Period: c20th

DMJ – Where to Find a Drawing of a Swiss Gold Vault

DMJ – Where to Find a Drawing of a Swiss Gold Vault

– Ludo Groen

If you really want to learn where to find the mountain vaults of Swiss banks, and what they look like, the first thing you should know is that the archives vigilantly kept by almost all banks in Switzerland are not publicly accessible – and even when they are, the last… Read More

Freddie Phillipson: The Ulysses Project (Video)

Freddie Phillipson: The Ulysses Project (Video)

– Freddie Phillipson

On Bloomsday 2026—the single day on which James Joyce’s Ulysses takes place—Freddie Phillipson presented and discussed drawings of Dublin as experienced in the novel, taken from his twenty-year exploration of Joyce’s landmark text. During the evening, Phillipson’s working and finished drawings were displayed in the Drawing Matter archive and he read from the… Read More

Protected: Mark Fisher: The Wall for Pink Floyd

Protected: Mark Fisher: The Wall for Pink Floyd

– Editors

There is no excerpt because this is a protected post.

Collection Guide: Alberto Ponis

Collection Guide: Alberto Ponis

– Editors

Alberto Ponis was born in the small port suburb of Nervi in Genoa, in 1933. He was the son of Mario A. Ponis, who owned a textile production company called MITA, which introduced him early on to many Italian artists and designers of the 20th century. The company had worked… Read More

Building a Site: Between Tradition and Modernity – Asplund’s Summerhouse in Stennäs

Building a Site: Between Tradition and Modernity – Asplund’s Summerhouse in Stennäs

– Mafalda Ribeiro

In 1936, four years before his death, Erik Gunnar Asplund designed his own house on a site with unique characteristics, irregular topography, and rocky outcrops. Known as the summerhouse in Stennäs, it remains a timeless architectural case study. The house embodies an architectural idea, a distinct approach to the tenets… Read More

An Interview with David Connor

An Interview with David Connor

– Gianni Botsford and David Connor

* Gianni Botsford (GB): What I said that I could talk to you about is where it all started for you, how you learned to draw,  where your drawing method came from, and how it developed over time. David Connor (DC): I did start to draw when I was 4 or 5, which would… Read More

The Indeterminate Building: Grimshaw’s ‘Action Factory’ for Herman Miller

The Indeterminate Building: Grimshaw’s ‘Action Factory’ for Herman Miller

– Matt Page

In 1975, following a closed competition during which Norman Foster and James Stirling were also approached, the Farrell/Grimshaw Partnership were invited to design a new factory for the American furniture company Herman Miller. Five years earlier, the company had set up a salesroom and workshop in Bath in the former… Read More

The Analogous City: Panel

The Analogous City: Panel

– Aldo Rossi

Having been asked to write about the panel exhibited at the Venice Biennale—entitled The analogous city, a joint work carried out with my friends Eraldo Consolascio, Bruno Reichlin and Fabio Reinhart—it is worthwhile, I feel, posing a few general questions that arise prior to experiments or results of this kind.… Read More

Franco Purini: Drawings of Imagination

Franco Purini: Drawings of Imagination

– Lina Malfona

‘The drawing represents the medianic exploration of the shaded side of reason and, contradictorily, the scene of an ideal landscape in which the architect believes he will be happy. As the place of theoretical truth, the drawing institutes itself independently of architecture. Superior to architecture by the fact that it… Read More

Reading Las Vegas: An Oral History of Drawing

Reading Las Vegas: An Oral History of Drawing

– Denise Scott Brown and Ariel Koltun-Fromm

The following interview is excerpted from a longer conversation between Ariel Koltun-Fromm and Denise Scott Brown which took place in April 2024 at her home in Philadelphia. It is part of a larger research project by Ariel investigating drawing as a means of interrogating existing places.  * Ariel Koltun-Fromm (AKF):… Read More

Michael Gold: The Dialogue of Representation

Michael Gold: The Dialogue of Representation

– Michael Gold and Dalibor Vesely

The following text, ‘The Dialogue of Representation’ by Dalibor Vesely, was published in People in Architecture, the book featuring the exhibition of work by Michael Gold’s AA Unit 5 students held at the Architectural Association, 4–29 October 1983. Read a response to the exhibition by Peter Wilson here.  Drawing Matter… Read More

A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage

A Palimpsest in Line: A Graphic Biography of the Hasselt Beguinage

– Koenraad Van Cleempoel and Joshua Kempen

The revitalisation of the Hasselt Beguinage and its transformation into the Faculty of Architecture and Arts has created an opportunity to reconsider the role of drawing as a critical mode of inquiry in adaptive reuse. Rather than treating drawing as a purely representational tool, the project frames it as an… Read More

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

BOLLES+WILSON: Drawing Towards Building (Exhibition + Talk)

– Editors

On Saturday 4 and Sunday 5 July, Drawing Matter presented an exhibition of drawings by BOLLES+WILSON (founded in London in 1980; based in Münster since 1988). The exhibition was the fourth in a series presenting the work of architects and practices that are represented in the Drawing Matter Collection by significant portfolios… Read More

On Tony Fretton’s Sketchbook, 1981 (Video) 

On Tony Fretton’s Sketchbook, 1981 (Video) 

– Benjamin Machin

Tony Fretton’s earliest sketchbooks contained within the collection at Drawing Matter are not records of projects developing page by page. They are stranger and more useful than that. Notes, sketches, references, lists, details, business, fragments of furniture and architecture sit beside one another without much concern for order. For an… Read More

The Visual Origins of Circulation in Architecture

The Visual Origins of Circulation in Architecture

– Fabio Colonnese

Amidst the architecture historians, the comparison between the plan of Borromini’s church of San Carlo alle Quattro Fontane and that of one of Bramante’s four pillars supporting the dome of St. Peter’s Basilica is well-known. Though I could not find the name of the historian who conceived it, it definitely… Read More

Protected: Colour in Architectural Drawings

Protected: Colour in Architectural Drawings

– Editors

There is no excerpt because this is a protected post.

Protected: The Temple

Protected: The Temple

– Clive Aslet

There is no excerpt because this is a protected post.

Blow Up: Dante Bini and His House for a Film Director

Blow Up: Dante Bini and His House for a Film Director

– Will McLean

On July 4th, 1964, in Crespellano on the outskirts of Bologna, Italian architect Dante Bini successfully constructed (in less than three hours) a 12m diameter, 6m high, hemispherical reinforced concrete shell structure using the unique pneumatic formwork of a giant balloon. As a student, Dante Bini had studied and admired… Read More

Collection Guide: Peter Wilson & BOLLES+WILSON

Collection Guide: Peter Wilson & BOLLES+WILSON

– Editors

Peter Wilson and Julia Bolles are the founding partners of Architekturbüro BOLLES+WILSON. Peter Wilson was born in Australia, he studied architecture at the University of Melbourne and the Architectural Association, where he later taught from 1974–1988 (Diploma Unit Master 1980–88). Julia Bolles was born in Münster and graduated from the Karlsruhe Institute of… Read More

The Primacy of Drawing

The Primacy of Drawing

– Roger Malbert

The Primacy of Drawing, Deanna Petherbridge’s magisterial survey of the place of drawing in European art since the Renaissance, was first published by Yale University Press in 2010. Weighing in at 520 pages, it was a formidable achievement of vast erudition and profound insight, the fruits of more than two… Read More

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

Trevor Dannatt: St Mary’s Grove – La maison où j’ai grandi

– Adrian Dannatt

This is the eighth and concluding part of Adrian Dannatt’s series of reflections on his family home, frequently remodelled and extended over 45 years from 1955, by his father, the architect Trevor Dannatt. Read the introduction to the series here. * Curtains The newly restored house appeared, on the cover no… Read More

The Right to Imagine: Michael Sorkin’s Visual Argument

The Right to Imagine: Michael Sorkin’s Visual Argument

– Marina Correia

On the wall of the third-floor mezzanine of the Spitzer School of Architecture of The City College of New York (CCNY) hangs a wood model titled Urbanagram. It was the product of a collaboration of students of the Master’s in Urban Design Program, directed for almost two decades by Michael Sorkin… Read More

Owen Luder: Sunderland Stadium

Owen Luder: Sunderland Stadium

– Owen Hopkins

Apart from the extraordinary dynamism of the composition, one of the most striking things about this drawing of Owen Luder’s design for a new stadium for Sunderland A.F.C. is that the people heading towards the turnstiles aren’t wearing red and white. Indeed, the figures are not your usual football fans—today,… Read More

The Olympic Stadium Project: Le Corbusier & Baghdad

The Olympic Stadium Project: Le Corbusier & Baghdad

– Editors

In the first three months of 2009, the Victoria and Albert Museum presented a small exhibition dedicated to Le Corbusier’s unrealised Olympic Stadium Project for Baghdad. The show was organised by the RIBA, Irena Murray, and Peter Carl, with work loaned from the Canadian Centre for Architecture (CCA), the Fondation… Read More