Category: project & building histories

Twelve Thousand Seven Hundred Forty-Two KM of Continuum

Twelve Thousand Seven Hundred Forty-Two KM of Continuum

Farnoosh Farmer

There is a handwritten phrase in red ink at the bottom of this sketch, which reads in Italian: ‘for the continuous monument (genesis)’. This drawing is from one of Adolfo Natalini’s sketchbooks and depicts a series of studies about the earth. In the same sketchbook, he drew multiple sequences of… Read More

Porto School, B Side: Insurrectional Organization of Space

Porto School, B Side: Insurrectional Organization of Space

Pedro Bandeira

The following text on Mário Ramos and Fernando Barroso’s student work at the Porto School is excerpted from the publication Porto School, B Side 1968–1978 (An Oral History) (CIAJG & Documenta, 2014). Collages from the project are included in the exhibition At Play at Garagem Sul, Centro Cultural de Belém… Read More

Christoph Schlingensiefs Operndorf Afrika (2020): Review

Christoph Schlingensiefs Operndorf Afrika (2020): Review

Erandi de Silva

The Opera Village is a complex located thirty kilometres from the capital of Burkina Faso that was initiated by the late German film, theatre, and opera director, author, and action artist, Christoph Schlingensief and envisioned as a site centring African artists and enabling cross-cultural creative exchange. The ever-expanding project combines… Read More

Survey: Le Corbusier, Roland Garros stadium

Survey: Le Corbusier, Roland Garros stadium

Matthew Wells

In July 1958, one day before Faisal II was assassinated during the 14 July Revolution in Baghdad, the Iraqi Ministry of Development sent a telegram to Paris confirming Le Corbusier’s appointment to design the Olympic Stadium. Over the following months, while the programme and site were being clarified, his office… Read More

Clancy Moore Architects: Atcost

Clancy Moore Architects: Atcost

Andrew Clancy and Colm Moore

The Atcost project makes space for storage, education and performance, enabling a diverse range of activities to enhance the growing programme of Drawing Matter: summer schools, events, and away days for universities and practices. After noticing that the vast majority of these activities take place in summer, we proposed an… Read More

Cosmos Street Revisited

Cosmos Street Revisited

Peter Wilson

This response relates to a text by Oscar Binder and Nicholas Podlanha published by Drawing Matter in July 2021, which described and reconstructed (badly) a lost project by the deceased architect James Clark. In fact I am James Clark (decidedly not dead) and the project parodied in this less than… Read More

The Silo at 40Hz

The Silo at 40Hz

Joe Banks and Jonah Ginsburg

DISINFORMATION, CLOSED CIRCUIT, 2021Video documentation recorded on August 1, 2021 – the last day of the installation. Headphones recommended. ‘Architecture is the simplest means of articulating time and space, of modulating reality and [of] engendering dreams’, and, perhaps paradoxically, in the silo at Shatwell, a familiar architectural form is re-purposed… Read More

The H-plan: Breuer, Stirling, Gowan

The H-plan: Breuer, Stirling, Gowan

Anthony Vidler

The interesting note by Neil Jackson tying Gowan and his Isle of Wight House to the bi-nuclear plans of Breuer and then to Craig Ellwood’s Hillsborough House, reminds me of Stirling’s own early interest in Breuer, whose Connecticut work he saw during his 1948 internship in New York during his… Read More

Building the Gowan Shed

Building the Gowan Shed

Jonah Ginsburg

Through the week of July 12–17, thirteen young architects camped at Shatwell Farm in order to realise a shed from an enigmatic early drawing by James Gowan. The workshop was initiated and led by Maria-Chiara Piccinelli of PiM.studio and Corinna Dean of ARCA. This film portrays the (re)design and construction… Read More

Steeling Stirling & Gowan’s Isle of Wight House

Steeling Stirling & Gowan’s Isle of Wight House

Neil Jackson

The editors were thrilled to receive this response from Neil Jackson to our publication of drawings and literature relating to Stirling & Gowan’s Isle of Wight house. We are always interested in receiving comments and feedback from our readers: editors@drawingmatter.org.  In taking the plan of the Stirling & Gowan’s Isle… Read More

Stirling & Gowan: The Isle of Wight House

Stirling & Gowan: The Isle of Wight House

James Gowan, J. M. Richards, Laurent Stalder, James Stirling and Ellis Woodman

This first impetus for this article was provided by Laurent Stalder’s discussion of the sectional perspective drawing for the Isle of Wight house, reproduced here, which led us to J. M. Richards’ seminal essay, and then onward through the literature. In addition, we asked the Deutsches Architekturmuseum and the Canadian… Read More

Leicester Engineering Building: Completed!

Leicester Engineering Building: Completed!

James Gowan

In this pendant piece to Leicester Engineering Building: Under Construction, follow James Gowan, once again, as the photographer of his own architecture. The text below is transcribed from an annotated typescript titled ‘Aspects of Humanism’, July 1989, archived at Drawing Matter. The text was published in Architecture Today as ‘Anatomy… Read More

36 Elevations

36 Elevations

Calum Storrie

I began this series of drawings with something else in mind. The first picture was to be drawn freehand, but I took a wrong turn straight away by setting up a structure using a set-square around which the composition would be based. I realised that the structure was already a… Read More

Leicester Engineering Building: Under Construction

Leicester Engineering Building: Under Construction

James Gowan

Follow James Gowan, through his own photographs, as he inspects the construction progress of the Leicester Engineering Building. While these photographs may have been taken for immediate use at the time, they now serve as a permanent record of the temporary and internal structures that were later disassembled or concealed.… Read More

Shatwell Farm: A Step Up

Shatwell Farm: A Step Up

John Glew

Imagined as something in between a small building or piece of furniture and a block for mounting a horse, these steps are a shortcut to an out-of-sight sauna that sits above a slope amongst the trees. They are directly visible when leaving the dairy house, sitting to one side of… Read More

Disinformation: Closed Circuit

Disinformation: Closed Circuit

Joe Banks

If we sit and talk in a dark room, words suddenly acquire new meanings and different textures. They become richer, even, than architecture, which Le Corbusier rightly says can best be felt at night. – Marshall McLuhan, Understanding Media, 1964.  ‘Architecture is the simplest means of articulating time and space,… Read More

The Cottage at Bromley

The Cottage at Bromley

Tim Anstey and Mari Lending

Enjoyable finds in archives often emerge between the lines. Inside RIBA Collections, which is organised to form a narrative celebrating architects and their works, we found a gem of modern cultural history, consisting of three architectural plans and four letters (ten pages altogether, eight in transcript, two typed). [1] The… Read More

Florian Beigel & Aru’s Pojagi House: Searching for the Essential

Florian Beigel & Aru’s Pojagi House: Searching for the Essential

Louis Mayes

Below is a sketch of a traditional South Korean Pojagi (a handcrafted patchwork tapestry) drawn by Florian Beigel. Described as ‘beautifully unsure’, it shows the importance of the sketch in translating between a reference and the key concept of the Pojagi House, designed by Beigel and the Architectural Research Unit… Read More

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

From Diderot to Tokyo: Mechanical, Subjective and Digital Time

Peter Wilson

The absolute precision and technical specificity of Diderot’s encyclopaedia plates, particularly those devoted to Horlogerie, mark a critical moment in the transition from speculative to operative science, from the pre-industrial to a modernist ontology of technical instrumentalisation. Here on these pages, artisan craft is ransomed to the immanent logic of… Read More

26 Kingly Street Co-Op

26 Kingly Street Co-Op

Editors

Throughout the 1960s, the Artists’ Own Gallery at 26 Kingly Street in Soho held exhibitions, events and gigs. It was run by a group of artists, including Keith Albarn and his wife, Hazel, who exhibited her work there. Malcolm McLaren presented the first public showing of his work at the Gallery… Read More

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

Notes on Twelve drawings for the Governor’s Palace at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

Stephen Taylor: Haybarn

Stephen Taylor: Haybarn

Brendan Woods

‘What looks like a fairly simple building from a distance becomes more and more sophisticated the closer one looks. The gentle slope to the trabeated front elevation subtly reveals itself, for example, cleverly disguised by the character of the jagged brick columns built out of snapped headers and filled with… Read More

Notes on The Palace of the Assembly and Museum at Chandigarh

Notes on The Palace of the Assembly and Museum at Chandigarh

José Oubrerie

Drawing Matter was introduced to José Oubrerie by Stan Allen after publishing his text Just Begin in July 2020. Oubrerie worked for Le Corbusier on the Brazilian Pavillion at the Cité Universitaire in Paris in 1958 and in the Atelier at 35 Rue de Sèvres from 1959 to 1965. The… Read More

This Blue Love: Aldo Rossi in Samos in late Summer 1989

This Blue Love: Aldo Rossi in Samos in late Summer 1989

Vincenzo Moschetti

In his voyage to Samos in the Summer of 1989 Aldo Rossi gathered a collection of fragments in accordance with a Palladian education. The image repeats itself, following what Johns had written in 1984: ‘I like to repeat an image in another medium to observe the play between the two:… Read More