Tag: domestic

Josef Frank: Happy Accidentism

Josef Frank: Happy Accidentism

Mikael Bergquist

In the summer of 1947, the Austrian architect and designer Josef Frank began a brief but intense correspondence with his lover, Dagmar Grill, which took the form of thirteen sketch-proposals for a single-family house. Since emigrating to Sweden in 1933, Frank had carried out numerous interior design commissions through his… Read More

Harvey Wiley Corbett on Architectural Models of Cardboard

Harvey Wiley Corbett on Architectural Models of Cardboard

Between April and August 1922 the American journal Pencil Points printed a four-part series by the architect Harvey Wiley Corbett on architectural models that were made of cardboard. According to Corbett, cardboard was a medium for modern times, providing an economical and labour-saving way for the architect to produce models for study… Read More

On Cornices, Part I

On Cornices, Part I

Emma Letizia Jones

In 1806, the civil servant Karl Tilebein and his wife were looking for an architect to design their new country house in Züllchow, Pomerania. They contacted the young Prussian architect Karl Friedrich Schinkel, who, having recently returned from a two-year grand tour of Italy, was back in Berlin eking out… Read More

Informal Housing in Fars (Iran) and Kuwait, 1974

Informal Housing in Fars (Iran) and Kuwait, 1974

Eric Parry

This is another world – Yazd, a desert town really. It is troglodytic – a response to a hot, dry climate, so it is cut into the ground using mud brick, the wind catchers and domes create the silhouettes. So these pages are about the visit to Yazd – getting… Read More

Schinkel

Schinkel

Kurt Forster

Schinkel’s architecture is of a piece with his life, yet in various ways, by picturing and publishing the work, he took himself out of it. He wanted to make sure that his architecture could stand on its own, however deeply it had been a part of him. He was, in… Read More

Dance Dance Revolution

Dance Dance Revolution

Iris Moon

In 1788, the art theorist and critic Quatremère de Quincy devoted a long entry of the Encyclopédie méthodique to the arabesque, ‘forms of ornament that are often the most capricious, fantastical, and imaginary, whether in sculpture or painting, that architecture employs in the decoration of walls, panels, door-frames, pilasters, friezes, and sometimes even… Read More

TEd’A Arquitectes

TEd’A Arquitectes

Jaume Mayol and Irene Pérez

‘…In that Empire, the Art of Cartography attained such Perfection that the map of a single Province occupied the entirety of a City, and the map of the Empire, the entirety of a Province. In time, those Unconscionable Maps no longer satisfied, and the Cartographers Guilds struck a Map of… Read More

Behind the Lines 7

Behind the Lines 7

Philippa Lewis

Mr. Tassie’s House On June 27th 1807 William Tassie scratched his long nose, dipped a pen in the inkwell, and finished off his letter to Alexander Wilson Esq of Messrs. Dunlop & Wilson, Booksellers of Glasgow:   ‘I have been near a twelve month engaged with alterations in my house –… Read More

Bruce Goff

Bruce Goff

Nicholas Olsberg

This is an unbuilt house and studio project for two artists in the dry country of west Texas. It comes from a happy moment when architects could see no equation between the unreasonable and the unbuildable. Bruce Goff christened it APARTURE, perhaps a play on the words ‘apartness’, for its… Read More

Behind the Lines 6

Behind the Lines 6

Philippa Lewis

Richard Bentley cracked open the red seal, smiling as he always did at the peculiar crest of a man in a ridiculous long-tasselled hat, and folded out the letter. His mood was anxious; he scratched his head nervously with one hand and knocked over the ink on his drawing table with… Read More

Schinkel: ‘Precisely Loose’

Schinkel: ‘Precisely Loose’

Lok-Kan Chau

What light may Schinkel’s drawings shed on Building Information Modelling (BIM) practice? In 1806 the young Schinkel was asked to develop a residence design from a set of initial layout plans. He drew a façade section, a peristyle detail and a column capital, before the war began and the commission… Read More

Behind the Lines 5

Behind the Lines 5

Philippa Lewis

Boughton MonchelseaMaidstone September 26, 1828 My lord,  Please be so good as to find designs for the lodge that you commissioned, a habitation for your woodman, John Platt. I earnestly hope that it will be the ornament that you desired for your park improvements. I also enclose the books that… Read More

Take Courage

Take Courage

Freddie Phillipson

Architecture is born of experience, yet its realisation depends in no small measure on belief. Most buildings owe their existence primarily to evidence – the demonstrable proofs of the benefits they provide – for intuition must always be interrogated to justify the confidence placed in the architect. But the mysterious… Read More

Louis Le Vau: Château de Meudon

Louis Le Vau: Château de Meudon

Basile Baudez, Alexandre Cojannot and Alexandre Gady

Built in the 16th century on the banks of the river Seine, west of Paris, the castle of Meudon stands amidst the great French Renaissance monuments that were ultimately destroyed. When it was bought by Abel Servien in 1654, the old castle – built under François I in brick and stone… Read More

Drawings’ Conclusions

Drawings’ Conclusions

Stan Allen

The Campo Marzio project had its origins in a series of drawings done as far back as 1979, when I was a student at Cooper Union. I entered Cooper as a transfer student with a BA already in hand. I was originally placed in second year, but after a semester… Read More

Behind the Lines 2

Behind the Lines 2

Philippa Lewis

An idle (and very fanciful) speculation on the origin of a drawing Gloria Gigliotti, hosiery buyer at Saks Fifth Avenue, looked at the drawing that Paddy O’Neil from the Art Department had bought in to her office that morning. She had asked him, for a quick $5.00 on the side,… Read More

Dogma: The Room of One’s Own

Dogma: The Room of One’s Own

Pier Vittorio Aureli and Martino Tattara

The Architecture of the Private Room These drawings are part of a series of 48 perspectives that depict the ‘private’ room from antiquity to the present day. They comprise a study of the private room as a specific architectural form. Each perspective is taken with a more or less consistent… Read More

Archives, or Ardor

Archives, or Ardor

Iris Moon

Butter, fire, ardor: Roberto Calasso tells us that Vedic India is one of the earliest civilisations and one about which the least is known, having left nothing behind but a few fragments of enigmatic texts about worship and sacrifice. No buildings, no palaces, no traces of temples. Just the simple instructions… Read More

E. S. Prior’s Architectural Modelling

E. S. Prior’s Architectural Modelling

David Valinsky

The very fact that The Builder should publish an article explaining the benefits, the uses and the methods of making architectural models indicates just how novel the concept was in 1895, even in theory. ‘Architecture Modelling’ was the result of the almost unprecedented display of an actual model at the Royal Academy… Read More

Karl Friedrich Schinkel

Karl Friedrich Schinkel

Basile Baudez

In his designs for the Tilebein House, Schinkel makes considerable use of different colours corresponding to the nature of the materials depicted. To indicate iron he uses a darkish blue, for wood mostly yellow and, of course, when he wants to show cut masonry (he is building in brick), he… Read More

A Space / Two Spaces

A Space / Two Spaces

Anthony Vidler

The following exercise was given by Anthony Vidler as part of a workshop for LSA students on drawing on 31 June 2017. A ‘Ted Talk’ in Drawing Your client desires a space: not too large, not too small. Determine its size to accommodate:      Reading     Writing     Sleeping … Read More

A.L.T. Vaudoyer

A.L.T. Vaudoyer

Basile Baudez

Antoine-Laurent-Thomas Vaudoyer’s Maison d’un Cosmopolite is part of a series of projects from the end of the 1780s and 1790s that try to think about the sphere as a built volume. The most famous is Boullée’s Newton Cenotaph but it is one among many. It is not only the sphere… Read More

Conen Sigl Architekten: Drawing in retrospect

Conen Sigl Architekten: Drawing in retrospect

Maria Conen

A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More

Roz Barr Architects: The Maquette

Roz Barr Architects: The Maquette

Roz Barr

The act of making a physical artefact involves a to-and-fro engagement with an idea, in which decisions are ‘made’ and re-thought, and then un-made before the idea is realised. This roundabout but essential process of adaption is carried out, in the work of my architectural practice, through the use of… Read More