Tag: sketch

Louis Kahn: Sketch for a Mural

Louis Kahn: Sketch for a Mural

Matt Page

Drawing Matter holds a large number of drawings, prints and other materials relating to a project for an office building in Kansas City designed by Louis Kahn. The project was one of the last that the architect worked on before his death in 1974, and many of the drawings carry… Read More

Working (with) Drawings from the Drawing Matter Collection

Working (with) Drawings from the Drawing Matter Collection

Rosie Ellison-Balaam and Maria Mitsoula

The following text was first published in Stoà 14 – SCUOLE, SYLLABUS / SCHOOLS, BRIEF (Autumn 2025). * Drawing Matter and its Collection The Drawing Matter Collection, carefully assembled by collector, curator, and critic Niall Hobhouse over thirty years, comprises around 20,000 objects—including architectural drawings, models, photographs, and sketchbooks, among others—from around the… Read More

Collection Guide: Futurism, Rationalism, and Stile Littorio

Collection Guide: Futurism, Rationalism, and Stile Littorio

Rosie Ellison-Balaam

The Drawing Matter collection holds around 70 objects that speak to Italy’s architectural evolution in the early twentieth century. It should be noted that this period was characterised by tremendous stylistic diversity, with movements and groups—often unhappily—coexisting and shifting, ultimately culminating in the dominance of the Stile Littorio.  At the… Read More

Protected: Scaletales: Dr Franz Gibarian’s Lecture

Protected: Scaletales: Dr Franz Gibarian’s Lecture

William Firebrace

There is no excerpt because this is a protected post.

Shadows in the work of Canaletto

Shadows in the work of Canaletto

Philip Steadman

Canaletto used a camera obscura to trace the architecture of Venice on site.[1] He used the camera sketches in turn to produce finished drawings and paintings. Fig.1 reproduces two pages from Canaletto’s sketchbook, his quaderno, now in the Accademia Galleries in Venice. They show the Campo and Church of SS Giovanni… Read More

Protected: Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Protected: Ian Hamilton Finlay’s Cloud Board and the Architectural Drawing

Lola Gabellini-Fava

There is no excerpt because this is a protected post.

Protected: Time Theft

Protected: Time Theft

Jamie Lipson

There is no excerpt because this is a protected post.

Baroqsysms

Baroqsysms

Edgar Papazian

Are architects wired to interpret reality flattened into two dimensions, with the third hovering somewhere nearby like an amputated ghost limb? Can short-form video animations, generated by Artificial Intelligence, scratch that phantom itch between two and three dimensions that we, survivors of this mental re-ordering, suffer from? I started thinking about… Read More

Protected: Drawing Superpositions

Protected: Drawing Superpositions

Leo Julin

There is no excerpt because this is a protected post.

DMJ – Death Masks

DMJ – Death Masks

Kieran Cremin

This series of drawings is part of a larger project titled Tracking Blood Meridian, which explores the work of the American writer Cormac McCarthy. The sketchbook pages are developed as studies for landscape-like death masks that relate to members of the nineteenth-century Glanton gang, on whose exploits McCarthy’s 1985 novel… Read More

Protected: Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio

Protected: Desire and Pain: John Hejduk’s Thirteen Watchtowers of Cannaregio

Mehrshad Atashi and Lida Badafareh

There is no excerpt because this is a protected post.

Levers Long Enough to Move the World

Levers Long Enough to Move the World

Andrew Holder

‘Give me a lever long enough and a fulcrum on which to place it, and I shall move the world’ — Archimedes Levers Long Enough to Move the World is an exhibition of architectural sketches curated by Andrew Holder at the Pratt School of Architecture, featuring the work of 62 contemporary… Read More

New Views on Vanbrugh and his Drawings

New Views on Vanbrugh and his Drawings

Charles Saumarez Smith

This text is published to mark the opening of John Vanbrugh: The Drama of Architecture at Sir John Soane’s Museum (4 March–28 June 2026), co-curated by Charles Saumarez Smith and Roz Barr. More information about the exhibition can be found here. In the summer of 1982, when I was at… Read More

The Brick Pencil: Analogue Technology in a Digital Age

The Brick Pencil: Analogue Technology in a Digital Age

Daniel Rosenberg

Part 1: The Brick Pencil In a colour photograph with the rich saturation of Kodachrome, against an aquamarine background, a manicured hand grips an upright brick. Taped to the brick, tip down, is a pencil. The weight of the brick is palpable. Someone is working hard to write with this… Read More

Drawing of a Cause

Drawing of a Cause

João Manuel Miranda

The following text is based on an excerpt from Lost Causes: Possibilidade e Política em Concursos de Habitação (Porto: Circo de Ideias, 2025), edited by João Manuel Miranda and Tiago Antero. The book presents the results of ‘Lost Causes’, a research project that aims to promote critical reflection on unbuilt… Read More

Saul Steinberg: Bucharest, Milan, New York

Saul Steinberg: Bucharest, Milan, New York

Stefan Davidovici

Steinberg is for me, first of all, the New Yorker magazine—one of the most intelligent and open American publications, with a very distinct graphic style that includes a generous use of drawings and cartoons, born and fed by the amazingly rich cultural landscape of New York City. I see New York… Read More

Arrows

Arrows

Laurent Stalder

The small drawing that adorns the title page of F. R. S. Yorke’s 1937 study, The Modern House in England, is typ­ical for its time. It shows an aerial perspective, made in thin black lines, of a conventional modern house with all its attributes. Cubic in shape, the house is… Read More

Drawing Research Platform, London, 2025, ENAC Summer Workshop

Drawing Research Platform, London, 2025, ENAC Summer Workshop

Raffael Baur, Patricia Guaita and Matthew Wells

For a fourth year, Drawing Matter hosted students from ENAC EPFL for a week-long workshop on survey drawings—this time not in a Somerset farmyard, but in Lincoln’s Inn Fields, 400 yards east of the archive. The workshop was organised by Patricia Guaita and Raffael Baur in collaboration with Drawing Matter,… Read More

Summer Evenings on Sukhna Dam

Summer Evenings on Sukhna Dam

Vikramaditya Prakash

Poornmashi. The bright full-moon nights of the year were always opportunities for us to try to convince our parents to organise a picnic at the Lake. Chandigarh is a long way from the ocean, way inland, surrounded by the vast Indo-Gangetic plains. And although the mighty Himalayas are right at… Read More

Collection Guide: Zaha Hadid

Collection Guide: Zaha Hadid

Editors

Zaha Hadid was born in 1950 in Baghdad, Iraq. After studying mathematics at the American University in Beirut, Lebanon, from 1968 to 1971, she moved to London in 1972, where she studied architecture at the Architectural Association (AA). It was here that her work began to reference the Russian avant-garde,… Read More

This is Tomorrow 

This is Tomorrow 

Tess McCann

The following text is excerpted from the catalogue of the exhibition Theo Crosby: One Hundred Lives, which is on view at Osh Gallery London until the 11th December 2025. Curated by Pentagram’s Michael Bierut and researcher Tess McCann, the exhibition focuses on the life and work of Theo Crosby, one of the founding… Read More

Drawing as Method and Process

Drawing as Method and Process

Kristine Mogensen

Modus is a preparatory school for studies in architecture, art, and design, as well as a sustained investigation into the potentialities of drawing. Here, drawing is used to pose questions, uncover spatial and formal possibilities, and articulate new architectural statements. The school is founded on the belief that while architecture… Read More

Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)

Tony Fretton: Everything I Saw Became Important (Exhibition + Talk)

Editors

On Friday 7 November, Drawing Matter welcomed architects Tony Fretton and Benjamin Machin to the archive for a conversation to open the exhibition ‘Tony Fretton: Everything I Saw Became Important’. Anchored by seven ‘artefacts’ now in the Drawing Matter Collection, the conversation explores the roles of drawings, photography, and sketchbooks… Read More

Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks (Video) 

Notes on Louis-Hippolyte Lebas’ Travel Sketchbooks (Video) 

Elizabeth Hatz

The sketchbook is your loyal private companion, your eyewitness and accomplice on voyeuristic escapes and inquisitive journeys. It is a brain in your hand, mirroring even subconscious registrations, only discovered afterwards, as you flick through the pages, absent-mindedly. You remember—much has already entered you, through the hand. I cry when… Read More