University, Budapest, 2013. Print on thick wove paper, 1200 × 1200 mm. DMC 3220. John Tuomey: Let me tell you the story…

The Decline of Architectural Drawing (1859)

The Decline of Architectural Drawing (1859)

C. H. Smith

Henry Roberts (1803–1876), Fishmongers’ Hall, 1838. Pen, ink, watercolour and bodycolour on thick wove paper, 505 × 747 mm. DMC 2161. The Royal Academy’s 1859 summer exhibition, combined with a…

Paul Robbrecht: Drawn Closer

Paul Robbrecht: Drawn Closer

Paul Robbrecht

Initiatief 86 was important because (as Robbrecht en Daem) it was more or less our first real work for art. It was also an important moment for the Belgian art…

Superstudio: In Yesterday’s Tomorrow

Superstudio: In Yesterday’s Tomorrow

Eszter Steierhoffer

‘Metamorphoses become frequent when a culture does not have sufficient courage to commit suicide (to eliminate itself) and has no clear alternatives to offer either‘ – Adolfo Natalini Superstudio (1966–1978),…

Mussolini and the Tomb of Augustus in the Spring of 1935

Mussolini and the Tomb of Augustus in the Spring of 1935

John David Rhodes

Vittorio Ballio Morpurgo (1890–1966), Piazza Augusto Imperatore, before 6 May 1935. Overdrawn photograph on paper, 1105 × 1900 mm. DMC 2666. Fascist urban planning was animated by the fear that…

Paul Robbrecht

Paul Robbrecht

Rosemary Willink

Watercolour is not the traditional medium one associates with architectural plans, particularly those that are realised in built form. I believe this is what caught my eye while searching for…

Charles Percier

Charles Percier

Niall Hobhouse

Charles Percier (1764–1838), Design for a Samovar, c.1808. Black lead, pen and grey ink and grey, brown and black wash, 380 × 293 mm. DMC 2171. Design for a Samovar…

Ferdinando Galli Bibiena

Ferdinando Galli Bibiena

John Cooper

Ferdinando Galli Bibiena (1657–1743), Stage Set (verso), 1700. Pen and sepia ink with blue wash on paper, 205 × 259 mm. DMC 1551v. When, in the two-point perspective drawings of…

Guy Debord

Guy Debord

Anthony Vidler

Guy Debord (1931–1994), Guide psychogéographique de Paris. Discours sur les passions de l’amour, 1957. Lithograph, 595 × 735 mm. DMC 2302. ‘But I must here, once and for all, inform…

Karl Friedrich Schinkel

Karl Friedrich Schinkel

Basile Baudez

Karl Friedrich Schinkel (1781–1841), Construction for Entrance Facade, Tilebein House, Stettin, Prussia, 1806. Sepia ink and colour washes on paper, two sheets joined, 1000 × 605 mm. DMC 1856.1. In…

San Rocco

San Rocco

Helen Thomas

Michele Marchetti (1980), San Rocco, Issue 0, Innocence, 2010. Front cover, 230 × 175 mm. This beautiful and black glossy image lies on top of the contrasting ground of a…