Tag: sketch
Lisson to Tony Fretton
05.05.2025
Lisson to Tony Fretton05.05.2025
– Tony Fretton and Ricardo Aboim Inglez
Tony Fretton founded his architectural practice (Tony Fretton Architects) in 1982 in London. He came into international prominence in 1991 after the completion of the second Lisson Gallery building, transforming the street into an urban setting to be absorbed by culture. From his house in London and over two hours,… Read More
Jean Tinguely: La Vittoria
02.05.2025
Jean Tinguely: La Vittoria02.05.2025
– Editors
In 1970 Pierre Restany and Guido Le Noci, director of the Apollinaire gallery, decided to celebrate, with the help of the municipality of Milan, the tenth anniversary of the foundation of the Nouveaux Réalistes group. On 27 November, ten years after Yves Klein published his single-issue newspaper Le Dimanche 27… Read More
Processing Process
25.04.2025
Processing Process25.04.2025
It is not Walter Gropius’ fault that his drawing for a single-family row house is strikingly dull. Even the towering figures of architecture, those revered creators of space and form, must, at times, strip their visions down to something much simpler. Clear, unadorned, almost utilitarian sketches become the necessary language… Read More
Protected: Ludwig Mies van der Rohe at Drawing Matter
24.04.2025
Protected: Ludwig Mies van der Rohe at Drawing Matter24.04.2025
– Editors and Nicholas Olsberg
There is no excerpt because this is a protected post.
Wang Shu: Drawing Uncommon Grounds
24.04.2025
Wang Shu: Drawing Uncommon Grounds24.04.2025
– Xin Jin
Despite the extensive literature on Chinese experimental architecture that emerged in the mid-1990s after the Cultural Revolution, architects’ reflections on and practices of representation remain under explored. Wang Shu (王澍), recipient of the 2012 Pritzker Prize, is a prominent figure in Chinese experimental architecture. Though widely acclaimed in the West… Read More
Curtains
28.03.2025
Curtains28.03.2025
– Petra Blaisse and Sophie Wehtje
Brief email exchanges. When meeting physically is out of the question, good old-fashioned correspondence still works, even if and for some time now, it is done electronically. This is how many of the editorial pieces on the Drawing Matter website come into being—through a chain of typed messages. It’s a… Read More
Leicester Engineering Building: Un-detailing
21.03.2025
Leicester Engineering Building: Un-detailing21.03.2025
The building is in many ways as extraordinary as its details. At ground-floor level it confronts the visitor with a blank wall of hard-faced red brick, which is occasionally pierced with a rather private-looking doorway, except at the point where the glazed main-entrance lobby splits this defensive podium into two… Read More
Aldo Rossi at Drawing Matter
20.03.2025
Aldo Rossi at Drawing Matter20.03.2025
– Editors and Nicholas Olsberg
Aldo Rossi started as a painter, working in the tradition and model of Mario Sironi, whose metaphysical landscapes echo throughout his later work. Although his architectural career commenced with writing, editing and teaching, drawing—especially drawing with colour—remained the principal means to explore and communicate his ideas, and to evoke the… Read More
DMJ – A Will to the City
17.03.2025
DMJ – A Will to the City17.03.2025
Nine unfinished drawings from 15 years ago; a text titled Phobos, which later appears in print; a story by Emilio Gadda and a brief encounter with agoraphobes; Denis Hollier’s work on Bataille’s aversion to monuments; Michel Serres’ Rome: The Book of Foundations; Aldo Rossi’s fabricca; Michel Foucault’s panopticism; Borges’ fear of mirrors; 50 years of sporadic visits to… Read More
Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis
14.02.2025
Aldo van Eyck: Diruit, aedificat, mutat quadrata rotundis14.02.2025
‘He pulls down, he builds up, he exchanges square for round.‘Horace—Epistles. I. 1. 100[1] The Aldo van Eyck drawing currently on show at 13 Lincoln’s Inn Fields appears, at first glance, to do precisely this. A preliminary drawing, one made for the design of the architect’s own house, on transparent… Read More
Adolf Loos: House Tzara, Paris, 1925-27
13.02.2025
Adolf Loos: House Tzara, Paris, 1925-2713.02.2025
In 1924, Adolf Loos decided to leave Vienna and move his office to Paris. This decision was prompted by the politically motivated closure of the Settlement Office in Vienna. Loos had been the chief architect of the Settlement Office and was deeply committed to the settlers’ movement and the young… Read More
Álvaro Siza: SAAL Bouça Housing, Porto
10.02.2025
Álvaro Siza: SAAL Bouça Housing, Porto 10.02.2025
– Manuel Montenegro, Helen Thomas and Ellis Woodman
This drawing has two layers and two authors. Francisco Guedes de Carvalho made the draft perspective when he was a collaborator working in Siza’s office after studying under him at the Faculty of Architecture at the University of Porto (FAUP). Guedes de Carvalho worked on the Bouça housing project both… Read More
Richard Neutra at Drawing Matter
03.02.2025
Richard Neutra at Drawing Matter03.02.2025
– Editors and Nicholas Olsberg
Richard Neutra trained in Vienna, for a time under Karl Moser and Adolf Loos, did wartime service in Serbia, and spent six years working first in Switzerland with the landscape architect Gustav Ammann; then in Berlin—for the last two years as project manager for Erich Mendelsohn; and finally in Chicago… Read More
Anton Markus Pasing
30.01.2025
Anton Markus Pasing30.01.2025
Münster, March 2024 Mad I cannot be, sane I do not deign to be, neurotic I am. Nearly fifty years ago Nigel Coates writing in my Villa Auto AA exhibition catalogue chose the above quote from Roland Barthes to describe my pathological production of architectural fictions. These were hand-drawn, a… Read More
Paul Rudolph: Transcending the Conventions of Architectural Drawing
27.01.2025
Paul Rudolph: Transcending the Conventions of Architectural Drawing 27.01.2025
Paul Rudolph (1918-1997) is known for his compelling large-scale presentation drawings, such as the memorable perspective sections of his Yale Art & Architecture Building in New Haven, CT (1958-1963), among others. But a deeper dig into the Rudolph archive at the United States Library of Congress in Washington D.C. reveals… Read More
Montano – Don’t Speak About Me
10.01.2025
Montano – Don’t Speak About Me10.01.2025
Dear Niall, Before I forget, I wanted to send you the transcription from the Montano sheet. You can post it as my little discovery. Non dir di me se su di me non sai senza di te che poi di me dirai?Non fare ad aloro quello che a te non piace … Read More
Drawing as Travelogue
27.12.2024
Drawing as Travelogue27.12.2024
– Beth George and Emerald Wise
This is a rumination on memory, perceived worlds, and on drawing as embodied experience and shared conversation. While visiting Drawing Matter, we attended to and later remembered spaces both drawn and physical. Produced on the floor of a roof terrace in Sicily, we moved over the drawn field as a… Read More
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
– Raffael Baur and Patricia Guaita
The following text recounts the week-long drawing workshop held at Shatwell Farm in August 2024. To read the students’ reflections and view their drawings, click here. To read invited expert Sergio Ekerman’s account of the two lectures he delivered throughout the week, click here. The 2024 ENAC Summer Workshop at… Read More
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop
19.12.2024
Two Lectures at Drawing Research Platform, Somerset, 2024, ENAC Summer Workshop19.12.2024
The following text is a brief reflection on two lectures delivered at Shatwell Farm in August 2024 as part of the ENAC EPFL Drawing Research Platform. To read the students’ reflections and view their drawings, click here. To read an account of the week, click here. The two lectures at… Read More
Cedric Price: Parc de la Villette
18.11.2024
Cedric Price: Parc de la Villette18.11.2024
The following account looks into the drawing DMC 1438 related to Price’s Parc de la Villette competition entry, to quest for the modes in which this media object resituates his design approach of design for pleasure, not only as the evolution of his practice, but crucially as part of an… Read More
On Origins and Originality
15.11.2024
On Origins and Originality15.11.2024
The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More
Drawing Without Erasing
21.10.2024
Drawing Without Erasing21.10.2024
The following text first appeared in Drawing without Erasing and Other Essays, by Flores & Prats (Barcelona: Puente editores, 2023), 16-23. Not so long ago, a journalist interviewed us for the British magazine Architecture Today, and the resulting article was called ‘Dirty Drawings’. This suggestive title might bring to mind a… Read More
Streetscapes: Bath
07.10.2024
Streetscapes: Bath07.10.2024
The following text is excerpted from Ptolemy Dean’s new book Streetscapes: Navigating Historic English Towns, published by Lund Humphries. Find out more about the book and purchase a copy here. ‘Bath is, beyond any question, the loveliest of English cities’, wrote Walter Ison, whose 1948 work on the city continued:… Read More
Name(r)s of the Animals and Drawers
24.03.2025
Name(r)s of the Animals and Drawers24.03.2025
– Bahar Avanoğlu
‘Barely Traced, the true drawing escapes.’[1] On a late night while reading Latife Tekin’s Zamansız (Timeless or Without Time)–a tale of love embedded in a lake, unfolded within the obscured semblances of a weasel and an eel–I found myself moving my lips, whispering: ‘Frii-iii-er-frii-ii-frii’. As I read the words printed on the paper, I… Read More
sketch presentation theoretical & imaginary