Tag: record

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One: James Gowan and Sandra Lousada on the Leicester Engineering Building

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Take One: Colin St John Wilson, MJ Long and Eric Parry on the British Library

Editors

Take One is a collaboration between Drawing Matter and the Architects’ Lives oral history project run by National Life Stories. Each episode pairs a drawing or visual element with a short audio extract, showing the image alongside the voice of its creator or an informed commentator. The audio extracts are taken from life… Read More

Aldo & Adolf

Aldo & Adolf

Aldo Rossi

And architecture itself? Architecture is still the central theme of Loos’s thought, and among his essays is a piece on the competition sponsored by the Chicago Tribune, a piece, which, like the one on the Michaelerhaus and ‘Ornament and Crime,’ is essential to the understanding of the meaning of architecture. This… Read More

Drawing with Rafael Moneo, Madrid 1984

Drawing with Rafael Moneo, Madrid 1984

Stan Allen

I arrived in Rafael Moneo’s Madrid office in early 1984. I had graduated from Cooper Union two years earlier and spent 18 months working for Richard Meier in New York.  I met Moneo in 1978 when he was teaching at the Institute for Architecture and Urban Studies, but I don’t… Read More

Gowan and Stirling

Gowan and Stirling

Fred Scott

This odd-shaped, yellowed analysis drawing by James Gowan, drawn directly onto heavy paper isn’t dated, and was probably added to years after the drawing was nearly complete. Ellis Woodman describes the drawing as ‘that drawing that James always kept in the box with his sketchbooks’. Unusually, when I first saw… Read More

Hugh Strange Architects: Drawing Matter Archive

Hugh Strange Architects: Drawing Matter Archive

We worked on the design of the Drawing Matter Archive in Somerset from September 2011 through to completion of the building in February 2014, providing a building of two halves with a studio space for day-to-day working and an adjacent space for the storage and occasional display of the clients’… Read More

Grunt Group: Unrolling the Netherfield Scroll

Grunt Group: Unrolling the Netherfield Scroll

On 7 April 2018, former members of the Grunt Group – Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones – presented their Netherfield Scroll to Drawing Matter. The 20-foot-long drawing was created c. 1971 for a low-density, social housing estate in Milton Keynes. The following video is a brief… Read More

Netherfield Scroll Two

Netherfield Scroll Two

Michael Gold

What follows here forms the second part of a two-part conversation. It has been extracted from the original email exchange between Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones in relation to the acquisition of the Netherfield Scroll, published in part one. The Netherfield Scroll – which measures 20… Read More

Netherfield Scroll One

Netherfield Scroll One

Chris Cross, Jeremy Dixon and Edward Jones

The following two-part conversation surrounds the acquisition of the Netherfield Scroll – a 20-foot-long drawing created c. 1971 by Chris Cross, Jeremy Dixon, Michael Gold and Edward Jones, otherwise known as the ‘Grunt Group’, for the commission of a low-density housing estate in Milton Keynes. The conversation with Jeremy Dixon… Read More

Onto an Epicycle of Cones

Onto an Epicycle of Cones

Mark Ericson

This drawing is part of a series that interrogates the orthographic drawing techniques of Guarino Guarini (1624–1683) set out in his posthumous treatise, Architettura civile, (1737). While some of the drawings from the series deal with the direct documentation of his orthographic drawings, this particular drawing translates his written and drawn instructions… Read More

Permanence

Permanence

Elizabeth Hatz

Drawing as adjuration (incantation) If architecture, like art, is a way of asking forgiveness for being mortal (consider the Egyptians or Etruscans), making something last long after the last sigh of its author and searching for a form of permanence, transcending the most ephemeral moment, then the architectural hand-drawing must… Read More

Conen Sigl Architekten: Drawing in retrospect

Conen Sigl Architekten: Drawing in retrospect

Maria Conen

A drawing made in retrospect is the opposite of a sketch made at the beginning of the design process, which is an incomplete kind of searching for a way to order and compose the constitutive elements. This kind of ‘drawing made afterwards’ is much more about bringing all the principal… Read More

Roz Barr Architects: The Maquette

Roz Barr Architects: The Maquette

Roz Barr

The act of making a physical artefact involves a to-and-fro engagement with an idea, in which decisions are ‘made’ and re-thought, and then un-made before the idea is realised. This roundabout but essential process of adaption is carried out, in the work of my architectural practice, through the use of… Read More

James Gowan: Inside the sketchbook

James Gowan: Inside the sketchbook

Ellis Woodman

While typically, the architect employs the sketchbook as a raft by which to navigate the relentless flow of day-to-day practice, those that James Gowan assembled, across the course of his long professional life, served as a more elevated and leisurely mode of transport. Questions that he was addressing in the… Read More