Tag: urban form

Preamble to a New World (1963)

Preamble to a New World (1963)

Constant

Stones speak. Towns speak. Ruins and skylines: the story of the people. From ‘Preamble to a New World,’ New Babylon, 1963.

New Babylon (1963)

New Babylon (1963)

Constant

The following is excerpted from Constant’s New Bablyon, 1963, and translated by Kenny Stevens. Books full of words, oral, printed traditions fixed the cities as a law of life for generations – conquered and vanquished before and re-erected. Buried under a hollowed time, or still an endless and compelling space,… Read More

History & Origins

History & Origins

Aldo Rossi

And these old drawings […] now have their own history, an almost enforced form of composition. And yet I wonder at the fact that they are the origin or germ of these new architectural works, which others could regard as more professional. In actual fact, invention and imagination have deeper… Read More

The Changing Metropolis 1940s–1980s

The Changing Metropolis 1940s–1980s

Niall Hobhouse and Nicholas Olsberg

Part III: Monumentalism and motion 1940s –1980s A night rendering, making cinematic use of the dynamics of movement to suggest modernity, appears in the émigré architect Vassilieve’s ideal Manhattan, his animated drawing technique demonstrating how the varied shelves and openings of a setback megablock scheme bring energy and momentum, light… Read More

The Changing Metropolis 1900–1930s

The Changing Metropolis 1900–1930s

Niall Hobhouse and Nicholas Olsberg

Part II: Unifying the city landscape: 1900–1930s The area of Finsbury in north London became a borough in 1900 and proposals rapidly appeared to replace the terraces of George Dance the Younger’s Finsbury Square and Finsbury Circus with a large volume of continuous office blocks. John Belcher’s proposal seems to… Read More

Future Scenarios, Part III

Future Scenarios, Part III

Niall Hobhouse and Nicholas Olsberg

As much as is needed: Employing the lightest means Few came closer to actually realising the grandest of grand designs imagined than Edwin Lutyens, called upon to realise something close to George Elliot’s Imperial Palace of God in New Delhi, or to avoiding its absorption and demise in the ensuing… Read More

Displaced Persons

Displaced Persons

Niall Hobhouse and Nicholas Olsberg

Architects are extraordinarily reluctant to incorporate into their visual descriptions of buildings any evidence that the real subject their structures serve, and around whose activities they are so carefully formulated, is people. Here’s a look at a few of the moments when this unspoken rule has been broken. Distances: Using… Read More