Period: c20th

Protected: Processing Process

Protected: Processing Process

Pablo Garcia

There is no excerpt because this is a protected post.

Isou’s Bouleversement

Isou’s Bouleversement

Editors

Je pense que par la masse des définitions nouvelles et par la masse des secteurs inédits dévoilés, ce petit livre est le plus important ouvrage paru dans toute l’historie de l’architecture ou du moins le plus important ouvrage paru depuis plusieurs siécles en ce domaine. I believe that in terms… Read More

Protected: Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)

Protected: Hans van der Laan’s Instruments of Thought: Proportion, Architecture, Analogy (2025)

C.M. Howell

There is no excerpt because this is a protected post.

Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Les Fantasmes de l’origine: A Reverse Archaeology of the Désert de Retz 

Francis Martinuzzi

Last year, Francis Martinuzzi contacted Drawing Matter after seeing a reproduction of one of his drawings on our website. The drawing was from a project from the submission for his architectural diploma with Jean Faloux under the tutelage of Antoine Grumbach at Unité Pédagogiuqe no. 6 (L’École nationale supérieure d’architecture… Read More

Protected: Notes on Urban Form

Protected: Notes on Urban Form

There is no excerpt because this is a protected post.

Walter Marchetti: Observation of the Movements of a Fly

Walter Marchetti: Observation of the Movements of a Fly

Matt Page

A fly lands on a windowpane. It pauses for a few seconds before crawling across the surface. It stops again, and waits. It flies off the glass and drops down at another point. It crawls, pauses; crawls, waits. This routine continues from 7 in the morning until 8 at night…… Read More

Protected: Fine Art and Commercial Architecture

Protected: Fine Art and Commercial Architecture

Donald Judd

There is no excerpt because this is a protected post.

In the Archive: Abattoirs, Boucheries, and Slaughterhouses

In the Archive: Abattoirs, Boucheries, and Slaughterhouses

Rosie Ellison-Balaam

Click on drawings to move and enlarge. As architectural typologies, abattoirs, boucheries, and slaughterhouses embody the civilising of animal slaughter; serving as concrete expressions of the culture of animal consumption. Over time, the slaughterhouse has evolved in both its structures and perceptions, from a small-scale, craft-based operation rooted in necessity,… Read More

Curtains

Curtains

Petra Blaisse and Sophie Wehtje

Brief email exchanges.  When meeting physically is out of the question, good old-fashioned correspondence still works, even if and for some time now, it is done electronically. This is how many of the editorial pieces on the Drawing Matter website come into being—through a chain of typed messages. It’s a… Read More

Protected: Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook

Protected: Exploding Art and Architecture: Zaha Hadid’s Irish Prime Minister’s Residence Sketchbook

Catherine Howe

There is no excerpt because this is a protected post.

Leicester Engineering Building: Un-detailing

Leicester Engineering Building: Un-detailing

Reyner Banham

The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More

Aldo Rossi at Drawing Matter

Aldo Rossi at Drawing Matter

Editors and Nicholas Olsberg

Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More

Zünd-Up’s Great Vienna War of Dreams

Zünd-Up’s Great Vienna War of Dreams

Wouter Van Acker

‘Only the realization of utopias will make man happy and release him from his frustrations! Use your imagination! Join in… Share the power! Share property.’ Wolf Vostell, Cologne 1969 [1] On June 28, 1969, the four members of the Viennese collective Zünd-Up presented their student project, The Great Vienna Auto-Expander, for Karl… Read More

Broadcasting Norwegian Time

Broadcasting Norwegian Time

Jørgen J. Tandberg

All drawings were done by Nils Holter Office during the NRK project period 1941-47, each made in pencil on paper with the initials of the draughtsman who drew it. Drawings from Nils Holter’s archives/Jan Bauck Arkitektkontor. Photographs courtesy of Jørgen Johan Tandberg. In the summer of 2024, and after several… Read More

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Elizabeth Chesterton & Tomorrow Town: A New Town Thesis by Architectural Association Students

Mary Mitchell

In 1999, I was an undergraduate at Edinburgh University studying Architectural History when I undertook a work placement at the university archives. Here I was asked to help organise an uncatalogued collection received from the Patrick Geddes Centre at the Outlook Tower. Within this collection were 12 portfolios. Portfolio 7… Read More

DMJ – Place is the Principle of Generation

DMJ – Place is the Principle of Generation

Peter Carl

The essay takes the theme of storytelling and architecture as an opportunity to reframe the received generalisations of time and space. Roger Bacon’s insight that place is intrinsically temporal anticipates the description of ‘scene construction’ by neuroscientists Demis Hassabis, Dharshan Kumaran and Eleanor A. Maguire as that which ‘constitutes a common process underlying episodic memory’.… Read More

Torrentius, or The Visage of Time

Torrentius, or The Visage of Time

Pierre Chabard

Tête-à-tête Charles Vandenhove’s transformation of the Hôtel Torrentius in Liège’s Rue Saint-Pierre between 1977 and 1981 marked a crucial point in the trajectory of both the building and the architect. When, in November 1977, Vandenhove purchased the mansion to set up his architectural practice and city home, the building was… Read More

Making their Curves Come True…

Making their Curves Come True…

Editors

By the 1950s, a generation of architectural draughtsmen had abandoned their Beaux Arts ‘curves’ for the rulers and set squares of High Modernism; they had to be tempted back, by whatever means, to drawing the irregular curves that were both a possibility—and a feature—of the new architecture of structural concrete.… Read More

Haunted Venice

Haunted Venice

Mark West

After Niall Hobhouse saw an image of my collage, Venice Haunted, he sent me some comparable images, including a Hogarth frontispiece for a book on perspective theory and practice (1745). Its caption reads: ‘Whoever makes a design without the knowledge of perspective will be liable to such absurdities as are… Read More

Josef Hoffmann: Placeholder Text

Josef Hoffmann: Placeholder Text

Rosie Ellison-Balaam

Designed to match the neoclassical grandeur of Peter Behrens’s Festival Hall, Josef Hoffmann formulates this monumental scheme for the Werkbund’s first exhibition in Cologne. Its facade is dominated by a propylaeum-like entrance, lined with fluted pillars. Above, stepped attics raise the gable fronts upward. The lettering is an appropriately Werkbund… Read More

Drawing on Ideas

Drawing on Ideas

Stan Allen

In 1972, when Peter Eisenman’s House II was published in L’Architecture d’Aujourd’hui, the editors confused a photograph of the built work for an image of a model. The house was located in Southern Vermont, and had been shot from a low angle against a uniform grey sky with a snow-covered hillside… Read More

Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis

Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis

Laura Harty

‘He pulls down, he builds up, he exchanges square for round.‘Horace—Epistles. I. 1. 100[1] The Aldo van Eyck drawing currently on show at 13 Lincoln’s Inn Fields appears, at first glance, to do precisely this. A preliminary drawing, one made for the design of the architect’s own house, on transparent… Read More

Adolf Loos: House Tzara, Paris, 1925-27

Adolf Loos: House Tzara, Paris, 1925-27

Ralf Bock

In 1924, Adolf Loos decided to leave Vienna and move his office to Paris. This decision was prompted by the politically motivated closure of the Settlement Office in Vienna. Loos had been the chief architect of the Settlement Office and was deeply committed to the settlers’ movement and the young… Read More

Eisenman on Rossi

Eisenman on Rossi

Peter Eisenman

Rossi’s analogous drawings, like his analogous writings, deal primarily with time. Unlike the analogous writings, however, the drawings represent the suspension of two times: one processual—where the drawn object is something moving toward but not yet arrived at its built representation; and the other atmospheric—where drawn shadows indicate the stopping… Read More