Period: c20th

Tolerance

Tolerance

Tom Emerson

Too many people have talked about how profoundly the production of architecture has changed in the wake of the digital revolution. Far fewer have noted how architecture has resisted the seductive flourishes of digital production and maintained a dogged continuity with social and historical space. Bricks remain bricky even when… Read More

Protected: Excuse My Dust, or the Air I Breathe: Notes on Architecture in the Archives

Protected: Excuse My Dust, or the Air I Breathe: Notes on Architecture in the Archives

Marco Moro

There is no excerpt because this is a protected post.

In the Archive: Maristella Casciato

In the Archive: Maristella Casciato

Maristella Casciato

From April to July, Maristella Casciato was Drawing Matter’s Visiting Scholar—our first in London. During her time in the archive, she made new discoveries and started many stimulating conversations. Among other things, she closely studied Le Corbusier’s Chandigarh Punjab Grille Capitol album, translated a selection of Gio Ponti’s illustrated letters,… Read More

Protected: Andrea Branzi & Archizoom Associati at Drawing Matter

Protected: Andrea Branzi & Archizoom Associati at Drawing Matter

Rosie Ellison-Balaam and Francesco Fiammenghi

There is no excerpt because this is a protected post.

Carlos Diniz: London 2025

Carlos Diniz: London 2025

Editors

‘As a piece of urban design [it] is simply abysmal. A wonderful opportunity to create a new place in London with innovative urban forms has been missed… The layout is simplistic and banal, the architecture lumpy and mediocre—the whole looks like a chunk of some ageing, tired and dreary US… Read More

Orgonic Architecture

Orgonic Architecture

Rosie Ellison-Balaam

A face is drawn over a torso; breasts are transformed into eyes with nipples as pupils, the nose curves along the edge of the ribcage, and the belly button is the pursed smoking and kissing mouth, above hangs a necklace made of spherical beads, acting like a curled fringe. The… Read More

DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge

DMJ – Riddle as Method, Transparency at Play: Aldo Van Eyck at Baambrugge

Laura Harty

As work on site at the Orphanage (1956-1960) neared completion, Aldo van Eyck was busy exploring and expanding the reach of his ideas through a number of interlaced and mutually generative projects, editorial of Forum magazine (1959-63), contributions to the reorganisation and ultimate dissolution of CIAM (1954-1960) and the design of a… Read More

Banana Ballpoint

Banana Ballpoint

James Gowan

design for a ball-point pen to be the same size as a banana, in plastic with soft rubber skin, and in bold natural colour, technicolour preferably. based on the observation that a ‘peeled’ banana is good functional shape for writing—not unlike a quill pen nor much like one either. 1st… Read More

Protected: Le Corbusier, Album Punjab, 1951

Protected: Le Corbusier, Album Punjab, 1951

Maristella Casciato

There is no excerpt because this is a protected post.

Reading Between the Lines: The Language of Structural Engineers

Reading Between the Lines: The Language of Structural Engineers

Gina Morrow

A version of the phrase ‘engineering drawing is a universal language of signs and symbols’ appears in countless engineering drawing textbooks starting in the early twentieth century and continues today. A particularly evocative iteration published in the 1960s states: ‘[Engineering drawing] is a universal language; for the reader may be… Read More

Gio Ponti at Drawing Matter

Gio Ponti at Drawing Matter

Maristella Casciato and Rosie Ellison-Balaam

Gio Ponti (1891-1979) was born in Milan, and while he had ambitions to become an artist, he enrolled in architecture at the Politecnico di Milano in 1913. He completed his studies in 1921 after serving in the war, and in the same year, he opened his firm. Ponti is often… Read More

The Design Legacy of Tamar de Shalit and Arthur Goldreich

The Design Legacy of Tamar de Shalit and Arthur Goldreich

Amos Goldreich

After visiting the Tamart studio in Hoxton to see the collection of drawings by Tamar de Shalit and Arthur Goldreich, and the growing collection of furniture based on their designs, the editors asked Amos Goldreich to write this illustrated account of his parents’ remarkable lives both in South Africa and… Read More

DMJ – A Storyboard for the Fun Palace

DMJ – A Storyboard for the Fun Palace

Ana Bonet Miró

Each community, with its own pride, wit and resourcefulness, could make a toy, a microcosm, a small city, a university-of-the-streets, a street theatre, a science playground, an adventure playground for the young kids – a place for time-wasting, gossip, new-arguing, learning, promenading, dancing, eating and drinking, handling tools, paint, machinery…… Read More

Sourcing Superstudio

Sourcing Superstudio

Martha Cruz

On the 21st page of Natalini’s 12th sketchbook (DMC 2141) there is a list of buildings and landmarks. It feels quite disparate at first. It begins as a chronological list of architecture’s greatest and most recognisable hits: Stonehenge… the Colosseum… the Uffizi… the Taj Mahal… Crystal Palace… the Eiffel Tower.… Read More

Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência

Architecture as Poetics of Knowledge. The São Salvador de Figueredo Parish Church by Paulo Providência

Peter Carl

The book Architecture as Poetics of Knowledge is essential reading for anyone interested in Paulo Providência’s renovation of the parish church of São Salvador, Figueredo, 1992-2002, as well as for understanding his singular architectural poetics. A beautifully published suite of drawings (29 pages, including 4 foldouts) and photographs (34 pages) is supported… Read More

Studio Ponis: The Crystal and the Flame

Studio Ponis: The Crystal and the Flame

Irina Davidovici, Niall Hobhouse, Alex Pillen, Jonathan Sergison and Annarita Zalaffi

On Friday 20 June, Drawing Matter welcomed Annarita Zalaffi, Jonathan Sergison, Irina Davidovici, and Alex Pillen to the archive for a conversation about the work of Studio Ponis in Sardinia, and Alberto Ponis and Annarita Zalaffi’s working relationship. The conversation marked the opening of an exhibition of drawings from the… Read More

Le Corbusier at Drawing Matter

Le Corbusier at Drawing Matter

Maristella Casciato and Nicholas Olsberg

Born in La Chaux-de-Fonds, Switzerland, Le Corbusier (Charles-Édouard Jeanneret-Gris, 1887-1865) trained in the fine and decorative arts before undertaking travels and varied apprenticeships to develop his architectural skills, opening a studio and teaching practice in La Chaux in 1912, and moving to Paris in 1917 to work principally as a… Read More

Trevor Dannatt’s Riyadh Mosque: A Study in Sacred Space and Cultural Juxtaposition

Trevor Dannatt’s Riyadh Mosque: A Study in Sacred Space and Cultural Juxtaposition

Majed Alghaemdi

Saudi Arabia’s Quest for Modern Identity and the Urban Transformation of Riyadh Beginning in the 1960s, Saudi Arabia embarked on an ambitious building programme, resulting in numerous architectural projects recognised internationally for their remarkable scale as well as their innovative architectural and engineering solutions.[1] This extensive initiative gained substantial momentum from… Read More

AnnaRita Zalaffi: The Engineer at the Heart of Alberto Ponis’ Work

AnnaRita Zalaffi: The Engineer at the Heart of Alberto Ponis’ Work

Alex Pillen

In April, Alex Pillen interviewed AnnaRita Zalaffi over the course of a day at her home in Palau, Sardinia. This text, which focuses on AnnaRita’s early life and her creative collaboration with her husband and professional partner Alberto Ponis, is published to coincide with the exhibition ‘The Crystal and the… Read More

From the Poetics of Reality to the Poetics of Memory

From the Poetics of Reality to the Poetics of Memory

Esin Kömez Dağlıoğlu

Aldo Rossi’s conception of context underwent a significant transformation over the course of his architectural career, shifting from an emphasis on place to a preoccupation with memory.[1] This evolution is most discernible in his drawings. A comparative close reading of two works—an untitled drawing from 1950 and Composizione con S. Carlo–Città e Monumenti from 1970—reveals… Read More

The Craft of Carpentry: Drawing Life from Japan’s Forests

The Craft of Carpentry: Drawing Life from Japan’s Forests

Alfred Mowse

The Craft of Carpentry exhibition at Japan House London is striking for showing an ongoing craft tradition and architectural culture that appears to be both attuned to history and inherently adaptable. A fellow visitor to the exhibition told me about his father who had been a sukiya carpenter, building their… Read More

Notes on Urban Form

Notes on Urban Form

Editors and Ingrid Schroder

I believe it was in February 2024, at some noisy event, that I agreed to deliver a handful of seminars to AA and LSE students around the topic of urban form. Niall had tempted me with the provision of fifty or so drawings from the archive, but I could take… Read More

We are the Power: Posters from Paris, May 68

We are the Power: Posters from Paris, May 68

Carl Williams

Against Pairing Drawing Matter generously responded to my request to loan two items from their collection to be used as realia in an exhibition of May 1968 posters at Tank Magazine’s showroom on Great Portland Street. The items (DMC 2465 and 2302) are both lithographs in black and red, and… Read More

N.B. These Drawings Were From Memory

N.B. These Drawings Were From Memory

Abel Sloane

After entering Smart’s Place, and climbing the steep staircase of treads (that become increasingly high and shallow until all the tension in my body was focused on my toes gripping and my weight not leaning back*), I arrived at the space of Drawing Matter where Rosie had indiscriminately laid out… Read More