Showing 421–432 of 1131 results for High Hit-Rate MB-820 – 100% Free Trustworthy Practice | MB-820 Real Exam 🏧 Search for ⏩ MB-820 ⏪ and obtain a free download on “ www.pdfvce.com ” 🏏Exam MB-820 Guide Materials ordered by newest

Seeing Fire | Seeing Meadows

Seeing Fire | Seeing Meadows

Holger Kleine and Anna Kostreva

…‘New Mosques’ (Catalogue JOVIS 2014), ‘My Home is my Parcel’ (German Architecture Museum Frankfurt DAM 2020), and ‘The Salons of the Republic’ (DAM /JOVIS 2021). His design ‘Talking Station 1’…

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II

The Ulysses Project: Architecture and the city through James Joyce’s Dublin: Part II

Freddie Phillipson

…anything. Chapter 8, lines 485-92 Miss Douce’s brave eyes, unregarded, turned from the crossblind, smitten by sunlight. Gone. Pensive (who knows?), smitten (the smiting light) she lowered the dropblind with…

Thinking Through Twentieth-Century Architecture (2023) – Review

Thinking Through Twentieth-Century Architecture (2023) – Review

André Patrão

…the fore. ‘My thesis’, he states, ‘is that the practice of architecture and its critical understanding are dependent on views of the world that can be examined philosophically.’  Michael Graves,…

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Just Begin: The Convent Sainte-Marie-de-la-Tourette

Stan Allen and José Oubrerie

…design proposition dictates its own course. Iannis Xenakis (1922–2001), axonometric study, Convent Sainte-Marie-de-la-Tourette, 1954. Pencil and Colored Pencil. Foundation Le Corbusier © FLC-ADAGP. The Convent Sainte-Marie-de-la-Tourette is one of Le…

Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review

Inessential Colors: Architecture on Paper in Early Modern Europe (2021) – Review

Anthony Vidler

…central motor of perception and media construction. Abraham-Louis-Rodolphe Ducros (designer and colorist), Giovanni Volpato (engraver), Vue de l’Arc de Tite à Rome, Rome, ca. 1780. Etching, colored washes and gouache…

Notes on the 2017 Summer School

Notes on the 2017 Summer School

Nana Biamah-Ofosu and Bushra Mohamed

…seeing things, (and what one expects of them).’ Ludwig Wittgenstein, Diary, 1931 Nana Biamah-Ofosu: In Wittgenstein’s words I recognise my own pursuit of architecture. The practice of, the making and

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Alison and Peter Smithson’s Collages as Reinventing Established Reality

Marianna Charitonidou

…Bookshop, 32 Bedford Square (door at No.33), London WC1B 3ES. The event will be open to the public. Notes Alison and Peter Smithson, ‘The “As Found” and the “Found”‘, in David Robbins,…

Architecture’s Mirror Stage

Architecture’s Mirror Stage

Michael Abrahamson

…“Periscope” exterior window treatment, Corning Museum of Glass, New York, USA, c.1976–1980. Gunnar Birkerts and Associates records, hs18338, Bentley Historical Library, University of Michigan. In the drawing, [above] an unclad,…

Writing Prize 2020: Hugh Casson’s ‘Diary’

Writing Prize 2020: Hugh Casson’s ‘Diary’

Laura Freeman

for fantasy stage-flats for the opera at Glyndebourne. There is his banqueting work (Royal Academy, Buckingham Palace) and his bread-and-butter work (Sainsbury’s in Chichester, Waitrose’s Beaconsfield store.) A request comes…

­­­Constant’s Ladders as Mythic Entity

­­­Constant’s Ladders as Mythic Entity

Alison Bartlett

and Mark Wigley, Constant: New Babylon (Madrid: Edition Museo Nacional Centro de Arte Reina Sofia, 2015).<https://issuu.com/museoreinasofia/docs/constant._ingl__s> [accessed 28 October, 2023], 13. Based on Marx’s definition of Homo faber (‘Man the…

Leto Litho Leningrad

Leto Litho Leningrad

William Firebrace

…1972, never to return. Leningrad was for him a distant memory, an emotional location both lost and longed for. Лето – leto – pronounced lieta – Russian for summer. Anatoli Lvovich Kaplan (1902–1980), Summer Garden,…

Venice Biennale

Venice Biennale

…to finally, Sigurd’s Lewerentz’s churches set within the landscape. Exhibition: Elizabeth Hatz, Line Light Locus (installation & publication) Elizabeth Hatz (1953), Elevation A, Ground – Floor, Venice Biennale, 2018. Digital…