Category: Drawing Matter archive: research & collecting

Cedric Price: Parc de la Villette

Cedric Price: Parc de la Villette

Ana Bonet Miró

The following account looks into the drawing DMC 1438 related to Price’s Parc de la Villette competition entry, to quest for the modes in which this media object resituates his design approach of design for pleasure, not only as the evolution of his practice, but crucially as part of an… Read More

On origins and originality

On origins and originality

Niall Hobhouse

The following text by Niall Hobhouse is included in the exhibition catalogue for Begin Again. Fail Better: Preliminary Drawings in Architecture. The exhibition, previously shown at the Kunstmuseum in Olten, opened at EPFL on the 5th of November and will close on the 2nd of December 2024. It includes nearly 100 drawings from… Read More

DMJ – Five Episodes from the History of Drawing Instruments

DMJ – Five Episodes from the History of Drawing Instruments

Neil Bingham

Instruments of Building in Ancient Rome Vitruvius, writing in the first century BC, portrays being an architect (architectus) in ancient Rome as a daunting task. The knowledge of the architect, he notes, must encompass the understanding of geometry, engineering, optics, history, philosophy, astronomy, and even music and medicine. At a… Read More

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

In the Archive: Riefenstahl, Hitler, Ebhardt, Sironi, Brasini

Editors

Click on drawings to move and enlarge. Premiered at this year’s La Biennale di Venezia, was Andres Veiel’s documentary on Leni Riefenstahl, the German film director known for Olympia (1936) and Triumph des Willens (1935). Framed through archival material Veil’s Riefenstahl (2024) demonstrates how her work was inextricably linked to… Read More

L’architecture des réalités mises en scene: (re)construire Disney

L’architecture des réalités mises en scene: (re)construire Disney

Fabrizio Gallanti

Drawing Matter asked Fabrizio Gallanti, Director of the arc en rêve – centre d’architecture, for an informal commentary on the content and presentation of their current exhibition L’architecture des réalités mises en scene: (re)construire Disney, open until January 2025. We are arc en rêve. We do exhibitions. In Bordeaux, South-West of France.… Read More

Goldfinger—Planning Your Neighbourhood

Goldfinger—Planning Your Neighbourhood

Erin McKellar

At first glance Planning Your Neighbourhood appears as a series of prints in a case, and its use is unclear. This series of twenty prints was created by modernist architect Ernö Goldfinger, artist Ursula Blackwell, illustrator Shiela Hawkins, landscape architect Peter Shepheard and their assistant Martin Cobbett. Rather than solely… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 3

Nicholas Olsberg

This post concludes Nicholas Olsberg’s series on William Butterfield’s Heath’s Court project, the text of which is included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024. ‘Sounding corridors’: entry and sequence The driveway brings us into a… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 2

Nicholas Olsberg

This post continues with the second part of Nicholas Olsberg’s text on William Butterfield’s Heath’s Court project, included in his new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.   ‘Cycles of the human tale’: the library The elevation of the… Read More

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Retreat and Commemoration: Heath’s Court, 1878–82 – Part 1

Nicholas Olsberg

William Butterfield’s architectural practice, spanning the entire Victorian era, is the focus of Nicholas Olsberg’s new book The Master Builder: William Butterfield and his Times to be published by Lund Humphries in October 2024.  Over the next three weeks, Drawing Matter will reproduce a chapter within The Master Builder that focuses… Read More

Claude Parent at Drawing Matter

Claude Parent at Drawing Matter

Editors and Chloé Parent

Drawing Matter is honoured to have recently added to the collection a group of 60 drawings by Claude Parent, which were selected in very generous collaboration with Chloé Parent and the Claude Parent Archives. In the wider context of the collection, we see these drawings as offering unique access to… Read More

DMJ – Brunel’s camera lucida

DMJ – Brunel’s camera lucida

Philip Steadman

In the Drawing Matter collection there is a camera lucida that belonged to Isambard Kingdom Brunel (1806–1859) (Figs 1–4,6).[1] The camera lucida is an instrument for drawing from life, patented in 1806 by the versatile English chemist and physicist William Hyde Wollaston (1766–1828).[2] The term camera lucida (‘well-lit room’) is… Read More

Adolfo Natalini with Superstudio at Drawing Matter

Adolfo Natalini with Superstudio at Drawing Matter

James Dunbar and Editors

Adolfo Natalini (1941–2020) was an Italian architect. A member of the ‘School of Pistoia’ Pop Art group in the early 1960s, Natalini combined his Pop aesthetic with critique and irony in his thesis work at the University of Florence School of Architecture, graduating in 1966.[1] Soon after, he co-founded Superstudio… Read More

Peter Wilson and Mark Dorrian in conversation – Part 2

Peter Wilson and Mark Dorrian in conversation – Part 2

Mark Dorrian and Peter Wilson

This is the second part of an edited transcript of a conversion held in Thurloe Sq, London, on 25 July 2020. Peter Wilson’s exhibition ‘Indian Summer and Thereafter’ had opened at Betts Project the previous evening. Mark Dorrian: Moving on to the Villa Auto and Clandeboye projects, both were sited… Read More

Object of Desire — Haff Cross-Hatch Machine

Object of Desire — Haff Cross-Hatch Machine

Jeremy Peacock

Leaving the Architectural Association and starting at Ahrends Burton and Koralek (ABK) in 1978 was a complete revelation to me. Here, instead of the layers of smudged graphite used to illustrate abstract drawings—as promoted by Dalibor Vesely for instance—graphite powder from your rotary pencil sharpener was used to shade the… Read More

Gavin Stamp: Interwar, British Architecture 1919-1939

Gavin Stamp: Interwar, British Architecture 1919-1939

Otto Saumarez Smith

When the architectural historian Nikolaus Pevsner was asked to draw up an inventory of interwar buildings that deserved to be placed on the Statutory List, the so-called ‘Pevsner 50’ that resulted was almost entirely composed of the whitest of white modernist buildings. Similarly, John Summerson argued that the only thing… Read More

Frank Lloyd Wright at Drawing Matter

Frank Lloyd Wright at Drawing Matter

Editors and Nicholas Olsberg

The Frank Lloyd Wright collection is of primary interest from 1936 to 1951, and especially for a small group of studies and presentations for the shaping of domestic space, dwelling within landscape, and interior fittings. There are also important isolated drawings for a prairie house, Midway Gardens, the Johnson Administration… Read More

Peter Wilson and Mark Dorrian in conversation – Part 1

Peter Wilson and Mark Dorrian in conversation – Part 1

Mark Dorrian and Peter Wilson

This is the first part of an edited transcript of a conversion held in Thurloe Sq, London, on 25 July 2020. Peter Wilson’s exhibition ‘Indian Summer and Thereafter’ had opened at Betts Project the previous evening. Mark Dorrian: What led you to architecture to begin with, Peter? You began studying… Read More

Lapo Binazzi: Casa a Diacceto

Lapo Binazzi: Casa a Diacceto

Beatrice Lampariello

The design of Casa a Diacceto responds to the principle of ‘discontinuity’ theorised by Lapo Binazzi at the beginning of the 1970s: architecture can only be thought of and realised in fragments and pieces, there is no longer a coherent unity. The pieces are never invented, but are taken from… Read More

Begin again. Fail Better: Pichler and Hollein

Begin again. Fail Better: Pichler and Hollein

Matt Page

This text by Matt Page will be included in the exhibition catalogue for Begin again. Fail Better: Preliminary drawings in architecture (and art). The exhibition opens on the 31st May 2024 at the Kunstmuseum Olten, and includes nearly 100 drawings from the Drawing Matter Collection. More information about the exhibition… Read More

Louis-Hippolyte Lebas at Drawing Matter

Louis-Hippolyte Lebas at Drawing Matter

Editors and Nicholas Olsberg

French architect Louis-Hippolyte Lebas (1782–1867) trained with Percier and Fontaine, whose assistant he remained for some years; working in Paris, both independently and in collaboration with Éloi Labarre and others from the mid 1820s; professor of history of architecture at the École des Beaux-Arts from 1840; and leader of an… Read More

Peter Wilson in the Empire of Signs

Peter Wilson in the Empire of Signs

Mark Dorrian

‘Geometric, rigorously drawn, and yet always signed somewhere with an asymmetrical fold or knot.’[1] While this could be a concise description of Peter Wilson’s work, it is in fact Roland Barthes writing in his book Empire of Signs (1970) about what he described as the Japanese ‘ecstasy of the package’.[2] Barthes was struck by… Read More

Architectural models and the oriental ideal of the Alhambra

Architectural models and the oriental ideal of the Alhambra

Asun González Pérez

The Alhambra architectural models reflect the circumstances in which they were created, during the last years of the Romantic movement, when artists and patrons were fascinated by the diffuse idea of the ‘Orient’, somewhat embodied by the Alhambra. This part-myth, part-real palace was the ultimate destination for Romantic travellers and… Read More

Giuseppe Terragni’s Primordial Architecture

Giuseppe Terragni’s Primordial Architecture

Valerio Paolo Mosco

What does the bozzetto that the young Giuseppe Terragni made in 1926, together with Pietro Lingeri, for the competition for the Monumento ai Caduti (War Memorial) in Como have to tell us? It speaks to us of the complexity of its creator, a complexity that Terragni shares with Italian art… Read More

In the Archive: New and Found 3

In the Archive: New and Found 3

Editors

Click on drawings to move and enlarge. The New and Found series is an informal miscellany, which allows us to show some recent acquisitions together with material in the archive or the libraries at Shatwell that you may not have seen before. New There was excitement when Enzo Mari’s resin… Read More